parody by nacrowe
tonight's episode of DEER GOD RADIO at 8PM on MAKERPARKRADIO.NYC is all about the PUNK ROCK movement on both sides of the pond, including a few PROTO-PUNK bands as context for safe measure. gonna be a fun show, make sure not to miss it!
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art by nacrowe
essentially this is the book on punk.
ENGLAND'S DREAMING (1991, St. Martin's Press) by JON SAVAGE goes into the cultural and socio-political morass that was 1970s england, which birthed the whole scene in tandem with their american counterparts.
central to the whole story is the singular figure of enfant terrible MALCOLM MCLAREN who was essentially the precursor to what we would now deem an internet troll. his whole cause célèbre was coming up with interesting attention-grabbing press events to both stick it to the uppercrust of the british establishment and promote his businesses, including a boutique store called SEX that he sold garments and wares designed in consultation with his partner VIVIEN WESTWOOD.
so essentially the SEX PISTOLS were assembled to promote a business, which is a fact i love. they are as manufactured with intent to exploit a dormant market as the BACKSTREET BOYS, N'SYNC and NEW KIDS ON THE BLOCK were decades later. its just a fact, i still love them and appreciate their artistic contributions to modern music. its just an interesting fact given the later 1980s HARDCORE and INDIE ROCK scenes that channeled this scene into their own local scenes with a heavy DO IT YOURSELF ethic. this scene was anything buy DIY given that most of the major players on both sides of the pond were on major labels, including THE CLASH (CBS), THE RAMONES (SIRE), PATTI SMITH (ARISTA), TELEVISION (ELEKTRA) and of course THE SEX PISTOLS (EMI, WARNER BROS, VIRGIN).
you can also see punk as a return to basic rock formula's of the 1950s as most of these bands initially started out retreading then 20+ year old CHUCK BERRY riffs, despite their claims to the contrary and supposed revolutionary posturing.
i think the reason later musicians, most notably KURT COBAIN who later sought out SAVAGE for interviews in the british press specifically because of this book, respect this book is due to its empathy for the subject matter without romanticization or worse, hagiography. SAVAGE largely comes off level-headed in his analysis of the movement, at times letting his subjects speak for themselves and complicating a very messy period with a very messy influence on modern music.
bottom line: this book is a must read for anyone interested in punk rock. read this first and then everything else.