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SPOTLIGHT | IT'S ELECTRIC!

3/25/2021

photo manipulation by nacrowe

there's something to be said about musicians interview musicians. there is a telepathy and a common wavelength at work that transcends superficial aspects like genre and style. it probably comes from a rooted common experience and mentality of persistence that comes with "making it" in a band setting. IT'S ELECTRIC! (APPLE MUSIC) was a in-person, pre-pandemic podcast where METALLICA drummer LARS ULRICH interviewed peers like JERRY CANTRELL (ALICE IN CHAINS), NOEL GALLAGHER (OASIS), JAMES MURPHY (LCD SOUNDSYSTEM), MAYNARD JAMES KEENAN (TOOL/A PERFECT CIRCLE), BILLY CORGAN (THE SMASHING PUMPKINS), LES CLAYPOOL (PRIMUS), GREG PUCIATO & BEN WEINMAN (THE DILLINGER ESCAPE PLAN), DAVE GROHL (FOO FIGHTERS/NIRVANA), JOAN JETT, JACK WHITE (THE WHITE STRIPES) and TOM MORELLO (RAGE AGAINST THE MACHINE) among many others.

whats interesting is that ULRICH, despite his notorious reputation for talking (and talking and talking), within the confines of these interviews he is mostly listening. in fact, i'd argue he is an incredible astute interlocutor that gently guides his subjects through insightful productive conversations. most teachers know that the longer you speak the less impact each word has on your students. i was really taken when recently rewatching these interviews to see just how gifted an interviewer ULRICH was and how engaged his follow-up questions were. you didnt get the sense that he had a list he wanted to get through, rather in an almost HOWARD STERN-like manner allow the subject free reign to drive the conversation as he gently steers it. to pull this off you must be a really good listener, which in popular culture i think ULRICH never gets credit for. makes sense though, given the fact that he is often a key composer within METALLICA who often deals with arrangements, a practice whereby you need to listen with intention to surmise the best presentation of musical ideas for maximum impact.

i hope he gets back to this podcast post-pandemic, because it felt like he was really on a roll with it. and it seemed like he was genuinely in his element and having fun. selfishly i just found the conversations compelling and insightful, more so than the vast majority of ROCK AND ROLL interviews you find online.

BOOK REVIEW | "SING BACKWARDS AND WEEP" BY MARK LANEGAN

3/22/2021

photo & text by nacrowe

SING BACKWARDS AND WEEP (HATCHETTE, 2020) is probably one of the more harrowing memoirs i have ever come across. its author MARK LANEGAN, gifted singer/songwriter and former frontman of SEATTLE ALTERNATIVE ROCK icons SCREAMING TREES, recounts an drug-addled existence that ranged from the 1980s through his final successful rehab stint in the early 2000s. and that addiction literally cost him everything he valued: relationships, collaborations, touring opportunities, friends, love, money. the list goes on and it is brutal.

there is no doubt that many who investigate this book are interested in the PACIFIC NORTHWEST INDIE/PUNK music scene that exploded in the early 1990s, of which LANEGAN was a central figure within. there is some ink here dedicated to his relationships with other participants such as KURT COBAIN (NIRVANA) and LAYNE STALEY (ALICE IN CHAINS), but the real dominant actor here is DRUGS. and by that i mean literally every make and stripe. COBAIN, STALEY as well as numerous other victims such as KRISTEN PFAFF (HOLE) and JEFFREY LEE PIERCE (THE GUN CLUB) are integral to his narrative in that they exemplify the cost of participation in this downward spiral of needless suffering.

