BOOK REVIEW | "THE CHRIS FARLEY SHOW: A BIOGRAPHY IN THREE ACTS" BY TANNER COLBY AND TOM FARLEY, JR.
photo by nacrowe
i've already made explicit my love for comedian CHRIS FARLEY and his all-too brief career (check out that article HERE), but after reading this loose oral biography THE CHRIS FARLEY SHOW: A BIOGRAPHY IN THREE ACTS (VIKING, 2009), co-written by his older brother TOM FARLEY JR and compiling quotes from his friends, family, colleagues, childhood acquaintances and peers alike what becomes apparent was his complex humanity that far transcended his public persona.
what struck me about this book was not the stories of his kindness towards strangers or even the revelation that he was a vulnerable, deeply empathetic person that drew strength from his catholicism. no what struck me about this book was his relationship with his father. in my estimation this book is not about CHRIS FARLEY, it is about TOM FARLEY SR and CHRIS FARLEY. TOM was an academic standout who graduated from GEORGETOWN and was a rising talent with within the WISCONSIN GOP, even knowing then-SENATOR JOSEPH MCCARTHY. he was destined to become a lawyer but shortly after beginning law school had two heart attacks a promptly moved back to WISCONSIN and supported his family by running a company that paved roads for the local government. his job was basically to take people out to restaurants and schmooze them over lunch/dinner. he'd do this several times a day throughout WISCONSIN depending on the clientele.
in essence, CHRIS (much like his brothers) adored his father and sought to please him throughout his career. CHRIS' only ambition was to be on SATURDAY NIGHT LIVE, the show whose member JOHN BELUSHI was a favorite of his father. throughout this narrative of his life, CHRIS made fateful decisions based on the flawed logic of his father. whether that be delusions about whether or not they both had a problem with food or alcohol (both were alcoholics that were morbidly overweight). even when he got to 600 pounds, his father held psychological sway over CHRIS, who wouldn't lose weight as a means of solidarity with his father. even creative choices that were detrimental to his career, and against the advice of peers, agents and his own better judgement, were made by the outsized influence of his father. for one, he did BEVERLEY HILLS NINJA (SONY PICTURES, 1997) not because of the quality of the script but because TOM had convinced him to take the money.
to me this makes sense given that they had an IRISH-CATHOLIC clan mentality and again, for CHRIS his goal in life was to make his father laugh. its just tragic that he didn't get help because his generosity and sense of humor was inclusive and such a positive force in an unseen number of people's lives. there was a vulnerability to his work. a humility. this was a sad painful book to read if only because he was such a singular talent that was beloved by his peers at every step of his career and to this day he is still such a beacon of unbridled joy.
the fact that he self-destructed so spectacularly and was such a lonely figure is heart-wrenching. selfishly, like so many others i would have loved to see the DAVID MAMET-directed "FATTY" ARBUCKLE biopic that was in development at the time of his death. what an apt project.
anyway, this book was beyond compelling and well-worth seeking out if you are interested in SATURDAY NIGHT LIVE or the history of AMERICAN COMEDY. its a tragedy that is so GREEK Its uncanny. what a sad, sad story.