photo manipulation & text by nacrowe
LEGACY is a TRICKY thing. on one hand its nice to have a pedigree of QUALITY associated with the very mention of your name, but it can be LIMITING, especially when it comes to something as FICKLE and ONEROUS as AUDIENCE EXPECTATIONS.
like anyone else, i was pleasantly surprised to learn that KIM THAYIL (SOUNDGARDEN, THE NO WTO COMBO), KRIST NOVOSELIC (NIRVANA, GIANTS IN THE TREES, THE NO WTO COMBO), MATT CAMERON (SOUNDGARDEN, PEARL JAM, HATER) and BUBBA DUPREE (VOID, HATER) were involved in a new project called 3RD SECRET, especially after hearing their first few releases online to learn that it was a bit of a sonic departure from the bands they're famously associated with. for starters 3RD SECRET is fronted by two women, JILLIAN RAYE & JENNIFER JOHNSON who both previously collaborated in recent years with NOVOSELIC in the decidedly EXPERIMENTAL ALTERNATIVE ROCK band GIANTS IN THE TREES.
with 3RD SECRET, the PHRASING and ODD-TIME SIGNATURE guitar riffage of THAYIL is UNMISTAKABLE, but the context is DIFFERENT. with the TANDEM VOCALS and SPARSE INSTRUMENTATION the effect is often PASTORAL and intriguingly FOLK-adjacent at times to my ears, something id never associate with the AGGRESSIVE ALTERNATIVE ROCK of SOUNDGARDEN, NIRVANA or the UNRELENTING HARDCORE of VOID. most of all, i have to say its just great to see them all in action with a CREATIVE vehicle that nods but is not beholden to their PAST. and honestly, from an outside perspective they seem like they are ENJOYING themselves, so more power to them.
im looking forward to what they come up with in the FUTURE, however long this current project lasts. 3RD SECRET is definitely worth checking out.
photo & text by nacrowe
it is difficult to overstate the importance of SOUNDGARDEN's fourth studio album SUPERUNKNOWN (A&M, 1994) in my young life as a music listener. unapologetically, i am most definitely a 90s kid and as such, as ive repeated on this blog before, was gifted both SUPERUNKOWN and PEARL JAM's VITALOGY (review linked HERE) in what had to have been christmas 1994. i should also mentioned shortly after such my first record purchase was a compact disc copy of LIVING COLOUR's VIVID (review linked HERE). so not a bad first foray indeed. that being said i am emotionally tied to this album so this review will not be some pseudo-critical appraisal of its worth. to me the experience of listening to this era of SOUNDGARDEN is akin to reliving my childhood. so that is my bias.
compared to its predecessor, the similarly stellar BADMOTORFINGER (A&M, 1991), SUPERUNKOWN is more psychedelic and sonically expansive, incorporating nontraditional instrumentation (i.e. spoon percussion on "SPOONMAN") and their requisite odd time signatures that still manage to be highly contagious and earworm-y. standout tracks include "4TH OF JULY," "FRESH TENDRILS," "HEAD DOWN," "FELL ON BLACK DAYS," "LIKE SUICIDE," "MY WAVE," "SUPERUNKNOWN," "LET ME DROWN," "SPOONMAN," "THE DAY I TRIED TO LIVE" and of course the generational ALTERNATIVE ROCK anthem that is "BLACK HOLE SUN." okay, i realize that i just named most the tracks on the album, but that is kind of the point here. its a landmark album with many of the best tracks of their career, hands down.
growing up my personal favorite track was the title track, "SUPERUNKNOWN," which slowly builds from a mixolydian sounding eastern single note riff that expands and and enlarges until the choruses and guitar solos engulf the universe. guitarist KIM THAYIL is an absolute wizard and is criminally underrated amongst his ALTERNATIVE ROCK peers. the dude is an utterly unique and has a preternaturally deft ear for both crushing riffs and dynamic texture shifts. that said, "SUPERUNKNOWN" itself is an absolutely epic track sonically that lyrically is about SELF-TRANSFORMATION and stepping into the unknown despite your personal MISGIVINGS, INSECURITIES and TREPIDATIONS. that song alone has been the soundtrack to all my "fuck lets go decisions" over the years from joining PEACE CORPS in ALBANIA to any number of teaching jobs i took in quasi-safe locales ranging from VENEZUELA to MYANMAR.
the brutally guttural guitar tone of "4TH OF JULY" has been immensely influential on the EXTREME METAL genre of DRONE METAL, particularly key bands like BORIS, JESU and especially SUNN O))). that deep low-tuned guitar absolutely crushes and propels the listener on a slow plodding sonic dirge not experienced before, even by the likes of SLUDGE METAL bands like MELVINS or NEUROSIS. lyrically the song is uses natural imagery to thematically espouse on concepts related to MORAL REBIRTH and PERSONAL REJUVENATION in the wake of some undefined debasing experience. such a revelation is personally experienced by the narrator through a massive thunderclap and natural visual display that borders on the sublime. i always interpreted the song as that moment when a transformative idea comes to conscious fruition from whatever subterranean depths and unknown processes it came out of.
i could go down the line here song by song but i wont. suffice to say that SUPERUNKNOWN is required listening and is the ultimate showcase of the almost ALCHEMICAL ARTISTIC SYNERGY of these four talented musicians: all of whom are songwriters. CHRIS CORNELL with his voice and songwriting abilities are a revelation unto itself, making him easily the standard bearer amongst his ALTERNATIVE ROCK peers. what a generational talent he was. BEN SHEPHERD likewise contributed one of my favorite tracks ("HEAD DOWN") and his ability for composing interesting arrangements and odd textural juxtapositions is the secret weaon of the band. KIM THAYIL like i said before is a wizard and experimental riff meister of the first order (right there in my mind with DIMEBAG DARRELL of PANTERA). and MATT CAMERON and his adroit and tasteful percussion choices throughout laid the groundwork for one of the most experimental and artistically successful ROCK AND ROLL albums ever.
but then again i am incredibly biased.
REST IN PEACE CHRIS CORNELL.