LANEGAN is unflinching in his account and i have no doubt that writing this must have been cathartic. it also no doubt took courage to look at himself and unshrinkingly scrutinize his life's decisions and make them public without being patronizing or worse glorifying said behavior. he seems to be a reliable narrator as he relates how the ever-present threat of dope-sickness and withdrawal effectively corrupted his moral compass and led to a never ending search for a fix to maintain his equilibrium and all its attendant decisions that resulted in the suffering of others.

in HUBERT SELBY JR novels there is often an inverse character arc at play whereby as the individual descends into MADNESS, it is their affliction (FAME, POWER, DRUGS, etc.) that prevails in equivalent fashion. for me that is the feeling i get when considering the SEATTLE drug scene and its effect on several key participants in this book, COBAIN and STALEY being the prime examples.

there is a light and that is the MUSICIANS' ASSISTANCE PROGRAM that effectively saved LANEGAN's life. that and his ability to forgive himself and the capacity for other addicts to enable each other in recovery, here COURTNEY LOVE (HOLE) and DUFF MCKAGAN (GUNS N' ROSES) being such examples. you get the sense that despite the absolute depths of DEPRAVITY that drug addicts wade through, that there is an opportunity for RESTORATION. that we can always be REHABILITATED, RECONSTRUCTED and REINVIGORATED by our choices and actions moving forward.

contrary to what others may read into this memoir, i found it inspiring, compassionate and intensely optimistic. maybe this book is his way of paying it forward.

SPOTLIGHT | THE JONATHAN ROSS SHOW

3/3/2021

photo manipulation by nacrowe

JONATHAN ROSS doesn't look like it but he is a bit of a trouble-maker. he is the host of a late-night comedy show that has ruffled the notoriously stoic BRITISH upper-crust and famously he was suspended from the BBC for a prank call gone wrong with fellow muckraker RUSSELL BRAND. his first stint was on the BBC1 with FRIDAY NIGHTS WITH JOHATHAN ROSS (2001-2010) that was followed by the ITV show THE JONATHAN ROSS SHOW which has continued airing to date.

the BRITISH comedian has had some incredible musical guests on both his primetime shows over the years including NIRVANA, DEPECHE MODE, LADY GAGA, DAVID BOWIE, RIHANNA, THE LIBERTINES and GORILLAZ among many many others. definitely check them out these performances.

SPOTLIGHT | WHAT MAKES THIS SONG GREAT

2/24/2021

photo manipulation by nacrowe

RICK BEATO is a trained engineer and producer of nominal fame, having mentored and produced minor bands in the 1990s, mostly out of his studio in ATLANTA, and before that was a instructor at ITHACA COLLEGE in upstate NEW YORK. nothing particularly noteworthy but he did make a living as an engineer and producer with CHRISTIAN artists from what i could find online.

however, what i find compelling about BEATO is his YOUTUBE series of videos called WHAT MAKES THIS SONG GREAT where he basically dissects popular music utilizing the stems from the original recording. it is super interesting because the guy gets into the weeds about MUSIC THEORY and it is completely wonky. i may only understand a third of what he's talking about technically, as i am not a trained musician, but what you come away with is the complexity and depth of thought involved with constructing compelling ROCK AND ROLL music.

even songs by bands i thought i had a handle on (AC/DC, NIRVANA) are unwrapped and presented in a way where the tricks of PRODUCTION and SONG CRAFT are revealed. and example of such is how KURT COBAIN in terms of his singing voice will complete and alter chords that are evoked with the guitar, essentially creating haunting melodies that transcend their individual parts. you get the feeling that COBAIN did this innately, but its still cool to know that in technical terms what he did is of interest to scholars that have the ability to inspect his work on a purely compositional level.

this series, along with WARREN HUART's related INSIDE THE SONG YOUTUBE series, gives you a deep dive into MUSIC THEORY and RECORDING TECHNIQUES within the context of specific songs, which is such a gift. its like learning MUSIC THEORY through osmosis and i am a fan. his actual engineering/production career not so much.

