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NEW "CLASSICAL-ISH WITH NUTMEG" RADIO SHOW AVAILABLE NOW

2/11/2021

cover by nacrowe

click HERE for NUTMEG's latest streaming CLASSICAL-ISH radio show on MAKERPARKRADIO.NYC as she presents an optimistic new playlist or she put it, "I’m playing everything from Béla Bártók and Hyacinthe Jadin to Janelle Monae, Angélica Negrón, Mexican romantic string quartets and Depeche Mode coz I dunno. New world and hope."

don't forget that you can also access other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, THE SYNTHESIZER SHOW and DEER GOD RADIO here at our website.

and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!

SPOTLIGHT | NULLE PART AILLEURS

2/10/2021

photo manipulation by nacrowe

NULLE PART AILLEURS, translated in english as NOWHERE ELSE, was a talk show on FRENCH channel CANAL+ from roughly 1987 to 2001. as part of the program at times there would be musical guests and the footage that has leaked onto the internet from english-speaking bands over the years is quite remarkable.

impassioned, well-mixed performances by the likes of PORTISHEAD, NIRVANA, OASIS, AT THE DRIVE-IN, MASSIVE ATTACK, DEFTONES, A PERFECT CIRCLE, GARBAGE, SYSTEM OF A DOWN, THE SMASHING PUMPKINS and countless others can be view below. enjoy.

FILM REVIEW | MY CAREER AS A JERK

2/9/2021

photo manipulation by nacrowe

the no frills documentary MY CAREER AS A JERK (WE GOT POWER FILMS, 2012) is very much a basic run through of the career of HARDCORE legends THE CIRCLE JERKS with a focus on their wild, kinetic frontman KEITH MORRIS. included are grainy live performance footage from nearly every incarnation of the band as well as interviews with MORRIS and past CIRCLE JERKS bandmates GREG HETSON, LUCKY LEHRER, EARL LIBERTY and ZANDER SCHLOSS as well as contemporaries of the 80s HARDCORE scene like HENRY ROLLINS (BLACK FLAG), J MASCIS (DEEP WOUND, DINOSAUR JR), BRIAN BAKER (MINOR THREAT, DAG NASTY) and GREG GRAFFIN (BAD RELIGION).

i dont want to say that this film was a cash grab, but in terms of its editing and overall narrative cohesion it is a bit uneven. at no point did i get a sense of what made them special relative to their peers or their contributions to the 80s HARDCORE scene other than that they existed. instead we are given a behind the scenes at tensions within the band and the immense risk involved in maintaining a HARDCORE band longterm. that was my big takeaway at least. in a fluid musical scene in which its members prided themselves on being spontaneous and in the moment, any type of longevity in such a combustible environment with their credibility still intact is an accomplishment in and of itself. maybe the point of this film was to answer fans why a CIRCLE JERKS reunion in the 2010s was not in the cards as MORRIS was very much pursuing his work in OFF!, which very much stands up to his catalogue with gusto.

if you are completist than this film is worth your time, otherwise i would implore you to consider reading MORRIS' stellar MY DAMAGE: THE STORY OF A PUNK ROCK SURVIVOR (DA CAPO, 2016) memoir instead (review linked HERE).

BOOK REVIEW | "CONFESS" BY ROB HALFORD

2/8/2021

photo & text by nacrowe

for all its posturing, METAL is a pretty conservative genre. i remember going to OZZFEST more than 20 years ago in 1999 and first witnessing not just live METAL bands, but the crowds they drew. im not gonna lie, it was all pretty intimidating as a teenager. there was this bullshit macho culture that informed nearly every aspect of the concert experience from how the bands reacted with the crowd and the crowd to one another. to date my least favorite aspect of METAL in general is the whole misogynist "show us your tits" culture that thankfully is starting to die out. i remember when walking around the venue how uninviting this event must have felt towards 1) women 2) gay men and 3) all rational humans.

