photo manipulation by nacrowe
the title a reference to a former BRIXTON sound-system enjoyed long ago by JAMAICAN WINDRUSH GENERATION immigrants, SUPERSTONIC SOUND: THE REBEL DREAD (3FILMGROUP, 2010) is a film about famed director and PUNK ROCK icon DON LETTS and the CULTURAL and PERSONAL HISTORY of BASS over three generations of his family in BRITAIN. its an interesting topic criminally overlooked, especially since, as DON states, "bass is JAMAICA's gift to the planet."
the film is a dialogue of sorts with his son JET, who is an upcoming DUBSTEP producer, which interestingly continues a family legacy that was started with DON's father ST LEGER who set up a small sound-system on the steps of a church after service. in a sense, this intermingling of RELIGION and MUSIC was what got that first generation of immigrants through ECONOMIC, POLITICAL and CULTURAL racism from a new home country that rejected them.
what i found interesting about the film was the interplay between ROOTS REGGAE and the beginnings of BRITISH PUNK ROCK in the late 1970s and how such carried over to NYC HIP HOP in the early 1980s. the through-line between such seems obvious in retrospect (REBELLION, PERSONAL FREEDOM, UNINHIBITED CREATIVE EXPRESSION), but the seeming recognition and collective interest of such at the time by active participants in each scene is pretty remarkable. it also provides an explanation for the formation of BIG AUDIO DYNAMITE (of which DON co-fronted), which was a band i never completely understood after being raised on THE CLASH.
i also found it remarkable how levelheaded JET was about the legacy of his father, how he doesnt feel a need to live up to some outside expectation, but nonetheless appreciates to learn what he can from him. and his father in return sees value in his evolution and appreciation for the use of BASS in his music. it is pretty remarkable.
of course this film was recorded long before the catastrophe of BREXIT and the UNITED KINGDOM's fall back into state-sanctioned RACISM and rampant XENOPHOBIA that led the way for TRUMP and globally ascendent authoritarians worldwide. i can only imagine what this film would look and sound like just 6 years later. my sense is that a common love of BASS would nourish that family's soul and provide a respite just as it did during the post-WORLD WAR II period with the WINDRUSH GENERATION. scary to think about.
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