photo by nacrowe
i would like to get this out of the way right at the beginning, this is the greatest book about musicians ever.
and the recent shit film based on it did not do this book justice.
expertly edited (and in all likelihood ghostwritten) by NY TIMES writer NEIL STRAUSS, THE DIRT: CONFESSIONS OF THE WORLD'S MOST NOTORIOUS ROCK BAND (HARPER COLLINS, 2001) is megalomania personified, which coincidentally also describes the music of its subject, 80s HAIR METAL icons MÖTLEY CRÜE.
i have to hand it to STRAUSS, he really did a stellar job of milking out all the shallow narcissism of his subjects by allowing them each room to shape the narrative. this was done through structuring the book in a way were each chapter was written by one of the four members, each commenting on all that came before. essentially this book is four competing narrators that are by definition unreliable. this decision regarding structure allows the band to demonstrate their callow pettiness and baser drives far better than a straightforward hagiography by a single author could ever do.
it also makes for numerous hilarious moments, where seemingly the reader learns in real-time the numerous trespasses and poor decision-making of members against the other (i.e. sleeping with each other's girlfriends/wives, arguing over who started the band, etc) and their reaction to such. its genius and ultimately you don't believe any of them. its a book that makes you rethink what the definition of "truth" is and if determinism even exists decades before KELLYANNE CONWAY or SARAH HUCKABEE SANDERS polluted our national consciousness.
on a personal side, when i was in undergrad at RUTGERS i took this 20th century british literature class when i got an assignment to compare the JULIAN BARNES novel TALKING IT OVER (VINTAGE 1991) novel to any piece of literature. the professor's main gig was at nearby COLUMBIA and people took this class specifically to try to ingratiate themselves to her in hopes of getting a good word in i guess. TALKING IT OVER is about a love triangle and it is written in first person with three competing narrators, each undercutting the others rendering everyone unreliable. obviously my first thought went to THE DIRT mainly due to its structural similarities. i figure that all four MÖTLEY CRÜE members were liars so technically this "nonfiction" book was really fiction anyway.
long story short the professor was impressed and even read aloud a TOMMY LEE quote to class not fully aware of what she had done. that was easily the highlight of my academic career.
could not recommend this book and more forcefully, its worth it even if you hate their music and HAIR METAL in general. it transcends its subject. a classic.
watch HERE for our most recent episode of DEER GOD RADIO dedicated to the cultural legacy of DAVID BOWIE.
past episodes of DEER GOD RADIO as well as other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, and THE SYNTHESIZER SHOW are available here at the DEER GOD website.
tonight's episode of DEER GOD RADIO at 6PM on MAKERPARKRADIO.NYC is dedicated to the profound cultural legacy of DAVID BOWIE.
past episodes of DEER GOD RADIO as well as other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST and THE SYNTHESIZER SHOW are available here at the DEER GOD website.
art by nacrowe
now that DEER GOD RADIO on MAKERPARKRADIO.NYC has been going on for a good while, i thought it would be cool to look back at one of the (in my opinion) standout shows and playlists from the series. that being our 14th show on 1970s GLAM ROCK that aired on AUGUST 19, 2018.
1970s glam rock has long been an obsession of mine since it has a goldilocks balance of elements: 1) the songs are immediate and catchy 2) there's experimentation with technology 3) lyrics and presentation question normative prescriptions surrounding gender 4) music is just fun to listen to and 5) there are several stellar legendary musicians at the peak of their powers (MICK RONSON, JOHNNY THUNDERS, BRIAN ENO, MARC BOLAN, ASHTON BROTHERS, etc).
there is a reason this brief genre setup the punk movement shortly thereafter, all the hallmarks of that genre are there (except maybe the fun bit, punk took itself WAAYYY too seriously). this show was a blast with TOM FERRIE and MAGIE SERPICA stopping by unannounced due to their enthusiasm for the genre. i feel this playlist is representative of the connecting power of music wish to revisit it again nearly a year later.