obviously the almighty ROB HALFORD of BRITISH NWOBHM legends JUDAS PRIEST is the most famous homosexual in METAL history (that we know of). his memoir CONFESS (HACHETTE, 2020) is his recounting of his journey from the ENGLISH BLACK COUNTRY to becoming the preeminent METAL GOD that he has been for more than five decades. arguably only BLACK SABBATH and METALLICA have been as institutionally well-regarded and celebrated in METAL as JUDAS PRIEST. which makes his coming out as a HOMOSEXUAL that much more courageous, especially given the widespread conservatism elements within the METAL community.

that journey is described in detail and centers around HALFORD feeling entrapped by his SEXUALITY for a good portion of his adult life. for me it is that sense of repression, claustrophobia and inability to fully express oneself for fear of retribution, both against oneself and those he cares about (i.e. family and his band), that serves as the crux of this memoir and makes it very unique. what is interesting is how once he outed himself during an MTV interview, his family and fans (for the most part) all stood by and accepted him. JUDAS PRIEST had known for years and were always a steadfast in their support of one another. perhaps my initial reservations about the METAL community back in 1999 were wrong, maybe not.

another aspect i really appreciated about this memoir was HALFORD's personal touch as a wrier, routinely utilizing BRUMMIE dialect and turns-of-phrase which gave the language a decidedly BLACK COUNTRY flavor. it is obvious 1) that he wrote this memoir and 2) his pride in his background as someone from the WEST MIDLANDS in ENGLAND, much like predecessors in BLACK SABBATH. oftentimes when artists utilize ghost writers the writing takes on a more formal tone that often doesn't gel with the public persona of the artist. the fact that HALFORD unapologetically gushes about decidedly un-METAL subjects like CILLA BLACK, MADONNA, QUEEN ELIZABETH II or even LADY GAGA makes this book feel all the more personal, which i enjoyed. the only downside to such was that certain episodes in his life were brought up and then summarily passed over quickly, as if there was a checklist of events to get through.

i understand that as a gay man, HALFORD wanted to stay away from wading too deep in cliches such as the misery and depth of pain associated with the gay community during the 1980s when conservative governments lead by RONALD REAGAN and MARGARET THATCHER largely ignored the AIDS epidemic. this topic of self-hatred brought on by an unempathetic culture surrounding LGBTQIA issues has been fodder for plays, films and tv shows for decades now. i also understand he didn't want to delve into politics, consistently mentioning that he wasnt political by nature. unfortunately his identity as a gay man made him political and not by choice. for me that was a missed opportunity. i would have loved to learn his feelings about such but i understand and respect his decision not to delve into that topic.

all in all this was a very enjoyable memoir from a singular artist with a unique background that hopefully moving forward will become less so. one can only hope that the METAL community, like all aspects of society, progresses towards a more inclusive and empathetic ideal. one where people dont care about one's ethnicity, sexuality, gender identity and so on.

honestly, when i hear ROB HALFORD sing, i just think of how brutal JUDAS PRIEST are and how badass they sound, like freight train of unadulterated METAL. in JUDAS PRIEST i hear the twin guitar onslaughts of SLAYER, LAMB OF GOD and early METALLICA as well as the gymnastic vocals of DEVIN TOWNSEND and PERRY FARRELL. his sexuality never really comes into view, although now undoubtedly i'll never hear "JAWBREAKER" the same way again. cant believe i didnt see that one in retrospect, ive definitely got another thing coming.

NEW "NOWHERE FAST SHOW" AVAILABLE NOW

2/7/2021

photo by nacrowe

click HERE for the latest episode of THE NOWHERE FAST SHOW on MAKERPARKRADIO.NYC as host TOM FERRIE presents a playlist in celebration of the work and legacy of JOE STRUMMER on INTERNATIONAL CLASH DAY!

past episodes of THE NOWHERE FAST SHOW as well as other MAKERPARKRADIO.NYC shows like DEER GOD RADIO, MAKE HER SPACE, THE SYNTHESIZER SHOW and CLASSICAL-ISH WITH NUTMEG are available here at the DEER GOD website.

and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!

