photo & text by nacrowe
so when i think of extroverted ROCK AND ROLL showmen, the first two names i think of are DAVID LEE ROTH and the STARCHILD himself, PAUL STANLEY of KISS. if you have never heard his legendary epic "rock talk" rants in-between songs compiled in the very unofficial compilation PEOPLE, LET ME GET THIS OFF MY CHEST (linked below), do yourself a favor check that out. OH. MY. GOD. that and watching NORM MACDONALD clips on youtube are the only things guaranteed to bring me out of a bad mood.
STANLEY is pure kinetic energy and the ultimate frontman, as he seemingly has no bounds to his enthusiasm in the high church of ROCK AND ROLL. admittedly i am closet KISS fan, as anyone that knows me will attest. where others see a bunch of talentless charlatans, i see true believers in the redeeming power of music... plus they blow shit up. there is nothing deeper to explore in their music. LOVE GUN is what it sounds like, a song about his dick. and why not?
so when i went about reading his memoir FACE THE MUSIC: A LIFE EXPOSED (HARPER COLLINS, 2014) i was at first taken aback but then quickly understood that as a child STANLEY was a nice little JEWISH boy from QUEENS that was painfully introverted. this was due to his being born with a congenital defect called MICROTIA that left him without a right ear, essentially giving him no peripheral hearing or ability to triangulate distance. the idea that through sheer will he became an influential musician just speaks to his drive. and for me that is the secret of KISS and their merchandising empire. along with GENE SIMMONS who likewise grew up in QUEENS an immigrant ISREALI who was made fun of for his accent during his childhood, you really get the sense that music and shameless self-promotion was their meal ticket out of NYC and unto bigger stages. were their songs good? meh. one thing i appreciate about this memoir is when STANLEY openly admits when their songs were shit, specifically whole swathes of the 1980s. i dont think i have ever read another musician be that dismissive of his own work in a memoir before. even SIMMONS stands by MUSIC FROM "THE ELDER" and other schlock they crapped out during those stale years.
i appreciate that honesty.
are there problems with this memoir? of course. MISOGYNY and NARCISSISM are pretty rampant and unchecked throughout this book. i don't know if he truly understands how full of himself he comes off at times. and his talk of sexual conquests is just as boring and disgusting as in SIMMONS memoir, but i guess that was the time and place. i wasn't there thankfully so i don't know.
an aspect i really enjoyed was all the mudslinging at on-again/off-again original members PETER CRISS and ACE FREHLEY. he goes to great lengths to dismiss the basic "dog tricks" CRISS performs as drumming during their reunion gigs, not to speak of his inability to stand up for himself and hid behind his rotating array of wives. FREHLEY, much as in SIMMONS' book, comes off as a lazy drunk that had talent but wasted it. i sense some admiration of sorts deep down there but ultimately a resigned frustration at someone that did not share his drive or need to push his gift to his limits. SIMMONS gets pegged as a self-promoting charlatan who takes credit for the work of others, namely the business prowess of STANLEY and their manager. STANLEY views himself as someone that found happiness and joy in his second marriage and the redemptive power of children. ultimately he hopes for the same for SIMMONS.
this book was probably 100 pages too long and it drags in places, but i thoroughly enjoyed reading it and look forward to reading FREHLEY's book where i hear he rebuts STANLEY and SIMMONS about their claims of his supposed laziness and ANTI-SEMITISM. can't wait.