photo manipulation by nacrowe
i first watched CLINT EASTWOOD'S first WESTERN directorial effort HIGH PLAINS DRIFTER (MALPASO COMPANY, 1973) in a film class during undergrad at RUTGERS and i remember it garnering an immediate reaction on my classmates. if i recall correctly, it pissed off more than half the audience. it is a gloriously un-PC film.
the film deals with an unnamed stranger strolling into a frontier town and basically decimating it after encountering its loutish, corrupt inhabitants, only to walk away alone at the films end. in the script he is named GABRIEL and one can assume that he is meant to be God's wrath smiting down this sin-filled SODOM-like town and burning it to the ground, but this is never stated in the actual film.
for me this film is an enigma because EASTWOOD's character is so vicious yet you root for him, he by definition is the moral center of the film despite his own deplorable actions. case in point: in the first 10 minutes of screen time this unnamed character murders 3 townsfolk in cold blood and rapes a prostitute and yet somehow you still root for him. its awful.
you can't even call this character an anti-hero, he's just a terrible person inflicting pain on other despicable people. for me i'm conflicted and perplexed by this film, which is probably why i have rewatched it several times attempting to figure it out. is it a commentary on the VIETNAM WAR or PROTEST MOVEMENTS then taking place? is he saying that brute force justifies all actions?
i really don't know. i just don't understand how a character can be that awful and still hold moral authority in a film. just on a technical narrative side, that is a neat trick. what such violence is attempting to convey to the viewer? i still don't know but am interested in finding out.