NEW "SYNTHESIZER SHOW" EPISODE AVAILABLE NOW

2/6/2021

covers by nacrowe

click HERE for the latest episode of THE SYNTHESIZER SHOW on MAKERPARKRADIO.NYC where Reed and Vince present a new playlist of electronic music and discuss the finer points of age appropriate attire.

as always, you can access all past episodes of THE SYNTHESIZER SHOW via the DEER GOD website as well as those of MAKE HER SPACE, NOWHERE FAST, DEER GOD RADIO and CLASSICAL-ISH WITH NUTMEG.

and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!

CHECK OUT THIS BAND | GET DEAD

2/5/2021

photo manipulation by nacrowe

i always love discovering bands like SAN FRANCISCO's GET DEAD. hats off to FAT MIKE at FAT WRECK CHORDS for signing and promoting bands like this. yes they sound reminiscent of THE CLASH and RANCID at their most REGGAE and DANCEHALL-influenced peak, but along with that melodicism is a great voice in that of frontman SAM KING who sounds like he is gargling razor blades as he skanks.

i really appreciate that dynamic. their music is definitely funky and well-crafted yet powerful and confrontational. definitely worth checking out.

"DEER GOD RADIO 99: BEBOP" NOW AVAILABLE

2/4/2021

parodies by nacrowe

watch HERE this recent streaming video episode of DEER GOD RADIO dedicated to the origins and enduring cultural impact of BEBOP.

past episodes of DEER GOD RADIO as well as other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, THE SYNTHESIZER SHOW and CLASSICAL-ISH WITH NUTMEG are available here at the DEER GOD website.

and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!

SPOTLIGHT | MOOG SOUND LAB

2/3/2021

photo manipulation by nacrowe

at the moment we are living in an age where amazing live performance series, past and present, are all becoming newly available on YOUTUBE. its pretty cool.

MOOG SOUND LAB is a discontinued live performance series based around, you guessed it, the analog synthesized wizardry of ROBERT MOOG's machines and features various artists from the world of INDIE ROCK, ALTERNATIVE HIP HOP and AVANT-GARDE POP. in essence it serves as sonic evidence of the wide-range of moods and sounds available through the gear.

definitely worth watching if you have an interest in analog synths and their unique multitude of sonic applications.

FILM REVIEW | TRICKY DICK & THE MAN IN BLACK

2/2/2021

photo manipulation by nacrowe

TRICKY DICK AND THE MAN IN BLACK (ALL RISE FILMS, 2018) follows the path of COUNTRY MUSIC icon JOHNNY CASH and "pun intended" the line he walked between the political fracas that defined the VIETNAM WAR era.

i think CASH's place in the pantheon of AMERICAN CULTURE is fully secure in part due to his sharing of the spotlight in the late 1960s on his namesake television show where he introduced MIDDLE AMERICA to songwriters and voices they may not have been familiar with or had negative opinions about: artists like JONI MITCHELL, BOB DYLAN, NEIL YOUNG, RAY CHARLES, LINDA RONSTADT and PETE SEEGER. the generosity that showed endeared him to the growing counterculture and FOLK movements that were then emerging, but make no mistake, the man himself was the very embodiment of the heartland and all that entails.

the main narrative of this documentary follows RICHARD NIXON's troubled presidency as he continues the unpopular war he inherited and expands it into CAMBODIA as a way of taking the fight to the NORTH VIETNAMESE ARMY and the VIETCONG. famously, NIXON rose to power through the notorious SOUTHERN STRATEGY that saw him adopt the politics of grievance and adeptly exploited racial divisions. this strategy is still very much a part of REPUBLICAN sloganeering to this day. what NIXON saw with his rise was a cultural chasm between the unbridled optimism of the newly politically and economically empowered youth culture of the BABY BOOMERS (now a voting bloc) who listened to BRITISH INVASION rock bands from the UNITED KINGDOM as well as homegrown acolytes alike.

he saw this as a threat. famously he harassed JOHN LENNON through deportation threats and others he saw as agitators that could potential galvanize the youth against him. enter CASH whom he invited to the WHITE HOUSE to play a concert in support. CASH at this point was in the uncomfortable position of not wanting to appear to support NIXON explicitly while also feeling a patriotic obligation to appear when you are called by your country, in this case the commander-in-chief himself.

the climax of this respectful interaction as his playing of his song "WHAT IS TRUTH" which addressed in its lyrics war, drug addiction, intergenerational differences and the use of politics as a tool for the institutional mistreatment of minorities. all this with NIXON in attendance. a few weeks later WATERGATE happened and NIXON was later removed from office, but that moment became a a part of the CASH legacy and gained him credence with AMERICANS of every stripe.

watching this film, you can see the beginnings of bifurcated cultural divide that separates RED from BLUE, RURAL from SUBURBAN. for a moment CASH was able to walk that line with grace. something we are missing at this political moment indeed.

empathy.