SPOTLIGHT | NULLE PART AILLEURS

2/10/2021

photo manipulation by nacrowe

NULLE PART AILLEURS, translated in english as NOWHERE ELSE, was a talk show on FRENCH channel CANAL+ from roughly 1987 to 2001. as part of the program at times there would be musical guests and the footage that has leaked onto the internet from english-speaking bands over the years is quite remarkable.

impassioned, well-mixed performances by the likes of PORTISHEAD, NIRVANA, OASIS, AT THE DRIVE-IN, MASSIVE ATTACK, DEFTONES, A PERFECT CIRCLE, GARBAGE, SYSTEM OF A DOWN, THE SMASHING PUMPKINS and countless others can be view below. enjoy.

SPOTLIGHT | MOPOP FOUNDERS AWARD: ALICE IN CHAINS

12/16/2020

photo manipulation by nacrowe

this is pretty cool.

the MUSEUM OF POP CULTURE in SEATTLE recently did their annual fundraiser for local music education and community engagement initiatives by celebrating the work of regional favorite sons ALICE IN CHAINS. aside from their performance at the event, there were also performances both on-site and via video submissions by various peers and artists, many of the METAL and ALTERNATIVE ROCK persuasion.

while i am pretty on the fence about music-related museums in general (in my mind movements are only truly dead once you can visit an exhibit), these performances by the likes of MARK LANEGAN of SCREAMING TREES, MASTODON, HEART, FISHBONE, KORN, SOUNDGARDEN, TAD DOYLE of TAD, KRIST NOVOSELIC of NIRVANA, DAVE NAVARRO of JANE'S ADDICTION, COREY TAYLOR of SLIPKNOT, METALLICA, BILLY CORGAN of THE SMASHING PUMPKINS, TAYLOR HAWKINS of the FOO FIGHTERS are amazing and serve of evidence of the cultural impact ALICE IN CHAINS had on their peers and the next generation of musicians.

makes me miss LAYNE STALEY and MIKE STARR all the more deeply. not to mention their fallen peers in CHRIS CORNELL and KURT COBAIN. rest in peace brothers.

FILM REVIEW | MONTAGE OF HECK

12/8/2020

photo manipulations by nacrowe

i dont understand the reason for this film.

i do understand that since his untimely death in 1994 (when i was in elementary school) there has been a demand for material and content related to KURT COBAIN and NIRVANA as their enduring legacy continues to be that they are the last ROCK AND ROLL band of consequence of the last 30 years. the impetus for this immersive documentary, MONTAGE OF HECK (HBO FILMS, 2015) came about when COBAIN's daughter FRANCES BEAN became executor of his estate and commissioned BRETT MORGEN to direct it based on an inherited treasure trove of unreleased recordings and artwork left in the family's privately held archives.

that is not to say that the film is not visually arresting. as a constructed project, it is cleverly edited utilizing various art and nonart pieces from notebook scribblings and paintings to sculpture of his to create animations that draw home the point of his intense alienation throughout his life. it really makes the narrative come alive as his very words come alive.

but with all that being said, what was the point? what statement was this film attempting to make about COBAIN? watching this film felt uncomfortable since any NIRVANA fan knows the lengths to which COBAIN went to secure his privacy from the unforgiving, glaring eye of the media. especially post-VANITY FAIR article. this film is effectively a worst-case scenario for an artist that jealously controlled his band's public image. it doesn't seem a stretch that he would be rightly horrified by the publication of his tapes that were his sanctuary to experiment and hone his craft. as a fan, i don't need to hear it.

there was also numerous claims in the film that seemingly don't hold up to scrutiny by those who knew him at the time in Aberdeen (i.e. BUZZ OSBOURNE of THE MELVINS). key of which is the proposed sexual conquest of a mentally disabled girl by COBAIN in his late teens. the fact that such made it to print is reckless and wholly irresponsible as there is no way to corroborate such.

in my opinion, this film is an equal mistake to that of the publication of COBAIN's JOURNALS (RIVERHEAD BOOKS, 2003) which was heralded for its "transparency" with fans but in reality was just another cash grab 12 years earlier.

finally, after watching this i didn't feel like i new COBAIN any better. yest the home footage of him and COURTNEY LOVE with their infant daughter showcased their undeniable affection for one another and may be the only worthwhile inclusion in this well-produced yet innately hollow film.

i honestly wish i could unsee it. ETERNAL SUNSHINE OF THE SPOTLESS MIND this from my memory. it desecrates the memory of COBAIN and feels like an uncomfortable intrusion and needless debasement of his legacy. the fact that such a project originated with his immediate family just compounds the mistake. i dont question their right to pursue such, just the rationale.

leave the man alone. let him and his memory rest in peace.

