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CHECK OUT THIS ARTIST | FOXES

1/31/2020

photo manipulation by nacrowe

i first came across the powerhouse voice of BRITISH singer LOUISE ROSE ALAN, aka FOXES, when she was on an episode of BALCONY TV shot on the roof of the old [the end] studio in GREENPOINT (and mixed by BRIAN of DEER GOD) back in 2013. i remember being abroad in ALBANIA at the time scrolling through dozens of BALCONY TV episodes and just being knocked out by her presence and intense vocals. it was like, who is sheeee?

i know across the pond she is known for her infectious DANCE POP sound, but in all honesty i find the stripped down sessions that focus on her powerful voice to be more representative of her range as a vocalist. because of our past live mixing work, we included her in our DEER GOD RADIO episode back in MARCH 2019 dedicated all THE ARISTS WE'VE RECORDED, FILMED, OR MIXED.

currently she is in the lab cooking up new sounds. i invite you to check out her music. enjoy.

NEW "SYNTHESIZER SHOW" EPISODE AVAILABLE NOW

1/31/2020

cover by nacrowe

click HERE for the most recent episode of THE SYNTHESIZER SHOW on MAKERPARKRADIO.NYC where Reed welcomes Vince back from his trip to ENGLAND and they explore more electronic music with another stellar playlist.

as always, you can access all past episodes of THE SYNTHESIZER SHOW via the DEER GOD website as well as those of MAKE HER SPACE, NOWHERE FAST, DEER GOD RADIO and CLASSICAL-ISH WITH NUTMEG.

and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!

THROWBACK THURSDAY | CHARMING DISASTER MUSIC VIDEO SHOOT

1/30/2020

photo manipulation by nacrowe

given that our friends in CHARMING DISASTER will be returning to blessed shores of STATEN ISLAND next month for a secret-ish gig (check HERE for details), it seemed a good time to look back at the shoot we collaborated with them on for their "BLACKSNAKE" video (embedded below) at the KREISCHER MANSION on a bitterly frigid night last winter.

if my memory serves me correct, we shot from sunset to sunrise in that dilapidated old 19th century victorian structure that, not surprisingly, did not have central heating. it was intense.

they were familiar with the space as we had shot them a few months before as part of our KREISCHER MANSION SESSIONS live performance video series (embedded below) and had a written a script that took visual advantage of various rooms, corridors and foyers throughout. i've learned that it is always enjoyable to work with people who know what they want, as it narrows the gig to executing a common vision. this was an exhausting but fun shoot and we were excited about the final project they edited together. special thanks to ELIA, JEFF & JOSH.

come see them play next month and check out their latest single "Longest Night of the Year."

SPOTLIGHT | ELIA KAZAN

1/29/2020

photo manipulation by nacrowe

in an age of CANCEL CULTURE and ideological purity tests that border on the insane, i think it is as crucial a time as ever to revisit the figure of legendary film director ELIA KAZAN and his complicated legacy during the HOUSE UN-AMERICAN ACTIVITIES COMMITTEE hearings of the 1950s. for those unfamiliar with MCCARTHYISM, there was a wave of fear, much like our own current frenzied political climate, in the immediate post-WWII period related to our global rivalry with the SOVIETS dubbed the COLD WAR. there was always the threat of violence and massive attacks of the nuclear variety but ultimately it never got hot (i.e. conventional military conflict).

this state of affairs found the UNITED STATES turn in on itself and attempt to weed out anyone of note in major industries (politics, entertainment, journalism, etc.) who may have ever dabbled or supported socialist causes. it should be noted that in the immediate aftermath of the THE GREAT DEPRESSION in the 1930s, anyone with half a brain questioned the long-term viability of MARKET CAPITALISM.

this purity test famously heralded by WISCONSIN senator EUGENE MCCARTHY (who not ironically shared a counsel, ROY COHN, with DONALD TRUMP) was highly destructive to AMERICAN ideals of freedom and jurisprudence and resulted in ten JEWISH career professionals (screenwriters, directors, producers) known as the HOLLYWOOD TEN being BLACKLISTED and publicly vilified due to hearsay and innuendo. many film historians believe the SOCIALIST-bating histrionics was just a public smokescreen to ostracize JEWS in positions of influence, which marks this as a very dark period in our history.

