parodies by nacrowe
check out HERE this recent streaming video episode of DEER GOD RADIO paying homage to the METAL GODS of JUDAS PRIEST!
past episodes of DEER GOD RADIO are available here at the DEER GOD website as well as in the MAKERPARKRADIO.NYC archives.
and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!
photo & text by nacrowe
when i lived in MYANMAR i remember flying from YANGON in the south to MANDALAY in the north where i taught. on that flight right after take off you could see this notorious prison from the colonial period called INSEIN PRISON which had this unique circular shape. it was the embodiment of this BRITISH concept of the PANOPTICON, whereby from one spot you could view virtually everything.
i remember my song of choice to listen to while viewing INSEIN PRISON from the air was "ELECTRIC EYE" by NEW WAVE OF BRITISH HEAVY METAL pioneers JUDAS PRIEST off their SCREAMING FOR VENGEANCE (COLUMBIA, 1982) record. that song concerned itself with the idea of modern spy satellites looking down on you from space bearing witness to your every move like a pernicious, judgmental god. again, perfect song to listen to in that situation.
long considered the real follow-up to BRITISH STEEL (COLUMBIA, 1980) after the misfire of POINT OF ENTRY (COLUMBIA, 1981), SCREAMING FOR VENGEANCE to my ears is where the modern sound of JUDAS PRIEST cemented itself and established them as one of the premier METAL bands of the new decade and a prominent influence on the then-emerging stateside THRASH scene. just look at all those dueling guitar leads of the leading bands (SLAYER, METALLICA and MEGADETH) and say no more. makes sense that those bands couldnt compete with the real ace in the hole of PRIEST which is the operatic vocals of ROB HALFORD, which to this day still stand as some of the best ever in the genre (arguably only RONNIE JAMES DIO is in the same discussion).
obviously "YOU'VE GOT ANOTHER THING COMING" is the standout single from the record, and well it should be. it is a classic pop song for the ages. i have heard it overseas at rock bars from CYPRUS to CROATIA and it never fails to get an enthusiastic response. it is a stone cold METAL anthem. that being said, i veer way more towards the more adventurous songs of this record like "PAIN AND PLEASURE," "DEVIL'S CHILD," and of course, "SCREAMING FOR VENGEANCE" that all seem to point the way to what would much later culminate at the dawn of the next decade in my favorite PRIEST album PAINKILLER (COLUMBIA, 1990). that album absolutely crushes.
so in summation, SCREAMING FOR VENGEANCE is required listening for any fan of METAL. definitely worthy of revisiting and reexamination. it absolutely stands the test of time and continues to inspire modern musicians.
photo & text by nacrowe
for all its posturing, METAL is a pretty conservative genre. i remember going to OZZFEST more than 20 years ago in 1999 and first witnessing not just live METAL bands, but the crowds they drew. im not gonna lie, it was all pretty intimidating as a teenager. there was this bullshit macho culture that informed nearly every aspect of the concert experience from how the bands reacted with the crowd and the crowd to one another. to date my least favorite aspect of METAL in general is the whole misogynist "show us your tits" culture that thankfully is starting to die out. i remember when walking around the venue how uninviting this event must have felt towards 1) women 2) gay men and 3) all rational humans.
obviously the almighty ROB HALFORD of BRITISH NWOBHM legends JUDAS PRIEST is the most famous homosexual in METAL history (that we know of). his memoir CONFESS (HACHETTE, 2020) is his recounting of his journey from the ENGLISH BLACK COUNTRY to becoming the preeminent METAL GOD that he has been for more than five decades. arguably only BLACK SABBATH and METALLICA have been as institutionally well-regarded and celebrated in METAL as JUDAS PRIEST. which makes his coming out as a HOMOSEXUAL that much more courageous, especially given the widespread conservatism elements within the METAL community.
that journey is described in detail and centers around HALFORD feeling entrapped by his SEXUALITY for a good portion of his adult life. for me it is that sense of repression, claustrophobia and inability to fully express oneself for fear of retribution, both against oneself and those he cares about (i.e. family and his band), that serves as the crux of this memoir and makes it very unique. what is interesting is how once he outed himself during an MTV interview, his family and fans (for the most part) all stood by and accepted him. JUDAS PRIEST had known for years and were always a steadfast in their support of one another. perhaps my initial reservations about the METAL community back in 1999 were wrong, maybe not.
another aspect i really appreciated about this memoir was HALFORD's personal touch as a wrier, routinely utilizing BRUMMIE dialect and turns-of-phrase which gave the language a decidedly BLACK COUNTRY flavor. it is obvious 1) that he wrote this memoir and 2) his pride in his background as someone from the WEST MIDLANDS in ENGLAND, much like predecessors in BLACK SABBATH. oftentimes when artists utilize ghost writers the writing takes on a more formal tone that often doesn't gel with the public persona of the artist. the fact that HALFORD unapologetically gushes about decidedly un-METAL subjects like CILLA BLACK, MADONNA, QUEEN ELIZABETH II or even LADY GAGA makes this book feel all the more personal, which i enjoyed. the only downside to such was that certain episodes in his life were brought up and then summarily passed over quickly, as if there was a checklist of events to get through.
i understand that as a gay man, HALFORD wanted to stay away from wading too deep in cliches such as the misery and depth of pain associated with the gay community during the 1980s when conservative governments lead by RONALD REAGAN and MARGARET THATCHER largely ignored the AIDS epidemic. this topic of self-hatred brought on by an unempathetic culture surrounding LGBTQIA issues has been fodder for plays, films and tv shows for decades now. i also understand he didn't want to delve into politics, consistently mentioning that he wasnt political by nature. unfortunately his identity as a gay man made him political and not by choice. for me that was a missed opportunity. i would have loved to learn his feelings about such but i understand and respect his decision not to delve into that topic.
all in all this was a very enjoyable memoir from a singular artist with a unique background that hopefully moving forward will become less so. one can only hope that the METAL community, like all aspects of society, progresses towards a more inclusive and empathetic ideal. one where people dont care about one's ethnicity, sexuality, gender identity and so on.
honestly, when i hear ROB HALFORD sing, i just think of how brutal JUDAS PRIEST are and how badass they sound, like freight train of unadulterated METAL. in JUDAS PRIEST i hear the twin guitar onslaughts of SLAYER, LAMB OF GOD and early METALLICA as well as the gymnastic vocals of DEVIN TOWNSEND and PERRY FARRELL. his sexuality never really comes into view, although now undoubtedly i'll never hear "JAWBREAKER" the same way again. cant believe i didnt see that one in retrospect, ive definitely got another thing coming.