BOOK REVIEW | "THE CELLULOID CLOSET: HOMOSEXUALITY IN THE MOVIES" BY VITO RUSSO
photo & text by nacrowe
i read film historian VITO RUSSO's THE CELLULOID CLOSET: HOMOSEXUALITY IN THE MOVIES (HARPER & ROW, 1981) while still in undergrad in the early 2000s. its themes regarding IDENTITY and REPRESENTATION in the media very much resonated with me at the time.
i should backtrack and say that a running thread throughout much of my academic career as an ENGLISH major devouring literature and film was the relationship between the author/auteur and the audience. the read/viewer completes a loop set out by a creator whereby SIGNALS are interpreted and assigned VALUE. part of the interesting thing about interpreting art in a college setting is how diverse audiences divine diverse meanings. i knew this phenomena implicitly from my time growing up abroad, but my college and graduate experience, as well as my years as a teacher abroad only further cemented such. with THE CELLULOID CLOSET i was presented with meanings regarding MEDIA REPRESENTATION in film culture culled from a segment of society i was not familiar with at the time: the GAY community.
it still blows my mind how much subtext i missed from the likes of HOWARD HAWKS, DEREK JARMAN, NICHOLAS RAY, GREGG ARAKI, JAMES WHALE, BILLY WILDER, JOHN HUSTON and STANLEY KUBRICK among many others. there was definitely a CODED LANGUAGE regarding MANNERISM, DIALECT and general AFFECTATION that went way past me at the time. what was also lost on me was the unfortunate longstanding history of depicting HOMOSEXUAL men as effeminate self-hating sissies who were undeserving of affection, loyalty or respect. this was in part a cruel legacy of the PRODUCTION CODE of the 1930s that was initiated to "ensure" a level of MORALITY in entertainment, but like any standard bearer of NORMATIVE CULTURE, only served the hegemonic interests of an AMERICAN body politic that despised all that threatened the status quo. thus HOMOSEXUALS were brutally depicted along with ethnic minorities, women and all elements of "foreign" cultures.
the fact that some were able to utilize CODED LANGAGE and IMAGES to bypass the censors and address the experiences of a minority audience in a mainstream film is super fascinating to me. VITO's book is basically a catalogue of examples that showcase the evolution of HOMOSEXUAL depictions in film over time.
in a post-MARRIAGE EQUALITY AMERICA, this conversation may appear quaint, but this is the type of book that really makes you consider how far we have come as a culture in the past century and why it is so utterly disappointing and beyond depraved that there are current elements in our society that want to take us back to this closeted time. THE CELLULOID CLOSET and the documentary that shares its name should be required reading/viewing because it provides evidence about how ostracizing and traumatizing any segment of society effectively degrades us all. as a society we should be more aware of how the AMERICAN experience is lived by all elements of society, not just the CAUCASIAN perspective. this book helps introduce such a unique perspective in a novel way.
i could not recommend it with more enthusiasm. it is desperately needed in our current cultural and political moment.
SPOTLIGHT | GREGG ARAKI
artwork by nicholas crowe
a singular obsession of mine growing up were the films of GREGG ARAKI, specifically THE DOOM GENERATION and NOWHERE of his "teenage apocalypse trilogy."
it was a definite introduction to the idea of film as a lucid dream; where dialogue, cinematography and music were utilized to create an intensely hyper-real, almost-cartoonishly dramatic bastardization of teenage reality that almost felt fresh at the time and seems now prophetic in today's manic, digitized technocratic hellscape.
and thats before mention of his soundtracks, which showcase ARAKI's longstanding championing of all things SHOEGAZE. bands like CATHERINE WHEEL, SLOWDIVE, COCTEAU TWINS and LUSH among other alternative music from the period were a pitch perfect aural backdrop for his ADHD-adeled narratives.
i highly recommend both films, which are audio-visual rollercoasters as well as having several quick blink-and-you'll-miss cameos from the likes of SKINNY PUPPY, MINISTRY, PERRY FARRELL and MARGARET CHO among others.