FILM REVIEW | ZAPPA
photo manipulation & text by nacrowe
summing up the cultural legacy of seminal 20th century experimental ROCK AND ROLL musician and composer FRANK ZAPPA neatly is such a difficult task, but accomplished BRITISH director ALEX WINTER (yes, of BILL & TED fame) does an admirable job in this recent estate-authorized documentary ZAPPA (MAGNOLIA FILMS, 2020). as such, this is the first film given access to the extensive ZAPPA archives and it shows since there is much intimate footage of the composer, THE MOTHERS OF INVENTION and all iterations of his band over the years, not to mention family footage of his four children growing up.
im convinced this is one of the better music documentaries i have seen in recent years, partly because of the respect WINTER pays towards his subject. this is not a hagiography by any means and ZAPPA is shown warts and all. we see him as a man possessed by a ferocious drive and manic creativity that is a result of his being a "slave to his inner ear." we also see him as a womanizer and someone that put career in front of family for much of his professional life. in fact, his hit only hit song "VALLEY GIRL" was created as an excuse by his daughter MOON UNIT to spend time with him. again, WINTER does not shy away from his shortcomings that made him a complicated figure.
an aspect concerning ZAPPA that i was unaware of was the extent to which he was independent after his time at WARNER BROS, establishing ZAPPA RECORDS and later BARKING PUMPKIN RECORDS to put out his own records as well as those of supposedly commercially unviable acts like ALICE COOPER and THE GTO'S. this commonplace now for major artists, but back in 1981 not so much. seems ZAPPA was trailblazer from a business perspective as well.
one thing that comes across in spades is ZAPPA's love of MUSIC and MUSICIANS. this can be seen not only in his numerous collaborations with talented musicians, but also with regard to his sticking his neck out at congressional hearings related to the PARENTS MUSIC RESOURCE CENTER and their efforts to censor music. ZAPPA and his music was not a target, but his stature and credibility provided the opposition to this wave of potential overreach with a fitting white knight and spokesperson. i dont recall seeing BRUCE SPRINGSTEEN, BOB DYLAN or TOM PETTY up their selflessly fighting the good fight. kinda sad that none of them did. with all the bullshit going on currently in FLORIDA with banned books and whatnot, it feels very much like we are coming full circle on this matter.
also im glad that a significant portion of this film was dedicated to the orchestral compositions written by ZAPPA throughout his life. it is a lesser known and criminally under-appreciated aspect of his immense oeuvre by the general public. especially at the end of his life when he was dealing with terminal PROSTATE CANCER, it was rehearsing and conducting these orchestral compositions that gave him great pleasure. so im glad that such was not overshadowed by his celebrated ROCK AND ROLL career.
when i think of ZAPPA i am presented with a towering cultural figure who more than anyone else i am aware of, never compromised his vision. he is the very embodiment of creative freedom. who knew the CZECH people agreed in that estimation. his music has not aged a bit and has influenced countless musicians that seek to challenge and push the medium forward. i hear his influence in everyone from ANIMAL COLLECTIVE, THE RESIDENTS, PRIMUS and SYSTEM OF A DOWN to THE FLAMING LIPS, THE BUTTHOLE SURFERS, KING GIZZARD AND THE LIZARD WIZARD and TALKING HEADS.
ZAPPA is an incredible achievement and is most definitely worth checking out.
photo manipulation & text by nacrowe
GIBSON GUITARS really did a faceplant up back in 2019 with their aborted "play authentic" campaign.
which was really a pity because i had been watching their DIRECTOR OF BRAND EXPERIENCE MARK AGNESI since he was GENERAL MANAGER at NORM'S RARE GUITARS and hosted their GUITAR OF THE DAY YOUTUBE videos in which he would deep dive into their backroom archive of vintage guitars and elaborate in exquisite detail about their production, history and playability. the dude knew his stuff and his appreciation and passion for guitars was palpable. i was practically rooting for the dude when moved on to GIBSON.
which is why i think its a great move that GIBSON has him doing these long-form videos where he similarly guides us through the collections of famous musicians from RICK NIELSEN (CHEAP TRICK), MIKE CAMPBELL (TOM PETTY & THE HEARTBREAKERS) SLASH (GUNS N' ROSES, VELVET REVOLVER), and DWEEZIL ZAPPA (ZAPPA PLAYS ZAPPA) to KIETH NELSON (BUCKCHERRY) and DAVE AMATO (REO SPEEDEWAGON). its basically the same thing he did at NORM'S, even with the same batch of characters. in other words: its a match made in guitar nerd heaven. once i learned of this series i have basically been mainlining them, irrespective of the artist being interviewed. bar none the coolest guitar shown was producer JOHN SHANKS' GIBSON ES-355 previously owned by JOHNNY MARR. 'nough said there.
obviously the vast majority of the products involved are GIBSON-related, but its also fun to see when they veer off into other manufacturers. this gives me hope that GIBSON is getting off their high horse and acknowledging the fact that they are part of a greater community. hopefully they take on their role as elder statesmen and give back to the guitar-playing community, because it looked bleak there for a while. real bleak.
this series at least smells like they have their act together and were humbled by their atrocious marketing mistakes over the last decade.