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i was a late comer to ANTHONY BOURDAIN.
seems i was inadvertently chasing him around the world like R.E.M. and BLACK FLAG on the same HARDCORE/INDIE ROCK circuit of VFW HALLS and CIVIC centers back in the 1980s. wherever i was abroad in some random part of SOUTHEAST ASIA or EASTERN EUROPE or SOUTH AMERICA at a local restaurant there inevitably seemed to be some reference to BOURDAIN and some episode of PARTS UNKNOWN after the fact either in tourist literature or by fellow travelers. i specifically remember having ceviche at a place in CARTAGENA, COLOMBIA and it turned out an episode was filmed there. ugh. not gonna lie. it kind of annoyed me at the time since i feel like places should be exciting in and of themselves, not because some random AMERICAN celebrity anointed the place important. struck me as slightly colonialist in a way. i ate at places because that was where the locals ate. what i failed to realize is that he connected his audience to the world, and specifically local communities on a very intimate level trough his capacity to appreciate all aspects of food. i remember when i was abroad i'd seek out and buy dresses for my niece. by learning about traditional clothing across cultures and learning common inspirations and locally-sourced materials, you in turn learn a great deal about the native culture in a fairly intimate manner. i can recognize that same drive in BOURDAIN. also, its always nice to see an AMERICAN who is has the correct instinct to connect with other cultures without resorting to exoticizing or passing judgement, which is something i have long seen in travel series and documentaries meant for mass consumption. BOURDAIN spoke with eloquence, intention and genuine curiosity that was contagious to watch. i only wish more of my fellow countrymen could do the same when visiting abroad. rest in power fellow world traveler and ally of global culture. rest well.
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PUNK: ATTITUDE (3DD PRODUCTIONS, 2005) by legendary DJ / MUSICIAN / DIRECTOR and original PUNK ROCK scenester DON LETTS is probably the most comprehensive documentary about the beginnings and evolution of PUNK ROCK, both stateside and in ENGLAND. it includes an exhaustive yet entirely impressive cast of participants, many now deceased, whose insights provide an appreciation for the wide array of interests and backgrounds that led to the formation of the genre. this includes, but not limited to, musicians such as JOHN CALE (THE VELVET UNDERGROUND), JELLO BIAFRA (THE DEAD KENNEDYS), MARTIN REV (SUICIDE), CHRISSIE HYNDE (THE PRETENDERS), DAVID JOHANSEN, SYLVAIN SYLVAIN & ARTHUR KANE (THE NEW YORK DOLLS), MICK JONES & PAUL SIMON (THE CLASH), DARYL JENIFER (BAD BRAINS), POLY STYRENE (X-RAY SPEX), HENRY ROLLINS (BLACK FLAG), WAYNE KRAMER (MC5), PAT SMEAR (THE GERMS), SIOUXSIE SIOUX (SIOUXSIE SIOUX & THE BANSHEES), TOMMY RAMONE (THE RAMONES), CAPTAIN SENSIBLE (THE DAMNED), ARI UP (THE SLITS), STEVE JONES & GLEN MATLOCK (THE SEX PISTOLS), THURSTON MOORE (SONIC YOUTH), K.K. BARRETT (THE SCREAMERS), RAY CAPO (YOUTH OF TODAY), GLENN BRANCA (THEORETICAL GIRLS), KEITH MORRIS (BLACK FLAG / CIRCLE JERKS), ROGER MIRET (AGNOSTIC FRONT), PETE SHELLEY & HOWARD DEVOTO (THE BUZZCOCKS), DEE POP (THE BUSH TETRAS), ALICE BAG (THE BAGS), RICHARD MANITOBA (THE DICTATORS), JAMES CHANCE (JAMES CHANCE & THE CONTORTIONS) and film director JIM JARMUSCH, CBGBs owner HILLY KRISTAL and various managers, writers, artists and photographers.
i think one strong suit of this documentary is its ability to elucidate the long line of influence that followed one band to another over time. how bands like THE DOORS influenced THE STOOGES who influenced THE SEX PISTOLS and BLACK FLAG and NIRVANA and so on. in essence you see how bands such as THE VELVET UNDERGROUND, SUICIDE, THE DEAD KENNEDYS, PATTI SMITH, THE DAMNED and THE RAMONES (among many others) are all linked and part of a greater movement towards challenging, complicating, questioning and, in turn, revitalizing the form of ROCK AND ROLL. examples provided included the concurrent POST PUNK and NO WAVE that came about after the first wave of PUNK ROCK. both took the ethos of originality and freedom and applied such to the music, creating new takes on song structures and experimented with expanded palette of instruments. 
