photo & text by nacrowe
i always found it interesting with movements, whether they be artistic, social or cultural, are entities constantly in flux with new blood constantly reevaluating, interpreting and contextualizing what came before into a new modern amalgamation/expression.
PUNK ROCK is such an artistic/social/cultural phenomena whose innate value and very definition is forever a controversial topic to its many participants and stakeholders. personally, that discussion has long bored me (dating back to high school) and it is refreshing to know that KEITH MORRIS, iconic frontman of 80s HARDCORE legends BLACK FLAG and CIRCLE JERKS, felt much the same as well.
KEITH MORRIS makes a point in his memoir MY DAMAGE: THE STORY OF A PUNK ROCK SURVIVOR (DA CAPO, 2016) to elucidate upon why he got into music (i.e. passion and personal expression) and how such a foundation has maintained itself over his career as an under-appreciated (in my opinion) cultural force.
it always happens that underground bands like THE VELVET UNDERGROUND, THE STOOGES and THE SEX PISTOLS all had cultural influences that far outweighed their record sales and BLACK FLAG was no different. their ability to refine and harden PUNK's edge into a more potent, punishing musical variant has influenced bands far outside the PUNK community. i'd argue modern METAL music is indebted as much to BLACK FLAG in its ethos and attitude as it is to the doomed riffage of BLACK SABBATH. again, my opinion.
one aspect that caught my eye about MORRIS was the energy and genuinely altruistic (to the point of naivete) he put into the community of artists in southern california, irrespective of genre or scene. for every anecdote dealing with members of THE ANGRY SAMOANS, SOCIAL DISTORTION, CRO-MAGS or THE ADOLESCENTS, there are others with members of RATT, VAN HALEN or THE RAVEONETTES.
to me PUNK ROCK is almost a religion and its not surprising that core, unassailable members of its royalty are by no means interested in the "punk police" bullshit that well-intentioned fans, and in some case other peers, hoist on the public. he really makes a point that this idea that to be a true appreciator of PUNK ROCK you need to wipe away all that came before is sad, pathetic and just wrong. in his career this came full circle with the formation of OFF! where his younger bandmates had many outside influences that didn't coincide with his. to him it was an opportunity and the idea of a bands as a democracy (both artistically and financially) is something that has been constant in his post-BLACK FLAG career.
growing up i got tired of PUNK ROCK fans that just shat on everything else. it just seemed so counterproductive and stunting on a human level to have up barriers like that. its nice to know part of the underground cultural vanguard of the 80s had his ears open to the street.
still does. do damage.