"DEER GOD RADIO 95: BUTCH VIG PRODUCTION" AVAILABLE NOW

12/3/2020

parodies by nacrowe

check out HERE a special episode of DEER GOD RADIO on MAKERPARKRADIO.NYC with a playlist dedicated to the music production career of BUTCH VIG, from his career recording DIY releases from obscure 80s midwestern HARDCORE and INDIE ROCK bands at his own SMART STUDIOS to his commercial breakthrough with 90s ALTERNATIVE ROCK icons NIRVANA, SMASHING PUMPKINS and GARBAGE and beyond.

past episodes of DEER GOD RADIO as well as other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, THE SYNTHESIZER SHOW and CLASSICAL-ISH WITH NUTMEG are available here at the DEER GOD website.

and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!

FILM REVIEW | THE SMART STUDIOS STORY

8/11/2020

photo manipulation by nacrowe

THE SMART STUDIOS STORY (CONEY ISLAND STUDIOS, 2016) is documentary about the outwardly unassuming yet highly influential recording studio in MADISON, WISCONSIN, that was founded and run by STEVE MARKER and BUTCH VIG. the creation of the studio was at an interesting inflection point in american culture as there was a definite influx of underground HARDCORE and INDIE ROCK bands that were supported in earnest by college radio and a nationwide network of bars, VFW halls and small clubs not to mention independent promoters and independent record labels and record stores. what connected all these stakeholders in the scene was a sense of self-reliance and DIY ETHIC. maybe its simplistic to say that the puritan ethic of the midwest played a role in this community, but essentially this mindset led to an era of experimentation in music that was free of financial considerations, because none of this was supposed to go commercial. given that VIG was a musician (drummer in local bad SPOONER with future GARBAGE collaborator DOUG ERIKSON) he also had the added benefit of being able to listen and suss out the needs of a band, how to bring out their sound in a fun, experimental atmosphere. he was also able to know firsthand what worked and didn't work from a musician's perspective in "professional" studios. i think his versatility is underrated and part of his work ethic and gets lost in the shuffle when success for his production duties gained global notoriety.

enter NIRVANA and THE SMASHING PUMPKINS, the two bands whose albums NEVERMIND (DGC, 1991) and SIAMESE DREAM (VIRGIN, 1993) altered the landscape for VIG and the underground scene seemingly overnight with the inception of a financially viable ALTERNATIVE ROCK scene that was supported by commercial radio, promoters and the commercial infrastructure of corporate AMERICA. this allowed VIG freedom in choosing projects since SMART STUDIOS was now a destination studio and his services a known commodity.

i think given that sea change it is to his credit that VIG along with MARKER and ERIKSON expanded their craft by utilizing technology and incorporating new techniques in their band GARBAGE. for me their incorporation of HIP HOP and ELECTRONICA elements into a new hybrid style are one of the defining sounds of the 1990s. the fusion of such is only that much more impressive given the cultural impact of his celebrated yet sonically more straightforward catalogue of ALTERNATIVE ROCK production work.

its ironic that this embrace of technology is also what brought down the studio, as digital recording software on personal computers made this DIY ETHIC spread to a new prosumer base of musicians. the time had come to move on.

my takeaway from this documentary is that good music can come from anywhere, no matter how far off the beaten path. SEATTLE, MINNEAPOLIS, PORTLAND. in this case WISCONSIN. innovation is a personal pursuit and must be met on its own merits. in many ways BUTCH VIG's career as an established producer was entirely a fluke of circumstance. on the other hand he was talented and was prepared to take advantage of opportunities when presented.

makes me wonder what other crevices of the UNITED STATES or even the golbal scene have i not considered researching. where should i look next? because i'm always searching.