the HARDCORE scene of the 1980s was the opposite of such in that songs got condensed and sped up even faster. scenes that began with first wave PUNK adherents more interested in art and originality were taken over by HARDCORE bands that were largely aggressive and violent. part of that anger was political at the REAGAN administration as well as a feeling that their lives were set to be disrupted by economic uncertainty. that scene begat the ALTERNATIVE ROCK scene of the 1990s, or as JELLO BIAFRA puts it "punk inspired rock bands." as the 1990s dragged on you get bands like KORN and LIMP BIZKIT with their dumbed down break down sections and shocking lack of social consciousness.
there was nothing revelatory about this documentary, but it serves as a welcome definitive statement about a genre for anyone new or interested in the place of PUNK ROCK in music history. it really gets at the core idea of the genre in spite of its many permutations: that being the value being an individual. finding your voice, whatever that may be, and speaking your truth vociferously with an almost disregard for the opposition. thats a healthy sentiment for anyone to learn. my only gripe with this film is that they spends way too much time talking about THE CLASH and JOE STRUMMER, but that is my own personal bias making itself apparent. i still find that band, despite their influence, to be full of themselves. just my opinion. 
where to begin.
i guess i should start off by stating that the timeline of events in FEAR: TRUMP IN THE WHITE HOUSE (SIMON & SCHUSTER, 2018) take place from the beginnings of his first ideations of running for president in the 1980s to SPRING 2018 of his first term. reading any book by legendary journalist BOB WOODWARD is the nonfiction equivalent of watching a movie. his books are written in third-person for the most part in direct, unadorned prose that allows the reader to achieve a sense of clarity and understanding about the multiple discussions and plot points at hand and ultimately their real-world consequences. it should be said that rarely chooses to break into first person, and when he does it is usually to present anecdotal evidence or reasons why he omitted specific details for national security reasons. what is interesting about reading FEAR is that the confusion experienced is not based in his writing style or handle on the relevant facts, but rather the convoluted subject that is the TRUMP ADMINISTRATION and how chaotic and unorganized it is. many things are happening concurrently and largely secretly in what can only be described as an administration whose organizing principle is that of a free-for-all. internally domestic and foreign policy decisions are discussed and litigated (and often relegated ad nauseam) by an ever-changing cast of officials and secretaries with no protocols or scheduling adhered to by anyone. this seems to be by design from TRUMP himself who sees such a pugilistic bloodbath as a way of discerning which agendas are worth pursuing by how much advocates for such are willing to carpet-bomb their rivals in order to promote. and even then he doesnt take ownership. TRUMP even states to his aides that the only real power is fear. which makes sense both in what he wishes to project and what his antiquated worldview entails regarding modernity. former REPUBLICAN NATIONAL COMMITTEE chairman and first TRUMP chief of staff REINCE PRIEBUS has a colorful quote describing this melee as "when you put a snake and a rat and a falcon and a rabbit and a shark and a seal in a zoo without walls, things start getting nasty and bloody." it comes as no suprise that this bloodsport has resulted in policies that are often extremist and morally reprehensible. a related insight was the fact that the most powerful set of advisors in his orbit where those slightly outside of the ring. in economic terms the people who served as the opportunity cost: those he could have chosen to be officials and secretaries but didnt. in TRUMP's mind it was never his fault that he fostered a chaotic, unproductive, hellish work environment. it was always everyone else that was under scrutiny. it was them that failed him. its a shockingly naive and juvenile psychology at play. again in his mind there was always someone out there with better insights, that was better prepared and more cutthroat, ruthless and unencumbered by morality or common decency that could possibly utilize and discard to his own end. if you are looking for an author here that ascribes an explicit sense of moral indignation at the subject, this is not that book (for the most part). largely it is written from the macro perspective of those who collectively participated in the WHITE HOUSE discussions and events related in the book. the value of such is that you get a useful sense of how TRUMP and his supplicants and web of cronies viewed world events. anyone paying attention to such over the past few years will know all these events, such as the 2016 ELECTION, CHARLOTTESVILLE, and THE MUELLER INVESTIGATION. noticeably at the end when his lawyer JOHN DOWD departs his legal team after TRUMP doesnt heed his advice regarding ROBERT MUELLER's investigation, WOODWARD does concede the book's overall thesis that much of the chaos and ensuing acrimony caused by this administration is based on a series of people who couldn't call him out for being he is: a liar. and we all pay for it. i recommend this book for all concerned citizenry of the UNITED STATES and the world. 