BOOK REVIEW | "LOVE IN VAIN: ROBERT JOHNSON 1911-1938" BY J.M. DUPONT & MEZZO

2/1/2021

photo by nacrowe

LOVE IN VAIN: ROBERT JOHNSON 1911-1938 (FABER & FABER, 2016) is lovingly constructed graphic novel depicting the basic narrative of doomed legendary DELTA BLUES artist ROBERT JOHNSON from the perspective of the DEVIL.

in terms of narrative there seems to be a heavy focus on the sheer physicality of the era, especially with evocative visual depictions of the thankless task of laboring in the cotton fields and carousing in the juke joints. you get a sense of how far outside of society JOHNSON was for pursuing a career in music that was unsanctioned by the BLACK BAPTIST CHURCH. you also get a feel for how all modes of escapism, whether they were musical, sexual or chemical in nature, where all just diversions from the harsh draconian reality that was being an AFRICAN AMERICAN in the JIM CROW, post-reconstruction deep south.

as with all types of narrative telling, choices are made regarding the subject that reflect more on the author/artist than the subject perhaps. this is true in the case of LOVE IN VAIN which was created by R. CRUMB acolyte MEZZO and finds interest in the extremity of the subject matter. in my mind, what i find more interesting about JOHNSON and his art are the ways that his upbringing and background informed his art. how they contextualized his lyrics. how those lyrics and that sound connected with generations of artists.

the devil at the crossroads gimmick is overblown in my opinion. it also is highly misrepresented as conversing with god in order to gain insight or wisdom is a hallmark of the WEST AFRICAN storytelling and oral history tradition than anything else. what gets perpetuated in well-meaning texts like this is the idea of a man who deserved to die for his talent, which is bullshit. the man was poisoned by a jilted husband of woman he was pursuing. shit happens. he messed with the wrong guy and due to his status as a societal outside, JOHNSON was left for dead without a doctor. his death was inevitable or a sign of anything.

i was a little let down that the narrator was the devil, even if he questioned the motives of several characters in the process (which is a bit of a head-scratcher when the lord of darkness finds you a bit duplicitous). seemed exploring WEST AFRICAN culture of HOODOO beliefs would have been more interesting, but hey the pictures are amazing.

"DEER GOD RADIO 113: 2000s ROCK REVIVAL" LIVE TONIGHT AT 8PM EST ON MAKERPARKRADIO.NYC

1/31/2021

parodies by nacrowe

join us TONIGHT at 8PM EST for an all new episode of DEER GOD RADIO on MAKERPARKRADIO.NYC focused on the ROCK REVIVAL of the early aughts.

past episodes of DEER GOD RADIO as well as other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, THE SYNTHESIZER SHOW and CLASSICAL-ISH WITH NUTMEG are available here at the DEER GOD website.

and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!

NEW "NOWHERE FAST SHOW" AVAILABLE NOW

1/30/2021

photo manipulation by nacrowe

click HERE for the latest episode of THE NOWHERE FAST SHOW on MAKERPARKRADIO.NYC as host TOM FERRIE presents an all 78RPM VINYL playlist from his personal collection.

remember that past episodes of THE NOWHERE FAST SHOW as well as other MAKERPARKRADIO.NYC shows like DEER GOD RADIO, MAKE HER SPACE, THE SYNTHESIZER SHOW and CLASSICAL-ISH WITH NUTMEG are available here at the DEER GOD website.

and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!

