photo by nacrowe
i can think of few things in life that have brought me as much joy and probably informed my sense of identity from a young age as MONTY PYTHON (the other being the films of MEL BROOKS). it is my opinion that the boundless, kinetic enthusiasm of ERIC IDLE was a big part of their formula, perhaps only matched by the droll, domineering physical encroachment of JOHN CLEESE that seemed to counteract such, propelling their comedy with forward momentum.
regardless, IDLE is well aware of his mortality at this point and his recent memoir ALWAYS LOOK ON THE BRIGHT SIDE OF LIFE: A SORTABIOGRAPHY (BROADWAY BOOKS, 2018) is a concise, thoroughly hilarious look back at his childhood, career and friendships over the years. i think it is a testament to his humility, and quite possibly his ENGLISH modesty, that as much as this memoir is about his achievements, it is equally about his collaborations and the uplifting, connecting power of humor.
it seems compelling that for a life so thoroughly lived and enjoyed, his childhood was one of deep isolation, with his father having died shortly after the war in a freak accident and duly being shipped off to boarding school at a tender age to fend for himself. now i attended boarding school and dealt with bullying in my early teens, but nothing like his situation where corporal punishment was the norm and having a personality was deemed antithetical to being a good ENGLISH schoolboy. something they literally tried to beat out of you.
like some of the PYTHONS, he went to CAMBRIDGE (others attended OXFORD) and got involved with THE FOOTLIGHTS comedy society and gained the experience, confidence and connections that propelled him forward into his career, much like CHICAGO's SECOND CITY, LOS ANGELES' THE GROUNDLINGS and NYC's UPRIGHT CITIZENS BRIGADE have done so stateside in recent generations.
his back history and intelligence is impressive, but what i enjoyed most about this book were his insights into deceased friends like GEORGE HARRISON, ROBIN WILLIAMS and MIKE NICHOLS. each are lovingly given chapters dedicated to their misadventures and wicked sense of humor. you really get the sense that during his heyday in the 1970s, comedy was as much part of the counter-culture as ROCK AND ROLL and the commonalities of the two was something i wasn't aware of to the extent he presents it in the book. in the case of their two legendary films, MONTY PYTHON AND THE HOLY GRAIL and LIFE OF BRIAN, it was literally the BRITISH music community that funded them when no other corporate entities would dare touch them.
the memoir ends with his recent international touring with MONTY PYTHON counterpart JOHN CLEESE, where they find themselves utilizing comedy to sooth AMERICANS traumatized by the election of DONALD TRUMP. he even includes one of the best extended putdowns of TRUMP that i have read to date.
so the memoir was worth it on that alone. if you are a fan of his work or comedy in general, i highly suggest you consider reading his memoir.
REST IN PEACE GRAHAM CHAPMAN & TERRY JONES