THE STOOGES were a primal, feral outfit out of DETROIT that by all accounts imploded and failed. except they didnt. calling them arguably the greatest ROCK AND ROLL is not hyperbole, they are the truth. luckily i got to see them back in the early 2000s at JONES BEACH when IGGY POP reunited with the ASHETON BROTHERS (and MIKE WATT filled in for the deceased DAVE ALEXANDER). they sounded ferocious and i still consider that night a gift.
the JIM JARMUSCH-directed documentary GIMME DANGER (MAGNOLIA PICURES, 2016) attempts to harness and present what made this lightning-in-a-bottle group of misfits so special, complete with rare footage and interviews with various members, both living and deceased (RIP RON & SCOTT ASHTON, STEVE MACKAY & DAVE ALEXANDER). what is so interesting about their career is that their three albums were all commercial failures and by the time RAW POWER (COLUMBIA, 1973) was released the members had largely fallen back into obscurity, exception obviously being IGGY.
what JARMUSCH does a great job through his editing is present a narrative that is largely focused on the main members and not just IGGY. there are several clever animations that drive home their humble MICHIGAN roots and the lengths at which they foot to exist.
watching this i cant help but think back to discussions we had at DEER GOD when our recording studio was up and running about the nature of great records. my feeling was that it was all about the listener, how they completed a cycle initiated by the artist. that feel, intention and some weird alchemy has to happen that transcends sound quality and production values. THE STOOGES are prime examples of such. RAW POWER is famous for its horrible mix but the songs transcend because they make you feel something.
i'm happy to report that this documentary provides some contest on the members but ultimately showcases their ability to produce music live that connects and elevates their audience to a higher plane. and i can't put my finger on how, it just is. if it was a formula with a checklist, believe me some studio rat wouldve figured it out by now. would've been a plugin for that by now.
the stooges are the real deal and i couldn't recommend this documentary even more strongly.
when AMERICANS think of public radio the dry, educational shows associated with NPR usually come to mind. these shows, much like their PBS television counterpart, are meant to enrich and cultivate thoughtful dialogue on a myriad of subjects.
this is not the BRITISH model at all. they have a celebrated station dedicated solely to news called the WORLD SERVICE, but they also have a number of stations dedicated to the arts, including BBC6 which is dedicated to modern ALTERNATIVE MUSIC (i.e. INDIE ROCK, TRIP HOP, ELECTROCLASH, ALTERNATIVE ROCK, INDIE POP, PUNK ROCK, etc).
the professionally mixed live performances are particularly well produced and include the likes of TRICKY w/MARTINA TOPLEY-BIRD, IGGY POP, THE PIXIES, LIZZO, JOHNNY MARR, QUEENS OF THE STONE AGE, BEAK> and STEPHEN MALKMUS & THE JICKS as notable past performers among many many others.
definitely worth a listen.
the documentary AMERICAN VALHALLA (EAGLE ROCK, 2017) takes its name from a song off of IGGY POP's late-career album POST POP DEPRESSION (LOMA VISTA, 2016), which was a collaboration between the iconic STOOGES frontman and musician JOSH HOMME of QUEENS OF THE STONE AGE/KYUSS fame. this documentary follows their collaboration throughout the songwriting and recording process with interviews of both conducted by ANTHONY BOURDAIN (RIP).
i guess it should be stated that while IGGY and HOMME come from celebrated bands, both are actually quite unconventional musicians. lots of bands pay lip service to expanding their sound on subsequent releases, but if you track the career trajectory of both you will see that is actually the case. when IGGY reached out to HOMME, both took it as an opportunity to experiment and see what new creations could be manifested from their respective provided elements. it was interesting that in navigating this new relationship they based much on instinct and cooked the songs quickly in short order to not overthink it. just move forward.
i think this film at its core is about the nature of collaboration, especially when you have a history or legacy. it is about dismantling those expectations, both external and, more importantly, internal.
i remember when i was teaching i never slept particularly well because i was constantly questioning my plans. its not that they were inferior, i knew they were sound, but the opportunity cost of it all drove me nuts. there were so many options and how could i choose the right course of action that would best serve my students. i think that drive in part is what broke my heart about the profession, the fact that so many of my peers phoned it in. taught the same thing in the same order as years before, altering nothing. i saw the classroom as a dynamic venue for exploring ideas and challenging them against new technologies and world events. opening up the curriculum to show how these classroom concepts affect our understanding of both the world and ourselves. the fact that i did this in foreign countries, never on my home court made it that much more invigorating and scary at the same time. more colors to play with. i was willing to fail and being unable to settle down completely at night was the price i was willing to pay. risk nothing you get nothing.
what i am trying to say is that im well aware of this fear HOMME had in the film. how do i collaborate with an icon? make it worth his time and my time? and most frightening of all: the opportunity cost of all the other possible music i could write, that i could present to him. how do you conquer that fear?
you just do it by doing it. being truly in the moment. their collaboration was all instinct, mutually respecting and sharing that creative moment. in the moment. right now.
i loved that tightrope dance. i miss it.
note: but i wouldnt return to teaching. dealing with administrations that didn't have the students interests at front of mind cut my heart out. repeatedly. a bad one-sided collaboration rooted in politics.
great film. intriguing documentary on the nature of collaboration and cost required to make it a fruitful and meaningful endeavor.
art by nacrowe
now that DEER GOD RADIO on MAKERPARKRADIO.NYC has been going on for a good while, i thought it would be cool to look back at one of the (in my opinion) standout shows and playlists from the series. that being our 14th show on 1970s GLAM ROCK that aired on AUGUST 19, 2018.
1970s glam rock has long been an obsession of mine since it has a goldilocks balance of elements: 1) the songs are immediate and catchy 2) there's experimentation with technology 3) lyrics and presentation question normative prescriptions surrounding gender 4) music is just fun to listen to and 5) there are several stellar legendary musicians at the peak of their powers (MICK RONSON, JOHNNY THUNDERS, BRIAN ENO, MARC BOLAN, ASHTON BROTHERS, etc).
there is a reason this brief genre setup the punk movement shortly thereafter, all the hallmarks of that genre are there (except maybe the fun bit, punk took itself WAAYYY too seriously). this show was a blast with TOM FERRIE and MAGIE SERPICA stopping by unannounced due to their enthusiasm for the genre. i feel this playlist is representative of the connecting power of music wish to revisit it again nearly a year later.