photo by veronica serrano
its crazy seeing all the shortages of things like toilet paper and basic food stuffs happen stateside these days, basically because i've experienced it all before.
this is the kind of thing i saw happen in the mid 90s during the isolated military regime of SANI ABACHA in NIGERIA and in VENEZUELA shortly after the death of HUGO CHAVEZ when NICOLAS MADURO took over in 2013. in both cases once you saw a desired product on a shelf you knew it was only a matter of time (usually within hours) that such would be gone to return who knows when.
in NIGERIA the company my father worked for got around this with large annual shipments (one per family) that were sent via international container ships that would take months at a time. you'd fill these things up by weight stateside during the summer and then see them in AFRICA in late autumn. it was crazy because you'd purchase a year's worth of any particular item (candy, napkins, detergent, etc). but it worked and meant you weren't relying on the local market for basic necessities, which was a good thing given the corruption of the military dictatorship of the time.
recent photo by nacrowe somewhere in new jersey
VENEZUELA was a different experience altogether in that i entered the country during a time of immense upheaval and change. CHAVEZ during his reign had nationalized various industries and kicked out foreign investment in things like oil and manufacturing. the UNITED STATES in particular used to manufacture napkins, paper towels and toilet paper in the country and after CHAVEZ' decision they merely relocated the factories to COLOMBIA (which in turn assisted in stabilizing their economy). i taught for two years there and over that time their currency spiraled out of control. the inflation was the highest in the world. since 2016 their currency has inflated 53,798,500%.
so what does that mean in human terms? it means people don't save, they spend because every day you wait the money has less value. prices are always climbing and basic common necessities like bread, food stuffs and household paper products are out of range for most to buy. during the end of my time there i went to COLOMBIA for a job conference. during my time in BOGOTA i brought two bodybags with me and filled them with deodorant, toilet paper and HARINA PAN (a cornmeal used in arepas, empanadas, etc). when flying back in VENEZUELA the officials there asked me point blank if i had any of the items on a checklist in my possession (the first three items being DEODORANT, TOILET PAPER and HARINA PAN). they weren't looking for drugs or weapons. i told them i didn't have any of those and they didnt check.
i brought those back to the school i worked at and over a few days passed them all out equally to the workers at my school. these included the gardeners, custodians, clerks, guards, drivers, etc. essentially i was handing them commodities that would appreciate with time and be worth more than their paycheck.
think about that. toilet paper, deodorant and cornmeal. now i don't think that the UNITED STATES will ever get to this level, but what i did learn in these situations is the resilience and dignity of NIGERIANS and VENEZUELANS i met. they really saw their individual needs in the context of their families and greater networks of friends. these desperate situations showcased what a true community was all about. i did what i could in VENEZUELA to the people i was around, but things have gotten much much worse since then and the rise of TRUMP has only made things worse.
not a day goes by i don't think of VENEZUELA. my goal is to return one day. NIGERIA i hear from friends has gotten much better as the government has succeeded in changing over its power a few times in fair elections, bringing in foreign investment. im glad that is the case.
photo manipulation by nacrowe
VENEZUELA is intense.
with the exception of NIGERIA, i have never lived in a more precarious situation in terms of personal security. i took a teaching job in the eastern oil city of MATURÍN not too long after HUGO CHAVEZ passed on from cancer and basically had a front row seat to the economic, political and physiological dismantling of a nation. just to give you some insight, my first month saw the exchange rate at 1USD for 6 bolivares and by the time i left 2 years later it had jumped to over 200. not only that, when i lived in MATURÍN it was not on any global list of most dangerous cities, but the following year after my departure it shot up to number 4.
number 4. damn.
where they are now is beyond sad and depressing and the subsequent takeover of the legislative and judicial branches by the inept, sadistic MADURO regime is an international travesty. i don't see that ending anytime soon as RUSSIA is now using them in the same geopolitical chess formation as they do with in other intractible situations (i.e. KOSOVO). the fact that people are starving over there and the situation isn't improving or even being reported on stateside makes me frustrated to the point of despondency. venezuelans, much like the MYANMAR people, will literally give bread to others even if they themselves are hungry. selfless and vivacious, thats how i remember the people i ran into everyday in VENEZUELA.
