photo & text by nacrowe
in VACATIONLAND (PENGUIN, 2017), writer/actor/humorist JOHN HODGMAN presents a bittersweet memoir concerned with the inevitable struggles of growing older while simultaneously surviving summers on vacation at his second home in MAINE. he full admits how at length how WHITE PRIVILEGE that all sounds. and he's right. it is.
HODGMAN, of course, is primarily known for his work as a contributor to THE DAILY SHOW WITH JON STEWART as well as his famous stint in APPLE commercials, playing the role of a PC. his humor is dry, eccentric and bitingly clever. but this book in tone veers clear of what i would consider his persona. instead he focuses on what MAINE means to him, which is an extended metaphor for coming to terms with yourself and your own DEFICIENCIES.
you see, HODGMAN is a NEW ENGLANDER and only child from a comfortable suburban town outside BOSTON. after the death of his mother he inherits her house in WESTERN MASSACHUSETTS, which is really his introduction to home ownership and by extension ADULT RESPONSIBILITY. he adroitly mentions that apartment living in BROOKLYN is an extended adolescence free of the headaches of homeownership, as any and all problems are taken care of by the property superintendent. being a home owner by contrast requires some semblance of AUTONOMY, PREPAREDNESS and SELF-RELIANCE.
eventually he and his wife purchase a second home in MAINE. he presents a vision of MAINE as a serene, beautiful and thoroughly harsh place that creates a certain breed of individual. privacy is so widely respected that help is only given upon request. HODGMAN provides examples of help rendered by the local community with little regard for niceties such as etiquette or even extended conversation.
its difficult to read about this mode of existence without thinking that this "LIVE AND LET LIVE" mentality reverberates in HODGMAN's own SELF-IMAGE. growing older means effectively coming to terms with who you are and not what you think you are. its a painful realization that comes with the finality of being near death, as he experienced vicariously through his mother's passing. endings somehow bookend a sense of MEANING or mission in your life.
i remember years ago in NIGERIA attending a wedding for one of our gardeners. there was an elevated stage with the bride and groom, each on their own side. and both were facing the family of the other. before they wed there was a roast of sorts whereby each family member basically stated for all to hear everything that was wrong with them PHYSICALLY, INTELLECTUALLY, EMOTIONALLY, PSYCHOLOGICALLY, etc. i remember hearing someone say that the bride's hips were too narrow, that she'd only be able to birth no more than four children. it was BRUTAL yet in a ABSURD sense very POIGNANT, because what they were doing was publicly accepting them into the family as they actually were. warts and all.
i hear echos of that line of SELF-REALIZATION in this memoir. of realizing that you are not as clever, cool or knowledgable as you thought you were and being fine with that. i'm not gonna lie, i used to live in WESTERN MASSACHUSETTS, so its always interesting for me to read someone's thoughts on the area, especially NORTHAMPTON, GREENFIELD, AMHERST and the like.
this is a unique and eccentric book but ultimately rewarding because of its focus on SELF-ACCEPTANCE and BUILDING COMMUNITY. a compelling read.
photo manipulation by nacrowe
the longer this TRUMP national nightmare rages on the more i realize what a treasure JON STEWART was when he was host of THE DAILY SHOW. some may contend that his influential show contributed to a modern national discourse that puts a premium on humiliation via parody and satire as a means of pushing a political perspective, but this misses the point. much like 18th century BRITISH pictorial satirist WILLIAM HOGARTH, utilized satire to lambast the the hollow soaring rhetoric aristocracy with the grime and filth the defined the lives of their subjects, so has STEWART utilized similar tools to point out hypocrisy and violations of the public trust in both AMERICAN ruling parties. i also liken him to a modern day H.L. MENCKEN, whereby utilizing intelligent wordplay and the power of the written/spoken word as a righteous cudgel against his opponents.
what always amazes me is how the right attempts to mimic STEWART to promote their repressive agenda and myopic, self-satisfying policies. it always fails, whether its DENNIS MILLER, GREG GUTFIELD, BILL BURR, TIM ALLEN, ADAM CAROLLA, NICK DIPAOLO or even JIM NORTON. comedy seems to be at its core about empathy. the idea that you and i see the ridiculousness of some aspect of daily life enough to laugh about it. if you have a closed mind, or rely on others that share your shuttered perspective than thats no longer comedy any more, or at the very least its an inferior version of it in mind because there is no friction, only confirmation of a rigid belief system.
when STEWART was at his best was when he was lampooning his targets with their own words, often replacing his role as the presenter of the joke to that of a commentator on the joke. i loved it when this meta-discussion happened because it confirmed the cognitive dissonance and verbal gymnastics that conservative politicians had to go through pre-TRUMP.
now, nothing matters. facts. truth. shame. accountability. its a sad time.
we need STEWART back, not that his brand of comedy would somehow change the political landscape. but his return would bring hope at a time when such is in short supply.
as an aside his work on behalf of 9/11 first responders is the work of a true PATRIOT. not the phony flag-waving, jingoistic bullshit we have come to associate with that word. an actual PATRIOT. god bless him.