CHECK OUT THIS BAND | OSEES

1/29/2021

photo manipulation by nacrowe

OSEES (or is it THEE OH SEES or OHSEES or even THE OHSEES?) is just a great, ever-evolving, balls-to-the-wall ROCK N ROLL band well worth checking out. noisey, lo-fi, fuzzed-out glorious experimental abandon straight out of the BAY AREA.

youre welcome.

NEW "CLASSICAL-ISH WITH NUTMEG" RADIO SHOW AVAILABLE NOW

1/28/2021

cover by nacrowe

click HERE for NUTMEG's latest streaming CLASSICAL-ISH radio show on MAKERPARKRADIO.NYC where she presents a new playlist that allows us to "rejoice in the departure of the despot with a classical/experimental show featuring all BIPOC composers."

don't forget that you can also access other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, THE SYNTHESIZER SHOW and DEER GOD RADIO here at our website.

and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!

SPOTLIGHT | WILL FERRELL LATE NIGHT APPEARANCES

1/27/2021

photo manipulation by nacrowe

everything recently is so depressing. with structural racism in our policing, COVID continuing unabated and political unrest at the hands of QANON true believers still an ever present threat on our republic. just thinking about the onslaught of disinformation and thoughtless cruelty that has been perpetuated by the hubris of the former TRUMP administration and his craven sycophants in the GOP is just too much to stomach. it is because of them that our country is devolving into a GREEK tragedy.

ive already written about my love and admiration for NORM MACDONALD and how his LATE NIGHT appearances are legendary. they cheer me up every time i see them. following closely behind are the appearances by fellow SATURDAY NIGHT LIVE alumnus WILL FERRELL over the years, who gets more and more absurd each time he's on any LATE NIGHT program supposedly promoting a new project. its become less and less about the film he is promoting and more about some ANDY KAUFMAN-esque next level batshit weirdness.

i love these bits and his insane singular commitment to staying in character and ever-present comic geniusm, so enjoy and get some relief before the ominous return of our collective TRUMPIAN HELLSCAPE.

FILM REVIEW | CHASING TRANE

1/26/2021

photo manipulation by nacrowe

i spent a year in JAPAN teaching secondary ENGLISH at a BRITISH curriculum international school. it was an intense experience, partly because i was being schooled on the IB SYSTEM as i was teaching it. i had been abroad for years at that point, but JAPAN was the first time i truly felt isolated. not isolated out of want or need for something material, but socially it was pretty brutal. when i left a year later for MYANMAR it wasn't a difficult departure.

when decompressing after my work day in my apartment at night i would often sit idly and meditate, sometimes listening to JAZZ. for me COLTRANE, as well as THELONIOUS MONK, were my preferred co-conspirators. you just put it on and you were elevated to a plane above consciousness. it helped me because being alone in a foreign country you are cognizant of being watched and judged and especially being a teacher, you are hyper-aware of how you communicate. that thinking part of my brain was hard to shut off. from my personal experience, COLTRANE is intertwined with my experiences experiencing JAPAN.

until i watched the recent documentary CHASING TRANE (CREW NECK, 2016), i was wholly unaware of his reverence for JAPAN and their suffering, as well as the fact that his final tour was there as well. for me that seems fitting just because his music transmits a deep well of experience and emotion underneath a cool exterior that is inviting yet alien. you feel as if he is a shaman transporting you to a new level of consciousness. very similar to my exploration of zen meditation at the time.

the documentary itself is a fairly dry, yet faithful and loving ode to the JAZZ musician by his immediate family, friends and colleagues including SONNY ROLLINS, JIMMY HEATH, REGGIE WORKMAN, BENNY GOLSON and admirers like CARLOS SANTANA, CORNELL WEST, BILL CLINTON. his voice is played by celebrated actor DENZEL WASHINGTON.

a big theme is the spiritual nature of his music which is rooted in his formative experiences in NORTH CAROLINA where he was the grandson of two ministers. despite the fact that by age 12 most of the older generation (including his father) had all unexpectedly and tragically passed over a 2 year period, he carried on with an inner strength and resilience that followed him his whole life. helped him kick heroin and keep his focus on music and being a good father and husband. an incredible observation made in the film was his ability to utilize vocal phrasing patterns in his soloing, most notably in ALABAMA released after the BIRMINGHAM bombings in the late 60s which were partly based on MARTIN LUTHER KING's rhetorical stylings. traveling to NAGASAKI for a concert he was similarly glued to his flute in an attempt to transpose the rhythm of JAPAN for his later composition "PEACE ON EARTH."

it is always a pleasant surprise when life and art dovetail. now the connection between COLTRANE and JAPAN is set in my mind.

listen to the man's music. that's all i can advocate. it transcends speech, thought and hits to the core of life itself.

