parodies by nacrowe
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THE STOOGES were a primal, feral outfit out of DETROIT that by all accounts imploded and failed. except they didnt. calling them arguably the greatest ROCK AND ROLL is not hyperbole, they are the truth. luckily i got to see them back in the early 2000s at JONES BEACH when IGGY POP reunited with the ASHETON BROTHERS (and MIKE WATT filled in for the deceased DAVE ALEXANDER). they sounded ferocious and i still consider that night a gift.
the JIM JARMUSCH-directed documentary GIMME DANGER (MAGNOLIA PICURES, 2016) attempts to harness and present what made this lightning-in-a-bottle group of misfits so special, complete with rare footage and interviews with various members, both living and deceased (RIP RON & SCOTT ASHTON, STEVE MACKAY & DAVE ALEXANDER). what is so interesting about their career is that their three albums were all commercial failures and by the time RAW POWER (COLUMBIA, 1973) was released the members had largely fallen back into obscurity, exception obviously being IGGY.
what JARMUSCH does a great job through his editing is present a narrative that is largely focused on the main members and not just IGGY. there are several clever animations that drive home their humble MICHIGAN roots and the lengths at which they foot to exist.
watching this i cant help but think back to discussions we had at DEER GOD when our recording studio was up and running about the nature of great records. my feeling was that it was all about the listener, how they completed a cycle initiated by the artist. that feel, intention and some weird alchemy has to happen that transcends sound quality and production values. THE STOOGES are prime examples of such. RAW POWER is famous for its horrible mix but the songs transcend because they make you feel something.
i'm happy to report that this documentary provides some contest on the members but ultimately showcases their ability to produce music live that connects and elevates their audience to a higher plane. and i can't put my finger on how, it just is. if it was a formula with a checklist, believe me some studio rat wouldve figured it out by now. would've been a plugin for that by now.
the stooges are the real deal and i couldn't recommend this documentary even more strongly.
the documentary AMERICAN VALHALLA (EAGLE ROCK, 2017) takes its name from a song off of IGGY POP's late-career album POST POP DEPRESSION (LOMA VISTA, 2016), which was a collaboration between the iconic STOOGES frontman and musician JOSH HOMME of QUEENS OF THE STONE AGE/KYUSS fame. this documentary follows their collaboration throughout the songwriting and recording process with interviews of both conducted by ANTHONY BOURDAIN (RIP).
i guess it should be stated that while IGGY and HOMME come from celebrated bands, both are actually quite unconventional musicians. lots of bands pay lip service to expanding their sound on subsequent releases, but if you track the career trajectory of both you will see that is actually the case. when IGGY reached out to HOMME, both took it as an opportunity to experiment and see what new creations could be manifested from their respective provided elements. it was interesting that in navigating this new relationship they based much on instinct and cooked the songs quickly in short order to not overthink it. just move forward.
i think this film at its core is about the nature of collaboration, especially when you have a history or legacy. it is about dismantling those expectations, both external and, more importantly, internal.
i remember when i was teaching i never slept particularly well because i was constantly questioning my plans. its not that they were inferior, i knew they were sound, but the opportunity cost of it all drove me nuts. there were so many options and how could i choose the right course of action that would best serve my students. i think that drive in part is what broke my heart about the profession, the fact that so many of my peers phoned it in. taught the same thing in the same order as years before, altering nothing. i saw the classroom as a dynamic venue for exploring ideas and challenging them against new technologies and world events. opening up the curriculum to show how these classroom concepts affect our understanding of both the world and ourselves. the fact that i did this in foreign countries, never on my home court made it that much more invigorating and scary at the same time. more colors to play with. i was willing to fail and being unable to settle down completely at night was the price i was willing to pay. risk nothing you get nothing.
what i am trying to say is that im well aware of this fear HOMME had in the film. how do i collaborate with an icon? make it worth his time and my time? and most frightening of all: the opportunity cost of all the other possible music i could write, that i could present to him. how do you conquer that fear?
you just do it by doing it. being truly in the moment. their collaboration was all instinct, mutually respecting and sharing that creative moment. in the moment. right now.
i loved that tightrope dance. i miss it.
note: but i wouldnt return to teaching. dealing with administrations that didn't have the students interests at front of mind cut my heart out. repeatedly. a bad one-sided collaboration rooted in politics.
great film. intriguing documentary on the nature of collaboration and cost required to make it a fruitful and meaningful endeavor.
THE COATHANGERS are a fiercely political garage/punk trio out of ATLANTA that have released a prolific six albums since 2007, all on SEATTLE-based indie label SUICIDE SQUEEZE. like many other metal knuckleheads, my introduction to them was their inventive video for "Follow Me" which had members of MASTODON (and fellow atlanta-ites) performing their song in drag.
what sets this band apart for me is their stellar songwriting and dual vocalists. both guitarist julia (a.k.a. CROOK KID COATHANGER) and drummer stephanie (a.k.a. RUSTY COATHANGER) have very distinct vocals that ultimately change the feel and aggression in their music, CROOK KID having a very pitchy, almost child-like voice that denotes innocence while RUSTY has a gnarly voice that sounds like she gargled razor-blades pre-performance. it really makes for a viscerally jarring listen, which coupled with their strident politics and fun sing-song melodies equates to a very unique sound.
whats also cool about them is that they often switch instruments mid-set, which just further illustrates their range and dexterity as musicians. could not recommend this band any more strongly. definitely check them out.