photo manipulation & text by nacrowe
much like their ICONS (linked HERE), RIFF LORDS (linked HERE) and THE COLLECTION (linked HERE) series of videos on YOUTUBE, THE SONGBOOK is likewise another vehicle for GIBSON GUITARS to promote their product through linking such with the narratives of prominent recording artists. except this time around is a more laidback setting with acoustic performances by the likes of AFI, CAVE IN, PETER HAYES (BACK REBEL MOTORCYCLE CLUB) and YUNGBLUD among numerous others that are meant to showcase song-craft.
and i dont hate it.
GIBSON has many storied acoustic models that go back to their origins as a mandolin manufacturer back at the turn of the 20th century. the J200, DOVE, HUMMINGBIRD, L-00 and J45 are all eagerly sought after on the vintage market for their association with WOODY GUTHRIE (L-00), JOHN LENNON (J45), JIMMY PAGE (J200), TOM PETTY (DOVE), BOB DYLAN (DOVE, J45, J200), BRUCE SPRINGSTEEN (J45), THE EDGE (HUMMINGBIRD), EDDIE VEDDER (L-00), GEORGE HARRISON (J200), BILLY CORGAN (DOVE), BILLIE JOE ARMSTRONG (J45), KEITH RICHARDS (HUMMINGBIRD), DUANE ALLMAN (L-00), ALEX LIFESON (DOVE), and THE EVERLY BROTHERS (J200). so it makes sense that they would attempt to associate with a more contemporary batch of artists. seems only healthy and a much better vehicle for brand integration than their horribly ill-conceived "PLAYIN AUTHENTIC" campaign from a few years back. jesus, that was a misstep. thankfully GIBSON put themselves out of the way and let the artists add value to their product.
cant wait to see what series they cook up next.
photo manipulation by nacrowe
named after the MARLON BRANDO's motorcycle gang in the iconic film THE WILD ONE (COLUMBIA, 1953), BLACK REBEL MOTORCYCLE CLUB out of SAN FRANCISCO are an established INDIE ROCK band with a rootsy GARAGE ROCK sound that i highlighted in a past episode of DEER GOD RADIO.
what drew me to the band initially was the intensity and diversity of the songwriting of frontman PETER HAYES, which incorporated some wicked slide playing and a loose sense of timing that really propelled their sound and made it swing. this is not a band that is attempting to reinvent the wheel, but man do they do ROCK N ROLL justice with an earnest, straightforward approach and some killer songs.
plus ive never seen them not wear black. BLACK REBEL MOTORCYCLE CLUB is definitely worth check out, not to mention that other band named after BRANDO's rivals in THE WILD ONE. you know, THE BEATLES.
parodies by nacrowe
check out HERE the latest episode of DEER GOD RADIO that explores the POST PUNK, INDIE ROCK and GARAGE ROCK influenced scene that was the ROCK REVIVAL of the early aughts.
past episodes of DEER GOD RADIO are available here at the DEER GOD website as well as in the MAKERPARKRADIO.NYC archives.
and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!
photo manipulation by nacrowe
in my opinion, THE WILD ONE (STANLEY KRAMER PICTURES, 1953) is one of the most consequential films of all time. even up there with CITIZEN KANE (RKO, 1941) in terms of influence.
in many respects this is a result of its content rather than its construction (as was the case with ORSON WELLES' opus still being held in high esteem). the film basically introduced the AMERICAN public to teenage rebellion. in the post-WWII period the economic pursestrings controlled by young adults was sizable for the first time in modern history and HOLLYWOOD took notice. later films like REBEL WITHOUT A CAUSE (WARNER BROS, 1955) take their cue from THE WILD ONE, which deals with a clash of two motorcycle gangs in a small town. in many ways it is almost like a WESTERN in its construction, here bikes and leather jackets taking hte place of steeds and leather chaps.
there is also the immortal MARLON BRANDO line "What have you got?" to the question "What are you rebelling against" that is one of the great lines in all of cinema. for me this film is the ground zero of modern youth culture. you can even start with the fact that there is the well-known myth that THE BEATLES got their name from the rival biker gang in the film (a reference to the BEAT WRITERS and BEAT GENERATION). for the record the ALTERNATIVE ROCK band BLACK REBEL MOTORCYCLE CLUB is named after the corresponding BRANDO bike gang in the film.
at some point the legend of the film is divorced from the actual film itself which was low budget with minimal set locations. by standards of the time it is a pretty bare bones production. but where it succeeded it did so brilliantly in exploiting a burgeoning teenage market that was as-of-yet untapped with characters that questioned authority and went against the status quo, creating their own community of like-minded riders that lived by their own code. again, this is straight out of the WESTERN playbook, but being transmogrified in this new context was brilliant. to this day motorcycles, leather jackets and the paraphernalia of the imagery from this film represents rebellion, independence and freedom in AMERICAN popular culture.
the fact that there is no focus to their defiance is a core issue that gets explored to great effect in the aforementioned NICHOLAS RAY film REBEL WITHOUT A CAUSE starring JAMES DEAN, but i will leave that to another review.
THE WILD ONE is definitely worth watching if you are a fan of film history or the evolution of AMERICAN popular culture through the generations.