photo manipulation by nacrowe
in the wake of the suicides of both CHRIS CORNELL of SOUNDGARDEN and CHESTER BENNINGTON of LINKIN PARK in 2017, a conversation about MENTAL HEALTH in the METAL community was long overdue. obviously in a music genre that seemingly openly cultivates an exaggerated, almost cartoon-like, depiction of masculinity, the idea of publicizing a sense of self-reflection and being vulnerable is quite revolutionary. and that was what this 2018 four-part video series produced by REVOLVER MAGAZINE sought to accomplish. raising awareness about MENTAL HEALTH treatment, as well as the adjacent issue of SUBSTANCE ABUSE (which really only exacerbates the former).
JOHN DYER BAIZLEY from BARONESS, JESSE LEACH of KILLSWITCH ENGAGE, ZAKK WYLDE of BLACK LABEL SOCIETY/OZZY OSBOURNE and ROBBIN FLYNN of MACHINEHEAD all present testimonials about how they went about addressing issues surrounding their MENTAL HEALTH, whether that be ANXIETY, DEPRESSION, ADDICTIVE BEHAVIOR or issues of self-worth leftover from their formative years. the courage on display is astounding and it will no doubt pay forward in terms of raising awareness and elevating the consciousness of their audience.
not only that, i think this conversation will save lives. period.
i've written before and spoken on the air about the fact that the most impactful thing JAMES HETFIELD of METALLICA has ever done is being open about his issues surround MENTAL HEALTH and ADDICTION. when he returned to rehab in 2020, after years of sobriety since his previous stint in 2001, it took real bravery to take ownership and responsibility of his problems. and stop the machine to address such. the fact that his band supported such and didn't let financial or non-health related considerations influence his decision is a testament to their values and an example of human empathy. this has long not been the case. people will stay on the road so that the crew will get paid. because of that, the grind and pressures of the road and the music industry have claimed actual lives and anything that contributes to an atmosphere of less toxic masculinity in METAL is great, long-overdue thing.
if anything, i think it may actually assist in attracting a more inclusive and tolerant audience as well as fostering a more empathetic touring industry. how METAL would that be?