photo manipulation by nacrowe
there was an interesting period during the end of my time as a PEACE CORPS volunteer in ALBANIA when i knew it was only a matter of months before my move to VENEZUELA as a secondary english teacher. what an interesting era that was.
for 2-3 months i basically read everything i could about SOUTH AMERICAN history as well as LATIN culture writ large. this led me to things like reading OPEN VEINS OF LATIN AMERICA (MONTHLY REVIEW PRESS, 1997) by Uruguayan historian EDUARDO GALEANO as well as several HUGO CHAVEZ biographies and musical artists such as ANA TIJOUX (CHILE/FRANCE), LA VIDA BOHEME (VENEZUELA) and probably my favorite discovery, EL GUINCHO (SPAIN).
what makes music the music of this CANARY ISLANDS multi-instramentalist/producer stand out is his ability to contextualize disparate genres and textures into a cohesive sonic expression. the nearest analogues i can think of were artists like BECK and BJORK who both seem to revel in using multiple production techniques in the same track. i think the difference here is that for EL GUINCHO is playing with a different set of reference points (tropicália, afrobeat, old school hip hop) as BECK is known for genre-exercises as he was a child of the post-modern FLUXUS movement and BJORK is firmly a bridge between the pop and avant-garde world music scene.
for me the music of EL GUINCHO is very exciting on a sonic level and his album POP NEGRO (YOUNG TURKS, 2010) is something i have been listening to on constant rotation since it came out almost 10 years ago.
well worth checking this guy out. could not recommend his music any stronger.