art by nacrowe
i don't where my sense of humor and the work of MEL BROOKS divides. to me that separation ended a long time ago as i was basically raised on his films, most notably SPACEBALLS (BROOKSFILMS, 1987), BLAZING SADDLES (CROSSBOW PRODUCTIONS, 1974), YOUNG FRANKENSTEIN (CROSSBOW PRODUCTIONS, 1974), THE PRODUCERS (CROSSBOW PRODUCTIONS, 1967) and HISTORY OF THE WORLD: PART I (BROOKSFILMS, 1981). all absolute classics. the dialogue in his films a long time ago became short-hand in my family.
the first time i saw SPACEBALLS was with my father in kindergarten. i didn't get any of it. my dad realized i'd never seen STAR WARS so after that was done i got some of the jokes.
i could go on about the incredible cast (RICK MORANIS, BILL PULLMAN, JOHN CANDY, JOAN RIVERS) or its commentary on franchise film-making, or even the legendary set-ups and one-liners, but really this film has to be experienced to be appreciated. i want to safeguard that experience by encouraging everyone and anyone to seek it out, even if you are not a sci-fi fan. it transcends the genre it parodies.
for me BROOKS is an american treasure. being the quintessential brooklyn-ite, he is a bit of throwback to an era of comedy writing that has largely been passed over for cheap gags and gross-out humor. given that part of my family is from brooklyn, i always considered his humor a channel to a different time and aesthetic regarding humor that is very urban, very pointed and very intelligent. it's almost aspirational and for whatever reason i associated it with my families roots. what i love most about his parodies is that he uses them to interject criticism about the genre they cover. SPACEBALLS routinely goes after the ridiculous reliance on spectacle as an audience-draw in sci-fi films as well as the blatant money-grabbing consumerism of the time with LUCAS and SPIELBERG-related properties like E.T or INDIANA JONES. it is funny because many of the same special effects people that worked on those films did so for SPACEBALLS as well. BLAZING SADDLES likewise went after the inherent racism portrayed in the american WESTERN FILM and american society en masse as well. that is a subject for another review. with BROOKS you can take the film at face-value or dig deeper, which is the sign of any quality film product. its just a pity he doesn't get the critical due he deserves since for whatever reason, the film industry doesn't take comedies as seriously as dramas in the UNITED STATES.
don't ask me why that is. as a writer, director, producer and actor he cleans the floors of most of his peers, including LUCAS and SPIELBERG. just my opinion.
check out the film. let me know what you think in the comments. and if you ever find a legit website that sells SPACEBALLS THE T-SHIRT please let me know.