when i listen to the music of LA VIDA BOHÈME i am reminded of the spirit of the people, who were genuine, open and community-oriented. being taken in by family of friends to better see great cities like CARACAS, BARQUISIMETO and PUERTO LA CRUZ was a highlight of my life for sure and my hope is to visit there again one day. what a beautiful country with such energetic people and such a vivacious culture.
what a waste. listen to LA VIDA BOHÈME and especially their stellar album NUESTRA (NACIONAL, 2011). great band definitely worth checking out.
photo manipulation by nacrowe
so i know everyone has their opinion on GAME OF THRONES (HBO, 2011-2019) and their last season and yadda yadda yadda. i'm not interested in that. i loved the series but it took some warming up to it initially.
this is that story.
i was teaching secondary ELA in VENEZUELA in what can best be described diplomatically as a "challenging" setting. the school culture was crumbling due to poor management, which seemed to mirror the wider national political/economic climate which was teetering from unstable to full-on death spiral. to date the only more unpredictable situation i've ever encountered was living in NIGERIA, which at the time was already in the throes of a corrupt military dictatorship that was met with violence and threats thereof as a mater of due daily course.
anyway back to GAME OF THRONES. it makes perfect sense to me now that my high school students were so intrigued by it. put aside the silliness surrounding dragons, dire wolves and elaborate sigils and you have the palace intrigue that defined VENEZUELAN politics.
my students were constantly trying to get me to watch it, to which i would dismissively retort with some conflation to the effect of "i'd love to but i'm really not that into Dungeons & Dragons or Lord of the Rings." which is true. my students would immediately respond by empathically stating that "nah Mr. Crowe, there's so much more to it. you gotta watch it." when i would ask them to explain they would talk about how crazy violent it was and how much sex there was in every episode. hmmmm, i told them i'd think about it. i borrowed the first season from a colleague and i was hooked. it's true that it was crazy violent and beyond sexual, but it all seemed a means of both securing and maintaining hegemonic power, just like in reality.
as an english teacher i appreciated the consistent structural implementation of red herrings, which are clues, situations and characters that lead the plot nowhere. heaving lots of dead ends is commonly used in suspense and mystery fiction, but GAME OF THRONES, famous for killing off beloved and hated characters without a second notice, turned this trope into an exhilarating experience.
in retrospect this connection i saw between VENEZUELA, GAME OF THRONES and the pugilistic nature of politics has expand to the modern american political climate, so obviously my appreciation of this series has shifted with it. if anything i think the series has informed the american public of the perils of being in a political system of never-ending infighting and gamesmanship. as long as our census is politicized and our voting districts gerrymandered, i think we are unfortunately in for a GAME OF THRONES reality far beyond the shelf-life of this 8 season TV series.
photo by karl burhop
ok i admit that its more than a little strange to write a profile on yourself. but here i go.
as creative director of DEER GOD i basically have a hand in everything we do that is non-audio. that basically boils down controlling/editing all things visual and written. of course we work as a team and frequently collaborate and take cues from one another, but i more or less take these efforts and produce the final product.
out of the whole team i am probably the last to the party in that i was not involved with audio or video production until a few years ago when i returned from overseas. for the better part of the last decade i was involved with education having taught secondary english abroad at international schools in MYANMAR, JAPAN, VENEZUELA as well as a stint as a peace corps volunteer in ALBANIA. my start as an educator was in NYC where i got my masters at COLUMBIA UNIVERSITY and had brief stints teaching at both BROOKLYN TECHNICAL HIGH SCHOOL (student teacher) and STUYVESANT HIGH SCHOOL (long-term substitute). my bad timing entering the field in the wake of the great recession meant that no new positions were available as older teachers delayed retirement and an effective freeze was put on new hires. thus i had an IVY LEAGUE degree and recommendations from two of the top public high schools in the nation, but no prospects.
so i went and taught overseas.
due to my parents work i spent time overseas growing up in NIGERIA (middle school) and KUWAIT (junior year of high school) and attended high school in both MASSACHUSETTS (NORTHFIELD MOUNT HERMON) and CALIFORNIA (ROCKLIN HIGH SCHOOL). oh yeah, and i was born in SPAIN.
my passion as long as i can remember photography as i would take photos of my travels (somehere around 60+ countries). i think my passion for other cultures and worldviews informed my (brief) teaching career and most definitely is a part of what i bring to my current visual work here at DEER GOD. if interested, check out my photos above.
the rest are linked HERE.