photo & text by nacrowe
THE BEAVIS AND BUTT-HEAD EXPERIENCE (GEFFEN, 1993) is quite the interesting 1990s CULTURAL ARTIFACT. produced by none other than STEVE ALBINI, this compilation was obviously a bit of a cash grab at the height of the ALTERNATIVE ROCK movement that the BEAVIS & BUTT-HEAD TV SHOW had no small part in helping popularize (just as WINGER and all those HAIR METAL bands that got pilloried and became instant cultural pariahs), but as such go this one had staying power.
the unquestioned standout track by a mile is the strong NIRVANA track "I HATE MYSELF AND WANT TO DIE" which was one of the last tracks released prior to his suicide. in fact, this song was the would-be title track to IN UTERO (review linked HERE), as I HATE MYSELF AND WANT TO DIE was the original working title for their third album. other notable tracks include a memorable ANTHRAX cover of the BEASTIE BOYS' "LOOKING DOWN THE BARREL OF A GUN" track (off PAUL'S BOUTIQUE) and the hard-charging WHITE ZOMBIE song "I AM HELL." the album is rounded out by largely forgettable, hit-or-miss tracks by the likes of THE RED HOT CHILI PEPPERS, PRIMUS and MEGADETH.
i originally had this record on cd back in elementary school in SOUTHERN CALIFORNIA and the two songs i remember pretty distinctly (aside from the NIRVANA, ANTHRAX and WHITE ZOMBIE tracks) was the updated CHER duet "I'VE GOT YOU BABE" with BEAVIS & BUTTHEAD and of course the epic BUTTHEAD slow jam "COME TO BUTTHEAD." looking back now you have to hand it to CHER that she had a sense of humor and was able to laugh at herself. you wonder how much her inclusion may have also been to show how cool she was to her young son ELIJAH BLUE ALLMAN (of much later DEADSY fame). i wouldnt blame her for a second if that was the case. it's pretty badass. "COME TO BUTTHEAD" is also surprisingly well-produced and no wonder, it was composed and recorded by none other than funk brother par excellence NILE RODGERS himself. BEAVIS & BUTT-HEAD creator MIKE JUDGE definitely had lots of surprises on this cash grab no doubt.
the humor surrounding teenage attitudes towards BODILY-FUNCTIONS and SEXUALITY would be a hard sell in today's environment, but that is why it is interesting to revisit this record from time to time. it also makes you consider how the reboot of this show will fair now 30 years later from a different historical moment with TECHNOLOGY and CULTURE moving at speeds unheard of back in the day. it is an interesting conceit nonetheless.
i love this record but i am completely biased. i listened to this record during my formative years so of course id recommend it. definitely worth checking out.
photo manipulation by nacrowe
so when OFFICE SPACE (TWENTIETH CENTURY FOX, 1999) came out i was in boarding school. it was my sophomore year and the way things went was that my dorm head would go off-campus on friday and rent a movie or two for the students that would sit in the lounge area on the first floor. if it was particularly good than more often than not students would watch it again on saturday and drag others who hadnt seen it to do so.
i distinctly remember OFFICE SPACE because we had that movie rented out for something like 2 weeks. it got to ROCKY HORROR PICTURE SHOW proportions in that people were reciting lines and whole scenes of dialogue before the first weekend was out. it was the biggest hit of my two year stint in prep school.
i feel part of what makes that film so endearing and funny is how much suffering and pain showcased through the characters. they all seem to aspire for greatness yet live in the mundane corporate labyrinth of TPS reports, multiple bosses and malfunctioning xerox machines and printers.
the characters of this film are just such exquisite vignettes of the rich diversity of human suffering and existential dread. this seems to be a specialty of writer/director MIKE JUDGE who famously gave the world BEAVIS & BUTTHEAD and KING OF THE HILL. from the worthless human garbage who feed off power like clueless boss BILL LUMBERGH and corporate executive goons "THE BOBS," to loveable ambitious losers like TOM SMYKOWSKI, MICHAEL BOLTON and SAMIR NAGHEENANAJAR and the various supplicants and reptiles that make up the backstabbing groupthink culture portrayed in OFFICE SPACE, this movie portrays the corporate workplace as a war-zone. i literally could go on at length about any of these characters, even the main protagonists, but to me there is one that sticks out among all others: MILTON ADDAMS.
in my mind, we are all MILTON. we are all hopeless, inept, misplaced rejects looking for a home. in essence we are all victims. even the "THE BOBS" and LUMBERGH himself are victims to a corporate structure that deprives them all of their creativity and humanity. it sucks them all in and gives back nothing. no security, no enjoyment, no satisfaction. they are literally all rats in a cage clawing each other in a never-ending fratricidal fever dream.
i always found it funny that the only character to actually effectuate change in the plot is the most isolated, socially-deprived, mistreated misfit of them all. maybe there is hope for all of us.