photo by nacrowe
i just want to get it out of the way that i found SLEATER-KINNEY guitartist/co-vocalist CARRIE BROWNSTEIN's memoir HUNGER MAKES ME A MODERN GIRL (RIVERHEAD BOOKS, 2016) jarring and difficult to follow. as a former english teacher im pretty accustomed to student writing that attempts to cover up a lack ideas with cumbersome structures and awkward word choices. this memoir is full of them and i can't figure out why?
it was meandering to the point of confusion. my feeling is that a reader of an book dedicated to an artist is hoping to appreciate any number of aspects, any of which are good fodder for a memoir. these could include insights on the artist's biography, creative process, context(s), breakthroughs, downfalls, influences, etc. BROWNSTEIN seemed determined to not placate to any of these tropes of the memoir format. she would seemingly take you on a long aside that dithered and wandered nowhere.
it was very frustrating as i was constantly questioning what her point was and why i was reading this. and then there was her writing style which was overly and ornamental to the point of being annoying. if she was attempting to show-off her cleverness, she failed miserably.
i was able to gleen some information about the formation of SLEATER-KINNEY and how BROWNSTEIN's complicated upbringing informed her relationships with peers and collaborators, but ultimately BROWNSTEIN puts herself center stage which is an odd choice in a memoir. my understanding is that what makes portrait photography and memoirs compelling is not the subject necessarily, but rather the context surrounding the subject. how have outside forces affected an artist's process? what are the internal/external dynamics that contributed to the making of a piece of art? in this memoir things just happen and seemingly she brought it about. came off a bit narcisstic, almost like reading THE DIRT (HARPERCOLLINS, 2001) by MÖTLEY CRÜE, where each of them fight over narritive control by asserting their greatness at the expense of all other band members. same thing with BROWNSTEIN.
i was really interested in knowing about their politics which never really came up. for me personally this is odd because i saw them play ROSELAND BALLROOM on February 15, 2003 right after participating in the anti-war protests that day in manhattan. they seemed very much enthused by that palpable energy and voiced their displeasure in GEORGE W BUSH's policies and proceeded to play a killer set. maybe my perception of them was off, given that so few pages addressed any political concerns. instead all of her concerns are rather insular tropes of the misunderstood traveling musician, which is beyond boring to read.
a very frustrating read. i love the band and i highly recommend listening to their records. i'd just say wait until CORIN TUCKER decides to get around to writing her story. this book is a hard pass.