photo & text by nacrowe
i know its hard to believe now, but there was a period - however brief - that THE OFFSPRING did not suck.
1994 was a big year in music for a lot of reasons, but i distinctly remember what it was like to be in elementary school in SOUTHERN CALIFORNIA when SMASH (EPITAPH, 1994) went big that year. at the time i was big into BASKETBALL and played lots of tournaments of with a traveling team, i even knew the coaches at the three high schools in my area (ORANGE COUNTY) as i was a known entity at that time. so i remember going to basketball tournaments all over the state when songs like "COME OUT AND PLAY" and "SELF ESTEEM" got played during warmups. at the time i knew THE OFFSPRING were a local band (BUENA PARK) and i knew the record was massive. i didnt have MTV as none of my friends had cable, but i did listen to 106.7FM KROQ out of LOS ANGELES. at the time i became conscious of music, the SEATTLE ALTERNATIVE ROCK scene was massive and ubiquitous so it was cool to know that a local band was on that level. this was a time that was before the national emergence of SUBLIME (LONG BEACH) and NO DOUBT (ANAHEIM) but concurrent with that of GREEN DAY (EAST BAY).
looking back now, SMASH and its predecessor IGNITION (EPITAPH, 1994) were both albums that were made by musicians that obviously had a love for LOS ANGELES HARDCORE bands like THE GERMS (HOLLYWOOD) and BLACK FLAG (HERMOSA BEACH) yet were noticeable influenced by the melodicism of other local acts like THE ADOLESCENTS (FULLERTON), AGENT ORANGE (PLACENTIA) and THE DESCENDENTS (MANHATTAN BEACH). to my ears this record is a marriage of those two approaches and a fairly successful one at that. for some odd reason which i cannot explain, after this record the band decided to go a more "WEIRD AL" YANKOVIC route and make novelty songs that double as lame social commentary. for me and a lot of other earlier admirers this really killed their appeal. i am almost certain that there are some reading this that share this antipathy for the band in general.
but there was a moment that THE OFFSPRING didnt suck. and this album was it. what caught me off guard was when i moved to NIGERIA in 1996 and met fellow classmates from places like ISRAEL, NORWAY, KENYA, LEBANON, ENGLAND and GHANA who knew about the band and were fans of the scene they came from. i realized then the true scope of this record. all future releases by seminal bands from my former hometown would be experienced as an outsider as i never moved back. i dont feel nostalgic about my time in SOUTHERN CALIFORNIA (i was happy to leave), but hearing this record, especially lesser known cuts like "GOTTA GET AWAY" and "NOT THE ONE" take me right back to being a pre-adolescent in ORANGE COUNTY.