JOSH FREESE is renowned as a studio musician of the first order having recorded and/or toured with the likes of everyone from A PERFECT CIRCLE, STING, NINE INCH NAILS, PARAMORE, THE REPLACEMENTS, WEEZER and GUNS N ROSES to BRUCE SPRINGSTEEN and QUEENS OF THE STONE AGE. and that credits list literally goes on. and on. but id argue that primarily he is known as the longstanding drummer of both the LOS ANGELES PUNK ROCK band THE VANDALS and the legendary NEW WAVE band DEVO.
less known or celebrated are his solo records and the one-off songs hes done over the past few years. they are often very brief, super catchy and hilarious. they are also normally off-the-cuff affairs with an almost FOUNTAINS OF WAYNE-esque POWER POP sense of melodicism and pop construction that seem designed to primarily embarrass his friends or make an ass of himself.
FREESE is an uber-talented musician that is literally capable of anything. i just love the fact that when he chooses to write and release his own material that it literally has nothing to do with his day job in tone or demeanor. definitely an artist worth checking out.
there's something to be said about musicians interview musicians. there is a telepathy and a common wavelength at work that transcends superficial aspects like genre and style. it probably comes from a rooted common experience and mentality of persistence that comes with "making it" in a band setting. IT'S ELECTRIC! (APPLE MUSIC) was a in-person, pre-pandemic podcast where METALLICA drummer LARS ULRICH interviewed peers like JERRY CANTRELL (ALICE IN CHAINS), NOEL GALLAGHER (OASIS), JAMES MURPHY (LCD SOUNDSYSTEM), MAYNARD JAMES KEENAN (TOOL/A PERFECT CIRCLE), BILLY CORGAN (THE SMASHING PUMPKINS), LES CLAYPOOL (PRIMUS), GREG PUCIATO & BEN WEINMAN (THE DILLINGER ESCAPE PLAN), DAVE GROHL (FOO FIGHTERS/NIRVANA), JOAN JETT, JACK WHITE (THE WHITE STRIPES) and TOM MORELLO (RAGE AGAINST THE MACHINE) among many others.
whats interesting is that ULRICH, despite his notorious reputation for talking (and talking and talking), within the confines of these interviews he is mostly listening. in fact, i'd argue he is an incredible astute interlocutor that gently guides his subjects through insightful productive conversations. most teachers know that the longer you speak the less impact each word has on your students. i was really taken when recently rewatching these interviews to see just how gifted an interviewer ULRICH was and how engaged his follow-up questions were. you didnt get the sense that he had a list he wanted to get through, rather in an almost HOWARD STERN-like manner allow the subject free reign to drive the conversation as he gently steers it. to pull this off you must be a really good listener, which in popular culture i think ULRICH never gets credit for. makes sense though, given the fact that he is often a key composer within METALLICA who often deals with arrangements, a practice whereby you need to listen with intention to surmise the best presentation of musical ideas for maximum impact.
i hope he gets back to this podcast post-pandemic, because it felt like he was really on a roll with it. and it seemed like he was genuinely in his element and having fun. selfishly i just found the conversations compelling and insightful, more so than the vast majority of ROCK AND ROLL interviews you find online.
NULLE PART AILLEURS, translated in english as NOWHERE ELSE, was a talk show on FRENCH channel CANAL+ from roughly 1987 to 2001. as part of the program at times there would be musical guests and the footage that has leaked onto the internet from english-speaking bands over the years is quite remarkable.
impassioned, well-mixed performances by the likes of PORTISHEAD, NIRVANA, OASIS, AT THE DRIVE-IN, MASSIVE ATTACK, DEFTONES, A PERFECT CIRCLE, GARBAGE, SYSTEM OF A DOWN, THE SMASHING PUMPKINS and countless others can be view below. enjoy.
i discovered this ongoing series on the PREMIER GUITAR youtube channel a few years ago and have long been obsessed with it. as a failed guitar player myself, it is fun to hear from the players and their techs about all sorts of details regarding their sound and setup. the format is basically a run through of their guitars and amps as well as pedal configurations and individual opinions/philosophy regarding reliability/fidelity tradeoff between analog vs digital, cords vs wireless, in-ear vs speaker monitors, etc.