BOOK REVIEW | "HEAVIER THAN HEAVEN" BY CHARLES R. CROSS

7/6/2020

photo & text by nacrowe

much like his later JIMI HENDRIX biography ROOM FULL OF MIRRORS (SCEPTRE, 2005) which we reviewed (linked HERE), CHARLES R. CROSS in HEAVIER THAN HEAVEN (HYPERION, 2001) arguably provides a definitive account of another troubled SEATTLE musical icon, KURT COBAIN of NIRVANA.

and i don't think that is an irrelevant connection to make. aside from both being part of the bullshit "27 Club," they both navigated multiple worlds and transcended less than hospitable family situations. HENDRIX dealt with issues related to RACISM and VIETNAM, as well as dealing with fame that came from his genius remolding of BLUES and ROCK traditions and bending them to his singular artistic will, essentially defining his era. COBAIN similarly reinterpreted INDIE ROCK and HARDCORE punk culture into what later was termed GRUNGE and ALTERNATIVE ROCK and effectively transformed 90s culture in his image.

both in my opinion dug from a deep well of pain that was rooted in isolation (HENDRIX being an army brat and COBAIN the forgotten, neglected son of a painful divorce) and their gifts were transmitting that depth of feeling into music that touched the world.

HEAVIER THAN HEAVEN is a well-researched, dry affair that relies on public records, published interviews and background info from COBAIN's family and former bandmates and peers. you get the sense from reading it that CROSS strove to create a definitive document and it reads as such. that choice has its pros and cons as there are moments when as a reader i do not feel that COBAIN was in his right mind and could be counted on for accurate information. case in point: his excuses of stomach pain necessitating his abuse of heroin. seems like an excuse to a layman, but i understand CROSS' dilemma. bullshit excuse or not, that was the logic that informed his decision so he needs to report it. i just wish junkie excuses like that would have been given some context by professionally as, no doubt, there are people out there that will mimic such in their misguided fealty to COBAIN as some type of doomed demigod or divine messenger. people are crazy and the story of COBAIN seems to be a teachable moment as any to provide the proper support needed to readers dealing with issues of drug abuse or mental illness.

or maybe that isn't the job of the author. i don't know.

well-researched and expertly written in an almost academic way with little flair. a must for any fan of COBAIN, NIRVANA and the 90s ALTERNATIVE ROCK scene in general.

"DEER GOD RADIO 95: BUTCH VIG PRODUCTION" LIVE TONIGHT AT 8PM EST ON MAKERPARKRADIO.NYC

6/7/2020

parodies by nacrowe

tonight's new episode of DEER GOD RADIO at 8PM EST on MAKERPARKRADIO.NYC is dedicated to the ingenius music production career of BUTCH VIG, from his career recording DIY releases from obscure 80s midwestern HARDCORE and INDIE ROCK bands at his own SMART STUDIOS to his commercial breakthrough with 90s ALTERNATIVE ROCK icons NIRVANA, SMASHING PUMPKINS and GARBAGE and beyond. his versatility is legendary and well-worth investigating. gonna be a fun show tonight!

past episodes of DEER GOD RADIO as well as other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, THE SYNTHESIZER SHOW and CLASSICAL-ISH WITH NUTMEG are available here at the DEER GOD website.

and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!

"DEER GOD RADIO 73: STEVE ALBINI PRODUCTION" NOW AVAILABLE

2/9/2020

parody by nacrowe

check out HERE this recent streaming video episode of DEER GOD RADIO dedicated to the stridently innovative production work of STEVE ALBINI.

past episodes of DEER GOD RADIO as well as other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, THE SYNTHESIZER SHOW and CLASSICAL-ISH WITH NUTMEG are available here at the DEER GOD website.

and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!

