photo manipulation by nacrowe
when people consider the PUNK ROCK movement that swelled up on both sides of the ATLANTIC in the late 1970s, the bands that usually come to mind are iconic acts like THE RAMONES, SEX PISTOLS, THE CLASH and THE DAMNED. whats interesting about those bands is that in many ways they are rather conservative in their approach, basically recycling CHUCK BERRY riffs and taking back ROCK AND ROLL in essence back to its core 1950s origins with ROCKABILLY legacy acts like ELVIS PRESLEY, EDDIE COCHRAN, GENE VINCENT, CARL PERKINS and the like. i find it one of the great ironies that a cultural movement so celebrated for being transgressive was actually quite traditionalist in a sonic sense, at worst even nostalgic.
such was not the case with two bands of that period, X-RAY SPEX and especially THE SLITS. the documentary HERE TO BE HEARD: THE STORY OF THE SLITS (HEAD GEAR FILMS, 2017) interview surviving members (and former members) TESSA POLLITT, VIV ALBERTINE, PALMOLIVE and NENA CHERRY about their experience during that period. the recently deceased ARI UP (R.I.P.) appears in archival interview and performance footage.
my big takeaway from that film was how truly revolutionary THE SLITS were in context, both musically and socially. musically they blazed the way forward towards POST-PUNK by incorporating WEST INDIAN and AFRICAN rhythms into an aggressive yet sophisticated sound which sonically reinforced confrontational lyrics dealing with the VICTORIAN ideals of womanhood. and if you thought these famous male PUNK bands were supportive of their female brethren you'd be surprised. apparently while on tour with THE CLASH on their WHITE RIOT TOUR in 1977 across BRITAIN, the bus driver needed to be bribed in order to allow THE SLITS on the bus. such was the stigma against female musicians in this effective boys' club. this resulted in THE SLITS developing a sense that other bands and their manager's became extensions of the establishment.
think about that. THE SLITS were outcasts within a subculture defined by their outcast status. its quite remarkable and really puts those other bands in proper focus, since the revolution advocated at least initially had no place for women outside of traditional roles. it is almost absurd how truly conventional those bands were and how authentically subversive THE SLITS were during their prime.
and it doesn't stop there either. founding member and powerhouse drummer PALMOLIVE (later of THE RAINCOATS) was dismissed because the PUNK ROCK ethos of the band couldn't square itself with her CATHOLICISM. so even within the internal realm of a band that was the outcast within a scene of outcasts, a CHRISTIAN found herself to be the most isolated of all. if anything, her example is to follow your convictions despite societal or peer group pressure, which is by definition the essence of PUNK ROCK. funny how life works sometimes.
the larger aim of this documentary is to present THE SLITS and ARI UP (in fact, this film fulfills part of her final will) to a new generation of music fans that may be unaware of them and their influence not only on the experimental POST-PUNK scene but also perhaps on the RIOT GRRRL scene that flourished 20 years after. THE SLITS due to the misogyny of rock critics from major BRITISH and AMERICAN publications alike have been dismissed from the greater narrative of PUNK ROCK as nothing being a footnote or curiosity. this documentary helps shed light on their proper place as an equal (and perhaps maybe a little more equal than other bands) creative force in a storied, influential scene.
parodies by nacrowe
ive been on a tear these past few months consuming several books by or about people involved in the PUNK ROCK explosion of the late 1970s including STEVE JONES, RICHARD HELL, VIV ALBERTINE, JOHNNY ROTTEN, DEBORAH HARRY, and JOE STRUMMER.
so with the topic still very much on my mind i wanted to revisit a show from 6 months ago that delved into the topic of where PUNK ROCK originated and how it influenced culture on both sides of the ATLANTIC. even now some 40+ years later with HIP HOP long taken over as the vehicle for the voice of the youth, classic PUNK ROCK is still very much relevant and has been a touchstone for every youth movement since. that is something that cannot be said about the mod, teddy boy, skinhead and GLAM ROCK cultures that preceded it.
a subject that is always fascinating, please check out our show of first (and some second) wave PUNK ROCK below.
parody by nacrowe
please check out HERE this recent streaming video episode of DEER GOD RADIO focused on the beginnings and cultural legacy of classic first-wave 1970s PUNK ROCK.
past episodes of DEER GOD RADIO as well as other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, THE SYNTHESIZER SHOW and CLASSICAL-ISH WITH NUTMEG are available here at the DEER GOD website.
and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!