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tonight's new episode of DEER GOD RADIO at 8PM EST on MAKERPARKRADIO.NYC is all about the brutality of MAX CAVALERA and his legendary discography with projects like SEPULTURA, SOULFLY, CAVALERA CONSPIRACY, NAILBOMB and KILLER BE KILLED. this is gonna be fun!
past episodes of DEER GOD RADIO as well as other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, THE SYNTHESIZER SHOW and CLASSICAL-ISH WITH NUTMEG are available here at the DEER GOD website. and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience! 
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click HERE for NUTMEG's latest streaming CLASSICAL-ISH radio show on MAKERPARKRADIO.NYC where she presents a new playlist in memory of RUTH BADER GINSBURG. as she puts it, "We are heartbroken and scared. I’m here for you and will be playing some beautiful, inspiring music, for RBG, for coming autumn, for something like hope. Maybe, I hope."
don't forget that you can also access other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, THE SYNTHESIZER SHOW and DEER GOD RADIO here at our website. ​and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience! 
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one of my regrets from my time living in JAPAN a few years ago was never getting to see the experimental SLUDGE METAL band BORIS in concert. i think they may have played at some point right when i arrived and i was still adjusting to my new living situation. oh well. my plan was always to stick around for a few years but that didn't happen.
BORIS is a sonically adventurous three piece outfit from TOKYO that doesn't conform to any common sense of song structure or keep to any regular tempo. their songs are more likened to an extended walk in the woods where you eventually come back to some semblance of civilization but in the meantime you are hopelessly and blissfully lost and at the mercy of your surroundings. to my ears their music is always unfamiliar in a good way, like listening to ORNETTE COLEMAN or FREE JAZZ. you are definitely taken along for an unexpected ride, but you are in good hands. they are most definitely worth checking out. 
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click HERE for the latest episode of THE NOWHERE FAST SHOW on MAKERPARKRADIO.NYC as host TOM FERRIE presents a show of all vintage vinyl 45s!
remember that past episodes of THE NOWHERE FAST SHOW as well as other MAKERPARKRADIO.NYC shows like DEER GOD RADIO, MAKE HER SPACE, THE SYNTHESIZER SHOW and CLASSICAL-ISH WITH NUTMEG are available here at the DEER GOD website. and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience! 
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FROM THE BASEMENT was a live performance series produced by NIGEL GODRICH (RADIOHEAD, ROGER WATERS, BECK, R.E.M.) that lasted two seasons and aired intermittently on SKY TV from 2006 to 2009. shot and recorded without an audience, the bare studio room was an open canvas for the artists and directors, including SOPHIE MULLER, to present their music in manner they more or less had control over.
notable performances include those by PJ HARVEY, THE FALL, QUEENS OF THE STONE AGE, THUNDERCAT, THE KILLS, RADIOHEAD, CSS, SONIC YOUTH, FLEET FOXES, THE WHITE STRIPES and JARVIS COCKER of PULP definitely worth checking out, especially for the quality of the live mixes, which honestly is a bit of a forgotten and under-appreciated art. enjoy. 
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in the obtuse documentary BURROUGHS: THE MOVIE (CITIFILMWORKS, 1983) by director HOWARD BROOKNER we are provided a rare glimpse into the mind and writings of the influential BEAT writer WILLIAM S. BURROUGHS through not only his narration, but interview footage with peers and acolytes such as ALLEN GINSBERG, TERRY SOUTHERN, LUCIEN CARR, HERBERT HUNCKE, BRION GYSIN, PATTI SMITH, FRANCIS BACON and JON GIORNO as well as his only son WILLIAM BURROUGHS JR (who passed on during the time of filming).
