photo manipulation by nacrowe
so back in the early 2000s i'm at RUTGERS and somewhere along the way i ended up writing a series of film reviews for their student newspaper THE DAILY TARGUM. i loved the rush of seeing your stuff in print and still have copies of somewhere in my parents basement. it was a pretty sweet deal since i normally chose limited-run films that only showed at NYC landmarks like the ANGELIKA FILM CENTER and the FILM FORUM and the newspaper covered travel and admission costs. i essentially got free trips to the city. what a great time i had.
at some point i moved up from reviews to features and ultimately only got to do two of them. one was an interview with animator NICK PARK for a WALLACE & GROMIT film (which i will probably write about a some future point). the other was a phone interview with TIM ROBBINS. and that dude was a dick.
this is the story of that conversation.
studios usually seek out college newspapers as they service directly the much desired target demographic of college students. such is why their PR firms gave us access to their directors, actors, etc as a means of promotion. at the time ROBBINS was promoting some theater project of which i will not specify (as i still do not want to give his project any, albeit delayed by decades, publicity) that he had directed and filmed from multiple angles as part of some "punk rock opera" or whatever forced, lame term he devised at the time.
what i participated in was a group phone interview among several other college writers from NYU, COLUMBIA and HARVARD. the way this works is that the order of questioning is derived by the order you call in to the interview. now here is where it got interesting. ROBBINS' film had no distribution. normally the paper would be sent a promotional copy or be given tickets to a screening. not here with this project, i was going in blind. turns out, so was everyone else.
somehwere i have a lost tape of this interview and i should attempt to locate it, because in there i have ROBBINS condescendingly dismissing my question along with everyone else's. at some point he asked why he was even talking to us. the HARVARD writer adroitly asked questions based on a recent NY TIMES' review and that really set ROBBINS' off, asking the writer if she knew the writer personally. which was odd.
i remember leaving the interview dejected thinking "damn, i just got yelled at by an ACADEMY AWARD winner, this is the low point of my college career." after sharing the interview tape with my editors this quickly turned to "wow, i just got yelled at by an ACADEMY AWARD winner, this is the high point of my college career." i wrote a piece that took him to task for being a prick and not giving us the materials we needed to ask him informed questions, but ultimately i didn't want to give him any publicity.
do i hold a grudge against the guy? not really. maybe he was having a bad day. i just thought he came off particularly arrogant and completely devoid of any compassion to a bunch of lowly college writers looking to potentially promote his project. you would think communicating to us his passion for this personal film would be the objective, but no, putting us in our place for not appreciating his craft seemed a better use of his time. i don't care that i agree with his politics. dude was a dick.