its really cool to to witness the minutiae of their sound, even diving into things like string gauges, pick thickness, pickup configurations, bridges, tuners and the list goes on. it is definitely a niche audience that gets off on this sort of thing, but i am squarely in that demographic.
for me their is never enough times to witness people talk about their prized LES PAUL JR, JAZZMASTER, D-28, COUNTRY GENTLEMAN, P-BASS, 370 12-string, JAZZ BASS, DOBRO TRICONE, 4003 BASS, WHITE FALCON or TELECASTER. or for that matter any variety of high-gain amplifier models like the DUAL RECTIFIER (BLINK 182, PENNYWISE), JCM 800 (SLAYER, JUDAS PRIEST), ROCKERVERB 100 (MASTODON), HIWATT CP103 (THE WHO), 5150 (VAN HALEN), JMP 2204 (AC/DC), SHIVA (ALICE IN CHAINS, TOOL), BE100 (ALICE IN CHAINS), VH4 (TOOL), CENTURY 200 (PANTERA, WHITE ZOMBIE), UBERSCHALL (TOOL) or a MARK IIC+ (early METALLICA)
whats also interesting over time is witnessing firsthand the trend towards digital amp profilers and modelers like the HELIX, KEMPER and especially the AXE FX which allows their setup to be easily transportable (like hand carry-on in a plane easy) as well as more consistent given that traditional tube amplifiers require maintenance from time to time depending on weather, humidity conditions.
you really get a sense of how and why guitar and bass musicians and those that support them utilize the gear they do on tour. you also get a clear "inside baseball" perspective on how they view these numerous tradeoff decisions every musician has to make, and they all have differing opinions. its basically required viewing for anyone interested in gear used by rock bands.
anyway, if you're interested definitely check out the examples i embedded below (these don't even scratch the surface of the total playlist linked HERE).
photo & text by nacrowe
t seems incredible that this book exists, given the mercurial and closely-guarded nature of TOOL / A PERFECT CIRCLE / PUSCIFER frontman MAYNARD JAMES KEENAN, whose legendary live performances notoriously find him donning an eclectic assortment of stage personas/characters/costumes meant to provoke and obfuscate, allowing him to separate his art from himself. in this manner he has continued to maintain a balance with his family and more importantly his own sense of self.
so it is a little more than intriguing that his collaborative memoir A PERFECT UNION OF CONTRARY THINGS (BACKBEAT BOOKS 2016) written by long-time friend SARAH JENSEN even exists.
this is most definitely the first memoir i have read that has the subject written about in third person, which structurally and stylistically has numerous advantages. structurally it gives the book some distance from its subject, not having to worry itself all the time with the personal feelings and perspective of KEENAN, instead allowing for an unbound narrator to integrate multiple points of view into the narrative. stylistically it makes this memoir read more like a novel, which intriguingly makes KEENAN as a "character" another entity for his audience to interpret and project unto, much like his music.
the main takeaway i got from reading his memoir is that KEENAN is the type of artist that is constantly seeking to challenge his audience, peers and most importantly, himself, to see things from an altered perspective. this need to tinker with formulas and audience expectations while maintaining integrity puts him, in my perspective, as one of the most dynamic frontman of his era (the other being renaissance man MIKE PATTON of FAITH NO MORE / MR. BUNGLE / FANTÔMAS / PEEPING TOM / DEAD CROSS).
given his enigmatic nature and numerous outside focuses (wine-making, BRAZILIAN jiu-jitsu, comedy, etc.), this memoir was his way of elucidating to his audience the common thread throughout binds them all: MATHEMATICS. you really get the sense from this book his sensitivity and delight in discovering the patterns, routines and rhythms of nature that bind us all and the myriad of ways mankind has devised uses for them, whether militarily, artistically or even agriculturally.
well worth seeking out and reading. don't worry his mysterious, enigmatic persona is still very much intact, if only slightly more defined at the edges.