photo & text by nacrowe
RED HOT + BLUE: A TRIBUTE TO COLE PORTER (CHRYSALIS, 1990) was a compilation album spearheaded by the RED HOT ORGANIZATION that raised funds for worldwide AIDS research, relief and awareness efforts.
and im not gonna lie, the reason this compilation stands out to me almost 30 years after its release is DAVID BYRNE's cover of "DON'T FENCE ME IN." growing up in SOUTHERN CALIFORNIA, my early musical memories revolve around car rides with my father in which he would play MORRISSEY / THE SMITHS, THE KINKS, THE STRANGLERS, THE BEATLES and TALKING HEADS. DAVID BYRNE's former band is most definitely a formative influence for me and this rendition of the COLE PORTER standard with its heavily syncopated LATIN (BRAZILIAN?) rhythms was another example of BYRNE's ability to organically utilize textures from global traditions without sounding paternalistic or hokey (like say PAUL SIMON).
i was in KINDERGARTEN when this compilation came out and it was my introduction to the idea of AIDS, and really just the concept of disease in general. i remember my parents explaining to me how it was raising money to help people for a disease with no cure, which was pretty heavy for a little kid.
going back and revisiting the compilation there are several standout performances from the likes of KIRSTY MACCOLL with THE POGUES as well as NENEH CHERRY, DEBBIE HARRY with IGGY POP, U2, TOM WAITS, k.d. lang, and the JUNGLE BROTHERS(!). its hard to imagine now how talking about AIDS was at one point taboo, but it was. and its pretty amazing that these artists, all pretty seminal in their own right, took a stand for an underserved community that was suffering and in need of help and destigmatization.
if you havent already, RED HOT + BLUE: A TRIBUTE TO COLE PORTER is definitely worth revisiting. just goes to show the quality of the songwriting of COLE PORTER, which really is a surprise to no one. there is a reason he is so celebrated among musicians of all genres.