photo & text by nacrowe
during my undergraduate years at RUTGERS i wrote a senior thesis on film noir and a key feature of those films is a corrosive depiction of women as corrupters. often male protagonists impotently speak via voice-overs, attempting to frame a narrative that inevitably they were never able to control.
musician/artist/producer/fashion designer/actress/writer/badass KIM GORDON of SONIC YOUTH fame in her memoir GIRL IN A BAND (HARPER COLLINS, 2015) in a similar fashion attempts to make sense and contextualize the trauma of her recent divorce. in an inversion of the film noir cliche i outlined above, her painful retelling of their doomed relationship if anything doesn't reduce her ex-partner and ex-bandmate THURSTON MOORE to that of a lazy literary trope. it is my understanding that her presenting this information was meant to accurately describe the insight gained from such a painful ordeal that ultimately deprived her a partner and collaborator and place it within the proper context of her upbringing and fraught relationships with her brother and father. unlike those noir films, her compassionate insights into these men ultimately humanizes them, especially MOORE.
what i really appreciated this book was her honesty. no doubt knowing her public image as an icon for female empowerment, the vulnerability she displayed in explaining why she found herself in the familiar trap of suppressing her ego for the men in her life is a daring move. you really get the sense of struggle throughout her entire music/art career. you also get a well-rounded, first-hand look at the early 80s concurrent NO WAVE music scene and burgeoning NYC art scene surrounding street art. she comes across a someone curious and relentlessly fearless in taking advantage of what opportunities came her way. she doesnt not come across as an opportunist, rather as a passionate curator constantly searing for new ideas and inspirations.
i feel a kinship with that as someone who grew up around unfamiliar people in unfamiliar countries. her upbringing in SOUTHERN CALIFORNIA by way of brief stints in HONG KONG and HAWAI'I gave her something of a THIRD CULTURE KID vibe. they say THIRD CULTURE KIDS (children that grow up in a country not their own) are qualitatively better able to navigate life's upheavals, having dealt with such stress during their impressionable formative years. if anything, her curiosity for art, music, design, and love only get stronger as the narrative evolves, almost in contrast to the arc of her personal life.
i'm a fan of her work, both in and out of SONIC YOUTH and recommend this book highly for anyone interested in her career as well as anyone interested in the NYC art and indie music scenes of 80s and 90s by a big player in both. well worth it.
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