because the experiential nature of music is such an ephemeral and almost primitive phenomena, there is a tendency for listeners to pretty much take it for granted. as if music was always there. unlike filmmaking, the process of MUSIC PRODCTION is a bit of a mystery to the layperson, an almost alchemical process.
when i began consciously listening to PODCASTS almost ten years ago on a regular basis, the ones i was drawn to had a sense of playfulness with the platform itself. the sound design on something like NPR's RADIOLAB is so palpable and convincing that it is easy to be swept away into an alternate reality where you are swimming with red blood cells or strata of light waves.
likewise the ongoing PODCAST SONG EXPLODER is another podcast with incredible sound design. it is a meta in that it is a podcast about sound, specifically how songs are constructed. podcaster HRISHIKESH HIRWAY basically deconstructs songs with the help of the artist down to their base elements and explains how the piece fit together. you get a real, visceral sense of the artistry and technical wizardry involved with modern music production and how such has enabled songwriters. its incredibly informative and because of its well-sequenced and thoughtful presentation, SONG EXPLODER makes you appreciate the process on a deep intuitive level.
its is quite the experience and i recommend listening to the podcast for anyone interested in music production or with an interest in art. recently SONG EXPLODER expanded into a NETFLIX show but my preference is still the podcast.
i have to say, one of my key coping mechanisms throughout the who TRUMP ADMINISTRATION was listening to the POD SAVE AMERICA podcast. if you are not familiar with it, the podcast is basically several former OBAMA ADMINISTRATION staffers who share their insights into the mechanisms and insider baseball of AMERICAN politics. sounds wonky, and at times it can be, but it is these conversational podcasts are done with humor, honesty and a sense of duty in informing the electorate.
they also are not trying to hide the fact that they are all DEMOCRAT operatives who functioned at the highest echelons of power, so take that as you will. they acknowledge their bias and dont make attempts to shield their perspective. specifically, the panel is made up of former OBAMA ADMINISTRATION speechwriters JON FAVREAU and JON LOVETT, spokesperson TOMMY VIETOR and strategist DANIEL PFEIFFER. regular guests on the program include former DEPUTY NATIONAL SECURITY ADVISOR BEN RHODES and former DEPUTY CHIEF OF STAFF ALYSSA MASTROMONACO. behind the scenes there are also several prominent staffers as well so it very much feels like a family affair.
its funny, whenever i dip my toes into listening to sports commentary on radio or cable television i am keenly aware of what actual athletes (current and former) say. i always take that experience as being a deeper insight into the processes of preparation and execution that make up being a high-level athlete. same with politics to an extent. my experience of the TRUMP ADMINISTRATION consuming media was one where i felt constantly unrelentingly barraged with half-truths, misinformation and disinformation to such an extent that the ground seemed to shifting beneath me. i could feel myself being gaslighted since, much to my own chagrin, i am not sophisticated or have the intestinal fortitude to wade through all the shit. what i like about POD SAVE AMERICA is that you get a feel for how a functioning administration works. not a perfect one. not an idealized one. just the hard lessons made from making mistakes in the field. to me that is the value of listening to their podcast. you get a sense that there is a series of protocols and procedures and hierarchies and command structures and internal information gathering services created by well-intentioned, competent people attempting to make a positive difference.
i'm telling you, if there was a REPUBLICAN version of this, id listen to it immediately. no question. i find it even more intriguing to learn about processes that inform decisions i dont agree with. but this is all i have as most of the current conservative conversation online is beyond toxic and engulfed in a mindless cult of personality at the moment.
we will see what happens. there has to be some former BUSH or REAGAN officials that can pull this off. just saying. my only real criticism is how prominent the male presence is with the panel, but they are well aware of such and have numerous CROOKED MEDIA-branded affiliated podcasts by comedians and operatives that showcase the diversity and concerns of a wide and complex national electorate, including that of HYSTERIA and POD SAVE THE PEOPLE. i look forward to seeing where they take the program during the upcoming BIDEN ADMINISTRATION.
RICK RUBIN is a renowned record producer with an enviable discography that transcends genre and era. he is celebrated for his ability to tap into an artists creative mindset and challenge them to produce new material that often exceeds audience expectation. notable records he's produced include the likes of SLAYER's REIGN IN BLOOD (DEF JAM, 1986), RED HOT CHILI PEPPERS's BLOOD SUGAR SEX MAGIK (WARNER BROS, 1991), TOM PETTY's WILDFLOWERS (WARNER BROS, 1994), BEASTIE BOYS' LICENSED TO ILL (COLUMBIA, 1986), SYSTEM OF A DOWN's SYSTEM OF A DOWN (AMERICAN, 1998), RUN-DMC's RAISING HELL (PROFILE, 1986), JOHNNY CASH's AMERICAN RECORDINGS series (AMERICAN, 1994-2010), SLIPKNOT's VOL.3: THE SUBLIMINAL VERSES (ROADRUNNER, 2004) and METALLICA's DEATH MAGNETIC (WARNER BROS, 2008) among many others. he has also involved been involved in the formation of two successful record labels, DEF JAM and AMERICAN, with each known for their diverse roster lineups.
all that being said, it comes as no surprise to anyone that RUBIN decided to start an interview podcast where he does what he does best: talk. his deft ear and inquisitive, probing questions mark him as an active listener of idiot savant levels.
check out these interview he's done over the past few years. definitely worth your time if you are a fan of modern music and the process behind their creation.
years ago i was in IOWA of all places at a job fair that was a total waste of time. i randomly met a couple who likewise struck out and we were trying to figure out whaet was worth seeing in what has to be one of the most boring places on earth. then it struck me, BUDDY HOLLY. he died in a plane crash not too far from CLEARLAKE where he played his last show. turns out of all things YOKO ONO was doing an interview at the venue so it was closed and i never got to step inside. i did get to see the crash site, which was pretty morbid in retrospect.
but the whole drive there and back to the fair with this couple we listened to NPR's program about the unexpected parameters of human knowledge that is RADIOLAB (WNYC, 2002-PRESENT). its hosts JAD ABUMRAD and ROBERT KRULWICH are both skilled speakers that play off each other and set up what seem like sound rationale arguments that are inevitably contradicted by recent cutting edge research and/or counterintuitive thinking by scholars and experts in the field.
basically it is a show about thinking.
if you arent familiar definitely take a listen. they are expertly produced with immersive sound effects and well-crafted scripts. you are guaranteed to learn something new, especially about topics you thought you had covered. totally interesting and any episode is worth investigating.
you're welcome in advance!