BOOK REVIEW | "HIT SO HARD" BY PATTY SCHEMEL

11/18/2019

photo & text by nacrowe

so much of this HIT SO HARD (DA CAPO, 2017) by HOLE drummer PATTY SCHEMEL is about self-destruction. the enduring image of KURT COBAIN, a friend and former collaborator and even housemate of SCHEMEL, is seen as an example of being too far down the road of despair and drug abuse to turn back. he isn't portrayed as a victim as much as someone resided to their own fate. with SCHEMEL we see someone who took that road to its logical conclusion, losing literally everything: friends, family, financial independence, even her sexuality.

this memoir is less concerned with the story her journey from being an awkward, red-headed lesbian teen from eastern WASHINGTON who found in HARDCORE and drums her identity as it is about the harrowing depths of depravity associated with her road to recovery from opiate addiction.

her being a famous musician is only noteworthy within the arc of this book in that it showcases the cottage industry of enablers and hangers-on that provide celebrities with the means of their own destruction within the entertainment industry. i feel like reading as many biographies as i have about musicians, the recurring trope of drug abuse is a known cliche. that being said, any jadedness i had to the topic was obliterated by the honesty and clarity by which SCHEMEL dissects her actions and behavior and the wake of destruction that followed for bother her and those that cared about her.

to me this hit home, because an overriding theme of this book was kinship. the connection between musicians that is almost a surrogate family. there are surrogate families that fall apart (HOLE) and others that come and go as a means of support from friends (JULIETTE & THE LICKS, IMPERIAL TEEN). even her actual family, especially her brother and father, support her even when all was dire and hopeless. i have family and some friends that have been on similar trajectories, though nothing thankfully as harrowing as described in this book, and it feels comforting to know that an addict like SCHEMEL sees love and human connection as a means for maintaining sobriety.

and that is what makes the death of CHRIS CORNELL so poignant in this book, not just because it bookends the death of fellow SEATTLE musician KURT COBAIN. CORNELL's recovery mirrors that SCHEMEL and serves as an example that once you are an addict, always an addict. recovery is always ongoing and having a support system is your lifeline. which ultimately positions this book as being earnestly involved with the redeeming potential that hope and human connection can foster. it is easily one of the most affecting memoirs i have read to date.

BOOK REVIEW | "LOVE ROCK REVOLUTION: K RECORDS & THE RISE OF INDEPENDENT MUSIC" BY MIKE BAUMGARTEN

8/20/2019

photo & text by nacrowe

when the BRITISH concocted their COTSWOLD GAMES in the 17th century, a forerunner to the modern olympic games, they touted "amateurism" as a way of assuring that the sporting event was kept pure from debased notions of professionalism. after all, they wanted to showcase their self-assured physical superiority over the constituents of their imperialistic holdings without looking as if they actually tried.

this was the prism i viewed CALVIN JOHNSON and the cult surrounding his legendary indie label K RECORDS and the whole 1980s INDIE music scene of OLYMPIA, WASHINGTON through in general. primarily known for his decidedly non-professional musicianship in his notable group BEAT HAPPENING, as well as late projects including THE HALO BENDERS, DUB NARCOTIC SOUND SYSTEM, and THE HIVE DWELLERS, JOHNSON has been renowned for popularizing what has since to become known as TWEE POP. this genre usually denotes music by amateur or non-technical musicians.

before reading MIKE BAUMGARTEN's "LOVE ROCK REVOLUTION" (SASQUATCH BOOKS, 2012), i mistook JOHNSON and his ilk as being inept, arts-fartsy elitists that look down upon musicians with actual talent, like say the concurrent GRUNGE scene that blew in neighboring SEATTLE. perhaps that notion came from reading books about NIRVANA and PEARL JAM and SOUNDGARDEN and how acolytes of the underground made them question the purity of their careerist motives in making music.