KAZAN is famous for being a deft film director who specialized in character-driven narratives that touched on the struggles of working people (A STREETCAR NAMED DESIRE, ON THE WATERFRONT, EAST OF EDEN). his career dovetailed with the rise of METHOD ACTING and benefited from his collaborations with screen legends such as MARLON BRANDO and JAMES DEAN. basically he is a director of the highest order and his films are admired, studied and dissected by aspiring and working directors and random film junkies (like me) to date. he also dabbled in socialist circles in the 30s and was even a member of the communist party in NYC very briefly during that period.

now the names of members of were already known to the HUAC committee, but he was pressured to name names. and unfortunately he did. to this day he is a controversial figure for crossing that line and even during his acceptance of an award at the OSCARS over 50 years later, actors still turned their back in full view of the cameras. its a touchy subject and one that will forever be.

we like to think that people will make good choices in the face of tyranny and injustice, even at the expense to one's own self. fellow immigrant director BILLY WILDER (DOUBLE INDEMNITY, SUNSET BOULEVARD, SOME LIKE IT HOT) did such. he told HUAC to stuff themselves and he rightfully celebrated for such, but i think realistically the world is imperfect and people make imperfect decisions in imperfect situations.

did KAZAN deserve to be a pariah the rest of his life in the HOLLYWOOD community? i don't know, but i tend to side with empathy.

the people i find no empathy for are those that deliberately foster a divisive climate based on self-serving considerations such as power, which is definitely the case with MCCARTHY, COHN, TRUMP and all of his sycophants. perhaps a day will come when the waves of hatred will subside and our national wounds will have healed, but these people will still deserve our scorn and not those that got caught up in the hailstorm against their will. just saying.

"DEER GOD RADIO 71: POWER POP" NOW AVAILABLE

1/29/2020

parody by nacrowe

check out HERE this recent streaming video episode of DEER GOD RADIO dedicated to classic 70s POWER POP and the music it inspired thereafter.

past episodes of DEER GOD RADIO as well as other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, THE SYNTHESIZER SHOW and CLASSICAL-ISH WITH NUTMEG are available here at the DEER GOD website.

and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!

FILM REVIEW | KILLER INSIDE: THE MIND OF AARON HERNANDEZ

1/28/2020

photo manipulation by nacrowe

i remember back in 2011 i was dominating my fantasy football league because of this surprise tight end on the NEW ENGLAND PATRIOTS was dominating the NFL. that tight end was AARON HERNANDEZ. my thought process was basically that quarterback TOM BRADY was so efficient that all of his possible receivers would have inflated stats and as it turned out i was correct. the other tight end ROB GRONKOWSKI was a high pick in every draft but HERNANDEZ was a sleeper. the next year i chose him again when oddly partway through the season he stopped because he was being investigated in a homicide. jokingly i remember complaining that of course this happens to my team, but quickly i realized that most in my position in all likelihood did not share my healthy distance from my own competitive self-interests.

i think one of the key components that make KILLER INSIDE: THE MIND OF AARON HERNANDEZ (NETFLIX, 2020) such a deeply distubing documentary is the culpability of all of us in this game that literally grinds up men and chews them out as broken shadows of their former selves. to me that was the bottom line as told through the story of a deeply troubled player with questionable morals that succeeded and was given no guardrails or boundaries due to his athletic prowess and our collective cult-like adoration to modern athletes.

this devotion is hollow in that none of us truly care about these players once they leave the field of play. think about that for a minute. we use these men.

HERNANDEZ throughout the 3-hour, 3-part documentary is shown to be a freak athlete who suffered through family chaos, repressed sexuality and a diminished control over his emotions that was almost certainly a result of CTE due to concussions going back to high school. this is not to say that the film offers him excuses for his actions, it doesnt. its conceit is that he had agency and made terrible choices based on a myriad of underlying issues that complicated his sense of identity and position in society. the murders he was accused of conducting were heinous and senseless and beyond tragic, as those he lashed out against were normal working-class people unassociated with any underworld connections.

you just get the feeling that this guy needed help at every stage in his development and all anyone saw in him was dollar signs. as consumers we are all implicated in the bloodsport that is AMERICAN football and the NCAA and the NFL are both hollow organizations that cater to this impulse for violence. at some point we have to come to terms with the sport and the wake of human wreckage it leaves behind. notwithstanding is the equally brutal, almost spartan, connotations it provides in celebrating a particular strain of toxic masculinity to the youth that isn't representative, fair or healthy.

real bravery is living your truth and taking responsibility for your actions. not violence. the NFL is a scourge on our society. they know they profit from and celebrate human carnage. can't help but muse over the spiraling lasting societal effects of a generation of athletes dealing with undiagnosable traumatic brain injuries. the effects on their wives, husbands, children, siblings, parents and loved ones.

powerful film well worth investigating. highly recommended.

