photo manipulation & text by nacrowe
when i learned about the CHILEAN trio ADELAIDA i was already on their side by the sheer fact that they were from VALPARAISO. that coastal city was the most welcoming and naturally beautiful place i visited during my time in SOUTH AMERICA when i worked for two years in VENEZUELA. just culturally rich with artists, artisans and craftsmen abound being CREATIVE. i fell in love with that city on site. so right upfront, that is my bias.
that being said, the band has a POWERFUL sound that borders genres ranging from the more experimentally DISSONANT end of POST-HARDCORE (GLASSJAW, AT THE DRIVE-IN) to sheer NOISE ROCK (BOREDOMS, SONIC YOUTH) to straight up DELICATE, ANGULAR INDIE ROCK (YO LA TENGO, DINOSAUR JR). depending on the release, they very much are an ACCOMPLISHED band that seemingly has no limit to their sound. definitely worth checking out.
photo manipulation & text by nacrowe
sometimes you watch and listen to music from other cultures and quickly realize you dont know the half of it. such is the case with CHILE's MON LAFERTE whose music has deft pop sensibilities infused with subtle textures and rhythms from traditional LATIN fare like CUMBIA, SALSA and BOLERO.
but such seems to be a smokescreen for her fierce REVOLUTIONARY POLITICS and bold personal stances, famously culminating in her going topless at the 2019 LATIN GRAMMYS with the message "en Chile torturan violan y matan" written across her chest. this translates to "in Chile, they torture, rape and kill." holy shit indeed. this was an anti-government message in support of protests against SOCIAL INEQUALITY and in support of minimum/LIVING WAGE guarantees. these protests were controversial at the time since they resulted in the burning of subway stations.
again, you listen to music by an artist, especially one from another culture, and you learn that you in fact no very little about the original context. at the very least MON LAFERTE is an artist worthy of further investigation and you should definitely check out her music.
cover by nacrowe
when i was in VENEZUELA i came across CHILEAN SYNTHPOP singer JAVIERA MENA and her soothing brand of INDIE POP that probably lies somewhere on the spectrum between the sonic experimentalism of LYKKE LI and the brash immediacy of CHARLI XCX.
her earlier material is more acoustic driven in the style of early SHAKIRA, but worth seeking out as well. she has a new LP coming up soon so look out for that and check out her music below.
photo manipulation by nacrowe
years ago when my time as a PEACE CORPS volunteer in ALBANIA was coming to a close, i learned that i was able to secure a teaching position at an international school in VENEZUELA. its funny because i have former peers on the international teaching circuit who will only take positions in first-world situations like EUROPE, AUSTRALIA or select countries in the MIDDLE EAST and ASIA. i've actively sought out places that weren't necessarily in line with what i was familiar with (which explains my teaching career of being in MYANMAR, ALBANIA and of course VENEZUELA).
anyway, once learning i was gonna be in SOUTH AMERICA in 6 months i went about reading as much as i could about VENEZUELA and the region. i highly recommend EDUARDO GALEANO's epic ant-colonialist OPEN VEINS OF SOUTH AMERICA (MONTHLY REVIEW PRESS, 1971) as well as COMANDANTE (PENGUIN, 2013) by RORY CARROLL of THE GUARDIAN newspaper. i also investigated for months as much SOUTH AMERICAN music as i could locate online.
so glad i did because i discovered the music of ANA TIJOUX. she is a CHILEAN MC by way of FRANCE and her work is entirely an extension of her unique political, socio-economic and inclusive worldview. i very much view her in the tradition of other politically conscious artists of years past like PUBLIC ENEMY, WOODY GUTHRIE, M.I.A. and RAGE AGAINST THE MACHINE.
her parents emigrated from CHILE to FRANCE in the 1970s after the overthrow and murder of the democratically-elected SALVADOR ALLENDE by the UNITED STATES-backed military dictator AUGOSTO PINOCHET. what followed in CHILE was a brutal military dictatorship that basically fell in line with the insatiable capitalist needs of the AMERICAN economy for copper (which we use for electrical wiring and consumer electronics).
when i listen to the music of TIJOUX i am reminded of the perspectives of the inhabitants of countries who resources are essentially exploited for western capitalism. its a narrative often ignored and wholesale discounted.
discovering her work and the pride she showed in being SOUTH AMERICAN was something i greatly admired even before i got to the continent. the music itself often makes use of elements of indigenous music and re-contextualizes them in a HIP HOP context, much like M.I.A. before with the indian subcontinent or SEPULTURA with the XANANTE tribe of eastern BRASIL on their album ROOTS.
i highly recommend her music to anyone interested in HIP HOP or LATIN AMERICAN culture. totally worth it.
photo by karl burhop
ok i admit that its more than a little strange to write a profile on yourself. but here i go.
as creative director of DEER GOD i basically have a hand in everything we do that is non-audio. that basically boils down controlling/editing all things visual and written. of course we work as a team and frequently collaborate and take cues from one another, but i more or less take these efforts and produce the final product.
out of the whole team i am probably the last to the party in that i was not involved with audio or video production until a few years ago when i returned from overseas. for the better part of the last decade i was involved with education having taught secondary english abroad at international schools in MYANMAR, JAPAN, VENEZUELA as well as a stint as a peace corps volunteer in ALBANIA. my start as an educator was in NYC where i got my masters at COLUMBIA UNIVERSITY and had brief stints teaching at both BROOKLYN TECHNICAL HIGH SCHOOL (student teacher) and STUYVESANT HIGH SCHOOL (long-term substitute). my bad timing entering the field in the wake of the great recession meant that no new positions were available as older teachers delayed retirement and an effective freeze was put on new hires. thus i had an IVY LEAGUE degree and recommendations from two of the top public high schools in the nation, but no prospects.
so i went and taught overseas.
due to my parents work i spent time overseas growing up in NIGERIA (middle school) and KUWAIT (junior year of high school) and attended high school in both MASSACHUSETTS (NORTHFIELD MOUNT HERMON) and CALIFORNIA (ROCKLIN HIGH SCHOOL). oh yeah, and i was born in SPAIN.
my passion as long as i can remember photography as i would take photos of my travels (somehere around 60+ countries). i think my passion for other cultures and worldviews informed my (brief) teaching career and most definitely is a part of what i bring to my current visual work here at DEER GOD. if interested, check out my photos above.
the rest are linked HERE.