photo manipulation by nacrowe
HAL ASHBY's adaptation of the JERZY KOSIŃSKI novel BEING THERE (UNITED ARTISTS, 1979) starring PETER SELLERS in arguably his greatest role in a career of stellar high points (DR. STRANGELOVE, LOLITA) is truly transcendent film. it follows the career trajectory of a lowly manor servant named CHAUNCEY GARDINER whose whole world literally is a garden he tends on premise to that of the american presidency.
the genius of the novel and the film adaptation is the delight to which it manipulates and delights in the inherent malleability of language to evoke separate meanings to different audiences. throughout the novel, GARDINER answers questions in relation to the one thing he knows about, his master's garden, yet everyone around him identifies in his words parables and coded sage wisdom about foreign policy and international monetary policy.
every time i watch a public event and then see how such gets filtered through our media landscape, whether such be sports, politics or film/tv, it only reinforces this view of mine that meaning is contextual to the audience receiving it.
i feel that KOSIŃSKI knew this loophole implicitly and created a scenario to play out this fantasy to great effect. its numbing that such actually came to pass with the TRUMP era. the idea that this clown can say literally anything and sycophantic echo chambers will deliberate a rationale post hoc is the great sociopolitical challenge of this anonymous, multi-interpretative, post-meaning internet age. to me this narrative gets to the heart of that dilemma and is always painful to watch.
BEING THERE is a great film that should be shown in schools everywhere. please seek it out.