photo manipulation by nacrowe
ok, admittedly i am not a HATEBREED fan. full disclosure. i did however highlight them in a recent METALCORE episode of DEER GOD RADIO and i do respect them, but i always found them to be a bit corny because their music was essentially humorless. i mean, even SLAYER throws in some latin rhythms every once in a while just to break up the monotony. i found it to be all about brute force and this unrelenting intensity that is just pleading to be mocked. seen them a few times, however, including OZZFEST JAPAN a few years ago and HATEBREED is absolutely crushing live. brutal and intense, no levity.
even though HATEBREED frontman JAMEY JASTA is a bit of a meathead (maybe guns and hunting is cool in CONNECTICUT?), he does have a captivating podcast that interviews musicians and peers from all reaches of the METAL community as evidenced with the recent participants such as of RANDY BLYTHE (LAMB OF GOD), JIMMY BOWER (EYEHATEGOD, DOWN), SAMMY DUET (GOATWHORE), BRIAN "HEAD" WELCH (KORN), OLA ENGLUND (THE HAUNTED), KEITH BUCKLEY (EVERY TIME I DIE / THE DAMNED THINGS) and TREVOR STRNAD (THE BLACK DAHLIA MURDER) among many many others. so i will give him that.
recently they started releasing videos of these shows on YOUTUBE so definitely check them out if you are hungry for SLUDGE, DEATH, BLACK, THRASH and PROG METAL news during this never-ending quarantine.
photo manipulation by nacrowe
the VICE subsidiary NOISEY which produces content on its YOUTUBE channel dedicated to largely underground aspects of global MUSICAL CULTURE did a deep dive a few years ago with their seven-part series NOLA: LIFE DEATH & HEAVY BLUES FROM THE BAYOU (NOISEY, 2014) into the origins and legacy of SLUDGE METAL and its LOUISIANA origins.
in essence this series investigated specifically that music of DOWN members and proud LOUISIANANS JIMMY BOWER (EYEHATEGOD), KIRK WINDSTEIN (CROWBAR), PEPPER KEENAN (CORROSION OF CONFORMITY), and PHIL ANSELMO (PANTERA, SUPERJOINT RITUAL) as well as members of ACID BATH and GOATWHORE among others. in essence these musicians were heavily influenced by their surroundings. rural living and laid back southern vocal affectations manifested in rhythm tempos that were decidedly relaxed and slower in cadence. this tempo shift is in direct opposition to the concurrent strains of THRASH METAL and DEATH METAL that took place in the late 1980s and throughout the 1990s. in case you find this a little jarring, its important to consider that JAZZ, another LOUSIANA contribution to the AMERICAN musical tradition, was rooted in the STORYVILLE red light district of NEW ORLEANS where musicians would shift their tempos to the rhythms of a brothel's occupants in lieu of securing a tip.
SLUDGE METAL is a thick, brutal METAL sub-genre which traces its roots to bands like THE MELVINS (from rural WASHINGTON state) and particular BLACK SABBATH (famously from the industrial wasteland of the MIDLANDS in ENGLAND), but it is hard to argue that it found a true home in LOUISIANA. again, interesting to see how landscape, location and even linguistics impact art and music. when you consider that SLUDGE METAL has influenced the likes of the even more extreme and sonically stretched-out explorations of modern DRONE METAL and POST METAL which revel in the nuances and textures of space and distortion, it is intriguing to consider what spices have been added to that gumbo. who knows where its all heading next which is pretty exciting.
in summation, this documentary is well-constructed and worthy of further investigation if you are so inclined.