photo & text by nacrowe
THE ROAD TO UNFREEDOM: RUSSIA, EUROPE, AMERICA (TIM DUGGAN BOOKS, 2018) by YALE HISTORY PROFESSOR and celebrated writer of ON TYRANNY (review linked HERE), TIMOTHY SNYDER is without doubt one of the most consequential and depressing books I have ever read. at its core it deals with the philosophical underpinnings that have guided the development and exportation of the concept of UNREALITY as a weapon by the RUSSIAN government on their geopolitical foes the EUROPEAN UNION and the UNITED STATES.
the two main concepts SNYDER utilizes to explain this scenario are the politics of both INEVITABILITY and ETERNITY.
essentially the post-WWII period has seen the UNITED STATES believe implicitly that market capitalism leads to institutions that secure democracy. this belief was beyond reproach and essentially gospel to which resulted in the assumption that such was inevitable. provide new markets and the corresponding political infrastructure will organically appear given time, it was inevitable. the politics of inevitability basically follow a narrative that a nation tells itself about how it got to where it is, that "the future is just more of the present, that the laws of progress are known, that there are no alternatives, and therefore nothing really to be done" according to SNYDER.
VLADIMIR PUTIN and basically all totalitarian dictators deal with the politics of eternity, where "eternity places one nation at the centre of a cyclical story of victimhood. Time is no longer a line into the future, but a circle that endlessly returns the same threats from the past." in this situation there is no history. icons and events of the past are merely collapsed into the present at the behest of the leader. the body politic is infallible and pure, all problems are the result of foreign influence.
this is book is basically the history of how PUTIN took his particular brand of RUSSIAN politics of eternity based on the writings of IVAN ILYIN and imposed them first on his people before testing it on the UKRAINE and later WESTERN EUROPE and the UNITED STATES.
for me the most captivating takeaway of this book is just the brazen disregard for factuality in the lies RUSSIAN propagated worldwide during their invasion of UKRAINE. its dizzying to keep up with them which is essentially the point. the success of the RUSSIAN media echo chamber to define the situation to such an extent that foreign journalists from both the left (THE NATION, THE GUARDIAN) and the extreme right (FRENCH NATIONAL FRONT) bought in is truly devastating. the truth is that the UKRAINE was a democratically-elected sovereign nation that was seeking entry into the EUROPEAN UNION as a way of modernizing its infrastructure and ridding its body politic of corruption, but RUSSIA was able to convince governments and though-leaders worldwide that this was a regional civil war.
domestically there was the lie that broadcast on state media that they were fighting fascism, when in fact they were fighting on behalf of a fascist. that UKRAINE wasn't a nation but part of a mythological NOVOROSSIYA, a "NEW RUSSIA. that foreigners were behind the deaths of RUSSIAN children and sought to promote their decadent values on the RUSSIAN populace.
the weaponization of a fictional UNREALITY was later used in AUSTRIA, HUNGARY, FRANCE and ITALY to varying degrees but found its next prime target in the BREXIT referendum. it is still ironic that regions in the UNITED KINGDOM that garnered the most financial assistance from EUROPEAN UNION were the ones that voted to leave it, but that is the power of cyber-warfare and the creation of narratives to people that don't know their own history. its tragic. the weakening of the EUROPEAN UNION is a continuing geopolitical goal of RUSSIA and the UNITED KINGDOM played right into it.
which bring us to TRUMP and the 2016 election. the story from here on out is familiar to anyone that paid attention to the MUELLER REPORT, but again what interested me was how this idea of promoting UNREALITY worked so well. that sense of purity and eternal victimhood played seamlessly into the conservative GOP worldview in the wake of a GLOBALIZED ECONOMY. it almost worked too well relative to other countries. our "exceptionalism" being defined by our own hubris at believing our own hype. and our collective gullibility in a weakened, corporate, un-diversified media culture that has been overturned by FACEBOOK and its lack of editorial principles. essentially in both form and function, our collective experience as AMERICANS has devolved more and more to the level of RUSSIA each of the past three years since TRUMP came to office. white rural TRUMP voters are okay with shorter, worse lives given that a minority somewhere in he country has it worse. its a shame what he has achieved by stoking AMERICA's unchecked legacies regarding inequality and racism.
and speaking of which, this book puts the anti-historical and anti-science histrionics and narrative manipulations of TRUMP into a useful, comprehendible context. i recommend his book whole-heartedly as a must-read for any concerned citizen of western civilization. my hope is that it isn't too late and that we vote the bastard out.
photo by karl burhop
ok i admit that its more than a little strange to write a profile on yourself. but here i go.
as creative director of DEER GOD i basically have a hand in everything we do that is non-audio. that basically boils down controlling/editing all things visual and written. of course we work as a team and frequently collaborate and take cues from one another, but i more or less take these efforts and produce the final product.
out of the whole team i am probably the last to the party in that i was not involved with audio or video production until a few years ago when i returned from overseas. for the better part of the last decade i was involved with education having taught secondary english abroad at international schools in MYANMAR, JAPAN, VENEZUELA as well as a stint as a peace corps volunteer in ALBANIA. my start as an educator was in NYC where i got my masters at COLUMBIA UNIVERSITY and had brief stints teaching at both BROOKLYN TECHNICAL HIGH SCHOOL (student teacher) and STUYVESANT HIGH SCHOOL (long-term substitute). my bad timing entering the field in the wake of the great recession meant that no new positions were available as older teachers delayed retirement and an effective freeze was put on new hires. thus i had an IVY LEAGUE degree and recommendations from two of the top public high schools in the nation, but no prospects.
so i went and taught overseas.
due to my parents work i spent time overseas growing up in NIGERIA (middle school) and KUWAIT (junior year of high school) and attended high school in both MASSACHUSETTS (NORTHFIELD MOUNT HERMON) and CALIFORNIA (ROCKLIN HIGH SCHOOL). oh yeah, and i was born in SPAIN.
my passion as long as i can remember photography as i would take photos of my travels (somehere around 60+ countries). i think my passion for other cultures and worldviews informed my (brief) teaching career and most definitely is a part of what i bring to my current visual work here at DEER GOD. if interested, check out my photos above.
the rest are linked HERE.