we follow BURROUGHS as he guides us through his past including his time spent as a child in ST. LOUIS as well as his time at HARVARD, medical school in VIENNA, his failed attempt to enlist with the OSS (now the CIA) during WWII and subsequent fall into HEROIN addiction in NYC which was around the time he made the acquaintance of JACK KEROUAC and ALLEN GINSBERG. this continues through his marriage to JOAN VOLLMER and brith of his son through her accidental shooting in MEXICO and his son's eventual death in his 30s due to the chronic effects of alcoholism. littered throughout this personal narrative we find BURROUGHS reading excerpts from JUNKIE, NOVA EXPRESS, NAKED LUNCH, THE WILD BOYS and EXTERMINATOR! among other publications. we learn that NAKED LUNCH was written during his time in TANGIERS in the early 1950s when he was able to make use of the lax customs of local pharmacies to indulge in narcotics. 
as a documentary this film was exceedingly dry. this is partly due to BURROUGHS prodding vocal affectations that seem to drone on ad infinitum. its funny, if i wasnt a fan of his work than i would find this film impossible to stomach, but he is a figure that pretty much brought POSTMODERNISM to literature in the 20th century and is a preeminent literary figure among his peers. his work is almost like a collage in art terms or montage in film terms as his cutouts served to provide jagged juxtapositions of concepts, words and phrases that seemingly spawned new visualizations and ideas out of multiple perspectives connected over space and time.
to verbalize his influence on modern culture, which has only bent more towards his worldview in the digital age of fractured realities where truth isnt relative, its irrelevant. seemingly we are in a post-truth and post-morality world where everyone is a JUNKIE for information. brutal low-grade gossip or refined, well-articulated and researched essays all fill the same fix and are mainlined and discarded the same, onwards looking for the next hit. so this all makes me think that to experience this film expecting a straightforward presentation of a coherent narrative is wholly missing the point. if anything this film is a snapshot that is out of focus and out of context. a brief window into his late life mindset after a long fruitful yet painful career. it is up to his to draw our own conclusions on the worth of his perspective and words. on us to provide the context for this disjointed documentary of a man whose trade was navigating moral and temporal ambiguity. 
photo & text by nacrowe
the word fascist is an oddly mercurial term. it can mean anything in modern-day parlance from a demanding authority figure (boss, parent, teacher) to just someone you vehemently disagree with.
in her book FASCISM: A WARNING (HARPER, 2018), former CLINTON ADMINISTRATION SECRETARY OF STATE MADELEINE ALBRIGHT sets the task of defining and articulating what the term means and how it used to describe the philosophies, behaviors and techniques of regressive regimes from the early 20th century to present day. this is not some high-minded academic thought experiment for her as her family were refugees twice having fled CZECHOSLAVAKIA during WWII and during its post-war COMMUNINIST takeover. she intimately understands scope and dangers of the rising tide of fascism worldwide. she knows the plight of those under its thumb. but she is also careful to explain that the term does not denote a particular ideology but rather "someone that who claims to speak for a whole nation or group, is utterly unconcerned with the rights of others, and is willing to use violence or whatever other means are necessary to achieve the goals he or she might have." in essence this cancer can happen anywhere. and does. leaders she profiles in this book include that of textbook examples like BENITO MUSSOLINI (ITALY), ADOLF HITLER (GERMANY), JOSEPH STALIN (USSR) and the KIM JONG-UN/KIM JONG-IL/KIM IL-SUNG lineage (NORTH KOREA) as well as recent examples that exhibit fascist tendencies such as NICOLAS MADURO/HUGO CHAVEZ (VENEZUELA), SLOBODON MILOSEVIC (SERBIA), RECEP ERDOGAN (TURKEY), ROBERT MUGABE (ZIMBABWE), GURBANGULY BERDIMUHAMEDOW (TURKMENISTAN), VICTOR ORBAN (HUNGARY), ABDEL FATTAH EL-SISI (EGYPT), HUN SEN (CAMBODIA), JAROSLAW KACZYNSKI (POLAND), VLADIMIR PUTIN (RUSSIA), YOWERI MUSEVENI (UGANDA), ILHAM ALIYEV (AZERBAIJAN), DANIEL ORTEGA (NICARAGUA), RODRIGO DUTERTE (PHILIPPINES), ROBERT KAGAME (RWANDA) and, yes, DONALD TRUMP (UNITED STATES), the first "anti-democratic President in modern U.S. history." what comes across forcefully is that term fascism covers a wide spectrum of socioeconomic, religious and political philosophies, yet its effect of limiting individual expression is the same. part of