BOOK REVIEW | "FIGHT CLUB" BY CHUCK PALAHNIUK

1/25/2021

photo & text by nacrowe

for all the earned notoriety of its infamous film adaptation, CHUCK PALAHNIUK's novel FIGHT CLUB (WW NORTON, 1996) compellingly deconstructs MASCULINITY in a pre-internet consumer culture society. its an interesting thing that this narrative (and this author) gets a bad rap for glamorizing bro culture, because in my mind this novel and of all its savage pugilism (and the MASOCHISM that follows suit) is a primal scream against the confines of masculinity that is defined by how much money you can produce and how much bullshit you can consume. underground boxing and secret societies (and DOMESTIC TERRORISM) are almost team building exercises in this novel for a masculine identity devoid of an essence separate from commerce.

given the rise of the national TRUMP cult and the craven behavior of REPUBLICAN leaders beholden to a fiendishly loyal MAGA crowd, who themselves are, by and large, uneducated white men effectively rendered impotent in today's economy, the echoes of the themes presented in this book arguably more salient now then they ever were before.

so fighting in this novel is not really about fighting. my understanding is that it is paradoxically about connection. it is about establishing a sense of agency, control over your surroundings. even the physical damage taken in these brawls is a choice, an outcome decided by the individual alone. not a corporation or manipulative marketing or even an editorial board. fighting in this sense is used as a means of establishing one's INTRINSIC VALUE in a consumer culture that dismisses such. IMMANUEL KANT introduced the world to the idea of the CATEGORICAL IMPERATIVE, in which leaders have a moral obligation to recognize the INTRINSIC VALUE of their subjects and not treat them as a means to an end. obviously the plot of this book (which i wont recount as it is common knowledge at this point given the film) is a NIHILISTIC fantasy about a reaction to the our new corporate overlords in a pre-internet world.

its interesting to think how 1) close our current world is to that presented here and 2) how further along we are in terms of the current SURVEILLANCE CAPITALIST state that has enabled our ability to be individually manipulated at scale beyond what PALAHNIUK could have imagined back during the 1990s.

MASCULINITY here is badly, damaged and rendered impotent. it makes sense that MASOCHISM and SELF-DESTRUCTION serve as a pathetic response that ironically asserts the agency of the individual. nothing bro about that.

"DEER GOD RADIO 98: RUN THE JEWELS" NOW AVAILABLE

1/24/2021

parodies by nacrowe

check out HERE this recent episode of DEER GOD RADIO that celebrated RUN THE JEWELS and the careers of EL-P and KILLER MIKE!

past episodes of DEER GOD RADIO as well as other MAKERPARKRADIO.NYC shows like MAKE HER SPACE, NOWHERE FAST, THE SYNTHESIZER SHOW and CLASSICAL-ISH WITH NUTMEG are available here at the DEER GOD website.

and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!

NEW "SYNTHESIZER SHOW" EPISODE AVAILABLE NOW

1/23/2021

covers by nacrowe

click HERE for the latest episode of THE SYNTHESIZER SHOW on MAKERPARKRADIO.NYC where Reed and Vince present a new playlist for the first time in 2021, live from an undisclosed location in BROOKLYN.

as always, you can access all past episodes of THE SYNTHESIZER SHOW via the DEER GOD website as well as those of MAKE HER SPACE, NOWHERE FAST, DEER GOD RADIO and CLASSICAL-ISH WITH NUTMEG.

and if you haven't done so already get the FREE PHONE APP for IOS/ANDROID and enjoy listening to MAKERPARKRADIO.NYC 24/7 at your convenience!