BAUMGARTEN's portrayal of JOHNSON in essence is that of a curious music fan that sought out an artistic community that didn't exist in his youth. the narrative of K RECORDS is the story of his efforts to nurture that community, employing a strong DIY ETHIC that put artistry above profit margin. this mindset comes directly out of his involvement with various INDIE and HARDCORE scenes in the early 80s and his connections to institutions like DISCHORD RECORDS and arguably most importantly, EVERGREEN STATE COLLEGE's unconventional KAOS 89.3FM college radio station. if anything, the story of the label is an outgrowth of the community surrounding the radio station, university and the underground independent tape-trading communities across the nation.

i can understand how successful GRUNGE musicians felt pigeonholed by "Calvinist" acolytes from OLYMPIA and the burgeoning scene including fiercely strident labels like KILL ROCK STARS. by making their bed with the "corporate ogre," they were essentially a part of the machine, a by-line on a quarterly report, a commodity and they knew it. yes, the music produced by K RECORDS was decidedly unsophisticated and had what FRANK ZAPPA famously coined in another era as "zero commercial potential," but their motivation was to sell records but to showcase artistic freedom.

and on that scale he flourished having collaborated with/and or helped promote a fertile cultural scene that gave the world HEAVENLY, BIKINI KILL, MECCA NORMAL, BRATMOBILE, HEAVENS TO BETSY / SLEATER-KINNEY, UNWOUND, HEAVENLY, MAKE-UP, THEE HEADCOATS, KICKING GIANT, THE GO TEAM, D+, THE MICROPHONES, BECK, MUDHONEY, TIGER TRAP, THE MELVINS, and even NIRVANA.

so there you go. K RECORDS is almost a modern VELVET UNDERGROUND-like phenomena in their cultural relevance wasn't rooted in the records they sold, but in the bands they influenced. and their influence according to the book was their DIY ETHIC, GRUNGE bands be damned.

"DEER GOD RADIO 44: ALTERNATIVE ROCK" AVAILABLE NOW

7/12/2019

artwork by nacrowe

watch HERE for our most recent episode of DEER GOD RADIO where we play nothing but 90s ALTERNATIVE ROCK.

past episodes of DEER GOD RADIO as well as other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, and THE SYNTHESIZER SHOW are available here at the DEER GOD website.

BOOK REVIEW | "SERVING THE SERVANT: REMEMBERING KURT COBAIN" BY DANNY GOLDBERG

5/19/2019

photo & text by nacrowe

with the recent 25th anniversary of his passing it was only fitting that there would be yet another entry to the canon of written work dedicated to KURT COBAIN, especially given that a long rumored and awaited COURTNEY LOVE memoir is in the works. SERVING THE SERVANT (Ecco Press, 2019 ) encapsulates the recollections and experiences of NIRVANA manager DANNY GOLDBERG as he navigated the group from northwestern obscurity (post-BLEACH) to global domination.

whereas other books dealing with this subject, notably HEAVIER THAN HEAVEN (Hyperion Press, 2001) by CHARLES CROSS, tend to fixate more on the self-destructive aspects of his life as well as his unhappy upbringing, GOLDBERG here chooses to present his friend as he knew him: intelligent, funny, talented and ultimately flawed. what made this read ultimately interesting were his retelling of how media-savvy COBAIN was how he used this hyper-awareness to manipulate the media to present an image of himself that successfully melded several strains of underground demographics.

if you're interested in tales of drugs, excess and self-defeating behavior, this book shies away from anything remotely sensational. on the other hand if you are interested in marketing and how to successfully position a musical act, this book will satiate that itch.

i do want to commend GOLDBERG for speaking his truth despite the barrage of misinformation regarding his former client and the despicable innuendo projected on him and the family of the deceased. this also marks the first addition to the canon that hasn't felt exploitative, much as the JOURNALS and the recent documentary MONTAGE OF HECK did.