the book addresses the set of circumstances that led to societies being susceptible to the message of despots and totalitarians. ultimately week economies where major short-term challenges and long-term structural issues went unaddressed by an inept system flooded with incompetent politicians led to an opportunity for the public to seek alternatives. also, often issues regarding immigration and national identity, as most countries are based initially on the bonds ethnic groups, come to further heighten an already explosive political environment. NATIONALISM here is not the cause but rather a tool used to manipulate. essentially the mass psychology involved in supporting fascism is pretty straightforward: this leader will do what needs to be done. in a democracy there is a deliberate effort to guard and protect the interests of the political minority, which often is forgotten by most. it is this key constituency that is lost in the shuffle when the masses make the turn towards a dictatorship. the process is often gradual and similar to that of plucking a duck as MUSSOLINI once explained. unfortunately i have seen such a process in progress during my stints in NIGERIA under SANI ABACHA, VENEZUELA under NICOLAS MADURO, ALBANIA under SANI BERISHA and now the UNITED STATES under DONALD TRUMP. for me it is easy to pass judgements on pat and current supporters of these movements, especially the ones i have encountered during my lifetime, whether they be CHAVISTAS or TRUMPISTAS. what is more difficult is to look inside and consider how i am adding to the situation. for me this is the most damning anecdote in the whole book: ALBRIGHT makes the argument that our modern digital on-demand culture has created a situation where we expect more from our government than at any point in the past. we expect results without paying the cost. locally-sourced food produced cheaply and ethically. security without loss of privacy. government services without taxation. essentially we are spoiled. we expect simple answers to complicated questions. and that tendency leads us to become cynical and ultimately disengage. this disengagement is an opportunity for change. and change can go both ways. the path to fighting fascism, especially here in AMERICA is being mindful of others and becoming active in CIVIC ENGAGEMENT: VOTING, VOLUNTEERING, BUILDING RELATIONSHIPS and INVESTING in our communities. complacency and adopting a myopic mindset focused on your self-interest is what will collectively do us in as a nation. we need to reestablish our sense of mutual connection and responsibility to each other as AMERICANS. if you don't know how to get engaged look here for ways:
FASCISM: A WARNING is definitely a worthwhile read and an excellent introduction to the topic that is straightforward with unadorned language that is easily understood and deftly constructed for maximum impact. 
parody by nacrowe
check out HERE this recent streaming video episode of DEER GOD RADIO dedicated to the early METALLICA albums and the memory and enduring creative legacy of CLIFF BURTON.
​past episodes of DEER GOD RADIO as well as other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, THE SYNTHESIZER SHOW and CLASSICAL-ISH WITH NUTMEG are available here at the DEER GOD website. and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience! 
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watch the latest streaming episode HERE of MAKE HER SPACE on MAKERPARKRADIO.NYC as MAGIE presents an all-female playlist!
​past episodes of MAKE HER SPACE as well as other MAKERPARKRADIO.NYC shows like DEER GOD RADIO, NOWHERE FAST, THE SYNTHESIZER SHOW and CLASSICAL-ISH WITH NUTMEG are available here at the DEER GOD website. ​and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience! 
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i'm a total sucker for a hook. i don't look down at pop music in the slightest, when its done right its a great thing. RIHANNA, CHARLI XCX, SIA, KYLIE MINOGUE. NEW ZEALAND's LADYHAWKE is another i'd add to that list.
when i first heard the singles "MY DELIRIUM" and "MAGIC" off her debut album back in the day i was immediately transfixed. do yourself a favor look up her self-titled debut. you will not be disappointed. 
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click HERE for another episode of THE SYNTHESIZER SHOW on MAKERPARKRADIO.NYC where Reed and Vince again from their secret lair in MASSACHUSETTS present another playlist of electronic goodness!
as always, you can access all past episodes of THE SYNTHESIZER SHOW via the DEER GOD website as well as those of MAKE HER SPACE, NOWHERE FAST, DEER GOD RADIO and CLASSICAL-ISH WITH NUTMEG. ​and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience! 