BOOK REVIEW | "THE WALRUS & THE ELEPHANTS: JOHN LENNON'S YEARS OF REVOLUTION" BY JAMES A. MITCHELL

1/27/2020

photo by nacrowe

JAMES A. MITCHELL's book THE WALRUS & THE ELEPHANTS (SEVEN STORIES PRESS, 2013) highlights JOHN LENNON's foray into AMERICAN POLITICS after relocating to the UNITED STATES in the early 1970s. for him it was a transitional era that saw him reconsider his role as a musician and the responsibility that came with being a "spokesman" for a generation. i put that in quotes, because like BOB DYLAN, LENNON saw himself as an artist who communicated his own truths and never had aspirations to be anything but.

during this period he was keen to shed his BEATLES' image, which he considered of a bygone era in which he was bridled by handlers from showing too strong support for the counterculture movement his band helped inspire. he viewed his past work as platitudinal and sought to create work that was more immediate, almost journalistic in its specificity.

his first foray was at a benefit concert in DETROIT for the incarcerated artist provocateur JOHN SINCLAIR (and onetime manager of the MC5) who was given ten years for holding two marijuana joints. he was released within the week of the show. this power to sway public opinion as well as his association with the YIPPIES, who put on the show, caught the federal authorities by surprise and thus began a tale of intimidation and abuse of power by J. EDGAR HOOVER (FBI), the INS and the NIXON administration that basically lasted for another half decade.

the title of this book is a reference to both the REPUBLICAN officials that sought to curb his influence by denying his first amendment rights (originally at the suggestion of STROM THURMOND of all people) as well as the obscure, lower manhattan art-jazz-rock band ELEPHANT'S MEMORY that he took on as his collaborating backing band (a la THE BAND and BOB DYLAN).

despite the fact that this period was a low point in terms of his artistic output, marital woes and residential status, it could be argued that this battle with the NIXON administration is a key part of his post-BEATLES legacy and one that endures him to this day.

what struck me as interesting in this book were the lengths to which LENNON stuck out his neck during a volatile period in an adopted country. he knew the power of his voice and gave voice to the opposition with a nonviolent, peaceful message at great personal cost. almost needless on his end. he could have made records with ERIC CLAPTION and taken the safe road talking in platitudes. instead he attempted to push change. this is in direct opposition to ELVIS PRESLEY, who is mentioned in the book to have gone out of his way to act as a spy for NIXON among the counterculture, even stating the BEATLES by name in a letter as subversives.

how lame is that? what a sad legacy for ELVIS. oh well.

its tempting to think about what LENNON could have done now if he was still around. it feels like the BOOMERS are gonna be defined by TRUMP for eternity and sadly there is nobody of that era with the clout or media presence to cut through and drown out this sad ass face clown of a leader.

imagine. it isn't hard to do.

NEW "CLASSICAL-ISH WITH NUTMEG" RADIO SHOW AVAILABLE NOW

1/27/2020

photo by nutmeg

check out HERE NUTMEG's latest CLASSICAL-ISH radio show on MAKERPARKRADIO.NYC where she plays music "from the wild world that I love and hurt for - Iran, Haiti, Iceland and more."

don't forget that you can also access other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, THE SYNTHESIZER SHOW and DEER GOD RADIO here at our website.

and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!

NEW "NOWHERE FAST SHOW" WITH SPECIAL GUEST JOE BARTONE AVAILABLE NOW

1/26/2020

photo by nacrowe

check out this latest episode HERE of TOM's free-form live streaming NOWHERE FAST show on MAKERPARKRADIO.NYC where he explores SPACE MUSIC with return special guest JOE BARTONE!

remember that past episodes of THE NOWHERE FAST SHOW as well as other MAKERPARKRADIO.NYC shows like DEER GOD RADIO, MAKE HER SPACE, THE SYNTHESIZER SHOW and CLASSICAL-ISH WITH NUTMEG are available here at the DEER GOD website.

and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!

"DEER GOD RADIO 70: MIKE PATTON" NOW AVAILABLE

1/25/2020

parody by nacrowe

check out HERE this recent streaming video episode of DEER GOD RADIO dedicated to the enigmatic, wide-ranging career of the singular musical talent of MIKE PATTON, easily one of my all-time favorite musicians for his work in FAITH NO MORE, MR. BUNGLE, TOMAHAWK, FANTOMAS, PEEPING TOM and his various other collaborations over the years. this playlist really only scratches the surface of his impact and legacy.

past episodes of DEER GOD RADIO as well as other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, THE SYNTHESIZER SHOW and CLASSICAL-ISH WITH NUTMEG are available here at the DEER GOD website.

and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!