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before the creation of its current STRING THEORY series of YOUTUBE videos showcasing modern guitarists and guitar-based songwriters speak about their influences and love of all things amplified, ERNIE BALL had briefly created a longer-format series of videos called THE PURSUIT OF TONE that treaded the same territory except much more in depth.
my assumption is that they realized that these long-form videos could generate more traffic and viewership on YOUTUBE if chopped up into smaller chunks a la STRING THEORY. its also why these longer form videos are no longer on the main channel, instead reposted by numerous unauthorized third parties on YOUTUBE. oh well. the four i could locate following the inspirations, techniques and gear behind MIKE NESS of SOCIAL DISTORTION, CHICAGO BLUES icon BUDDY GUY, BILL DUFFY of THE CULT, TOM DELONGE of BLINK 182 and producer BUTCH WALKER. quite the diverse roster of guitarists and you really get a feel for their approach and individual aesthetic regarding the instrument. i understand why they didn't pursue it further but i'm glad these exist. enjoy! 
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zthe harmonic complexity and intoxicating rhythms of BOSSA NOVA are on full display in THE GIRL FROM IPANEMA: BRAZIL, BOSSA NOVA AND THE BEACH (BBC, 2016), q recent documentary recounting the birth, development and dissemination of this unique BRASILIAN phenomena in the late 1950s and early 1960s.
after centuries of colonialism and authoritarian rule, BRASIL in the 1950s found itself with a new leader PRESIDENT JUSCELINO KUBITSCHEK, who promised and delivered on economic expansion and modernization of both industry and infrastructure. BOSSA NOVA became very much domestically the soundtrack to an era of optimism and promise. i can't imagine the pride of being alive during that era, withe PELE and the national team playing like dancers and ANTONIO CARLOS JOBIM and JOAO GILBERTO performing at the peak of their powers. it makes me sigh. then again i am completely biased, i was lucky enough to visit RIO DE JANIERO (article linked HERE) back in october 2014. its funny, i even spoke with the same owner of the BOSSA NOVA record store interviewed in this documentary about the cultural dialogue between AFRICA with BRASIL. how SAMBA relates to WEST AFRICAN musical traditions. good to see he is sharing his passion to a wider audience! part of this film is about recounting the development of the genre and giving due to its originators, middle class SAMBA and WEST COAST JAZZ aficionados like CARLOS LYRA, LUIZ EVA, ROBERTO MENESCAL, SYLVIA TELLES and NARA LEAO ,that lived a charmed, bohemian lifestyle in apartments near COPACABANA BEACH and IPANEMA BEACH. the group circled around muse and gifted singer, NARA LEAO. they took what was a more somber genre and lifted it harmonically. this sound found its way to JAZZ artists like GERRY MULLIGAN and CHARLIE BYRD who initiated a fruitful, mutually beneficial dialogue that created a SAMBA/JAZZ hybrid sound. sadly, the film also retraces how the style became a stateside fad and how MADISON AVENUE sucked the lifeblood out of such a special gift. the perfect example of such is the legendary track "THE GIRL FROM IPANEMA" which originally had PORTUGUESE lyrics by renowned poet VINICIUS DE MORAES which touchingly spoke of the grace of an unknown woman and the salvation one may find by being in her company. it is incredibly romantic and full of religious sentiment, even referencing the VIRGIN MARY in describing a level of passion and appreciation for such a graceful creature. the AMERICAN version had lyrics "translated" by NORMAN GIMBEL who wrote the lyrics to the HAPPY DAYS theme song. his version just describes a beautiful woman. its vulgar in comparison and a lost opportunity, and of course the biggest hit and cultural touchstone from BRASIL. its just so depressing an apt metaphor for how AMERICAN commerce and by extension society cares little for authenticity and exoticizes the unknown. the amount of products from the early 1960s that bear a BOSSA NOVA tag outlined in the documentary makes this point plain. ugh, so gross. 
what is interesting is how ASTRUD GILBERTO, wife of JOAO, rose to prominence from this single. she was not classically trained but carried the tune in a naive manner sans vibrato in a wistful, seductive manner with a slight accent that won over the world. she sang it largely because she was in the room and she spoke english. it was an accident of fate. funny how pop culture works sometimes. second most recorded song of the 20th century. gulp.
and it is that song that has largely defined the image that has been projected on BRASILIAN WOMEN ever since. which is undoubtedly problematic. i remember when working in VENEZUELA talking to BRASILIAN friends who spoke about the fact that the cultural pressure to get plastic surgery was intense, largely based on cues from watching AMERICAN television shows and films. its a death spiral im telling you. sadly in 1964 a military coup (backed by the UNITED STATES) ended this golden era of optimism and democracy under PRESIDENT KUBITSCHEK. BOSSA NOVA artists were blacklisted from the radio. culturally it was abandoned as quixotic anachronism that didnt fit the new harsh reality of the new oppressive political reality. it was too light and airy. BOSSA NOVA originator and muse NARA LEAO pointed the way with a more sonically experimental and lyrically aggressive sound that celebrated the roots and underclass of BRASIL which led the way to TROPICALIA. JOBIM and GIBERTO had long since found success in the UNITED STATES, making sophisticated records designed for the middle class, a far cry from the reality back home. JOBIM even collaborated with FRANK SINATRA. BOSSA NOVA in essence became part of global repertoire, a classical music of sorts. when i visited BRASIL it seemed that they celebrated this form, with several markers in IPANEMA identify residences and clubs that housed the major players of the movement. great introductory documentary on the BOSSA NOVA. makes me want to go back. not that seduction of the music resembles the reality of the place. i saw a guy rob a bus at gunpoint at noon on a sunday a block away from the famous RIO DE JANEIRO CATHEDRAL. i found the reality much more interesting than the idealization. travel wisely and be careful out there. 
photo & text by nacrowe
i recently went about revisiting MARILYN MANSON's memoir THE LONG HARD ROAD OUT OF HELL (HARPERCOLLINS, 1998) that he co-wrote with NEIL STRAUSS during the early peak of his career post ANTI-CHRIST SUPERSTAR. it's funny how much this book is a product of its time with MANSON more or less self-defining his image in a pre-COLUMBINE media landscape that largely took his bait and made him into a scapegoat for society's ills.
this book came about a few years before his interview in MICHAEL MOORE's documentary BOWLING FOR COLUMBINE (UNITED ARTISTS, 2002) where MANSON presented himself as a thoughtful commentator on AMERICAN culture and society with respect to gun violence. he told MOORE that basically the media turned them into martyrs through their non-stop news coverage, providing incentive for future mass murderers. dude was totally on point and we are still dealing with this death spiral of bullying, media coverage and access to automatic weapons. i would argue that he comes across as equally thoughtful in this book, if for other reasons as here he seems interested in familiar early career ROCK band fodder like infighting between ex-bandmates, record labels, rock journalists, groupies and a healthy amount of requisite self-mythologizing. its odd thinking about all these ALTERNATIVE ROCK bands from the 90s that pushed back against society during the CLINTON administration (RAGE AGAINST THE MACHINE similarly comes to mind). where are these button-pushers now when we need them? or is it that the buttons they pressed no longer work in our overly-saturated social media landscape that trades and sells on outrage. maybe MANSON and his ilk (OZZY OSBOURNE, ALICE COOPER, etc) are anachronisms from another era when people cared enough to get angry and protest. that's what i kept thinking when recently rereading his memoir, which i recommend for its intelligence and debauchery. just like the man himself. then again, i don't know what to believe anymore about his character. recently his former girlfriend EVAN RACHEL WOOD made public allegations that he "groomed" her as a teenager when he was in his mid 30s back in the late 2000s. another former girlfriend, ROSE MCGOWAN, has praised him for his steadfast support and outspokenness as a fervent ally of the #METOO movement. so... yeah, i dont know. maybe he is a monster after all. maybe he isnt. not sure who to believe here. 
parodies by nacrowe
join us tonight at 8PM EST for an all new episode of DEER GOD RADIO on MAKERPARKRADIO.NYC as we explore the politics, history and music of ROOTS REGGAE. gonna be a fun show.
past episodes of DEER GOD RADIO as well as other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, THE SYNTHESIZER SHOW and CLASSICAL-ISH WITH NUTMEG are available here at the DEER GOD website. and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience! 
cover by annette mae
click HERE for NUTMEG's latest streaming CLASSICAL-ISH radio show on MAKERPARKRADIO.NYC where she presents a playlist of material influenced by birds and birsong in honor of a MOCKINGBIRD that has visited her several times this week. definitely check it out.
don't forget that you can also access other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, THE SYNTHESIZER SHOW and DEER GOD RADIO here at our website. ​and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience! 
photo manipulation by nacrowe
MONTREAL outfit NO JOY is the emblematic of the emotive depths available within the restless, waves of feed-backed sonic bliss within the genre of SHOEGAZE. listening to them makes me relive my introduction to MY BLOODY VALENTINE and SLOWDIVE all over again.
definitely check them out. |
April 2021
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