photo & text by nacrowe
touring is an activity that often gets romanticized in the public consciousness since it reeks of personal freedom and the seemingly endless enticing possibilities that come with a constant change in scenery. the REALITY is much different, as witnessed in NEW YORK CITY comedian TODD BARRY's tour memoir THANK YOU FOR COMING TO HATTIESBURG: ONE COMEDIAN'S TOUR OF NOT-QUITE-THE-BIGGEST CITIES IN THE WORLD (SIMON & SCHUSTER, 2017) which effectively journals his time on the road at small secondary and tertiary stateside markets.
this memoir is less about his craft as a writer and comedian and more about trying to not get ripped off by small-time promotors, enduring multiple connecting flights and combatting BOREDOM on tour by seeking quality COFFEE and FOOD, as well as small museums and eccentric roadside attractions. the nearest comparison i could relate to this memoir is HENRY ROLLINS' similarly constructed GET IN THE VAN: ON THE ROAD WITH BLACK FLAG (review linked HERE) which follows the personal hardships of a life on the road with no guard rails or safety nets. BLACK FLAG at the time was trailblazing a new path and establishing a network of nontraditional venues and communities and ROLLINS account gets into the MINUTIAE of what said travails meant on a day-to-day basis. it also gets at the PERSONAL TOLL of such an extreme NOMADIC existence, which is similarly relayed in BARRY's less extreme memoir.
you really get the sense in THANK YOU FOR COMING TO HATTIESBURG, that the sheer REPETITION of the experience is what leads to all these cycles of experiencing new physical situations, such as commenting on the quality of hotel accommodations, backstage green rooms, bathroom cleanliness, venue layout and REFRESHMENTS available on site. i imagine once you have your jokes down and your routine polished, the routine physical details of your predictable day-to-day existence are what take over, which is the opposite of the romanticization of being on the road for a living.
which is the point.
but i think BARRY is doing a service in promoting and, in essence, glorifying these small venues in out-of-the-way cities and towns in his memoir. it shows that meaningful ART and CULTURE can happen anywhere, even ASBURY PARK or rural MISSISSIPPI. kind of ironic it took a NEW YORKER to make that point. THANK YOU FOR COMING TO HATTIESBURG is definitely a quirky yet thoroughly enjoyable look at life on the road and as a solitary entertainer. i dont know how standup comedians do it, i would be absolutely petrified having to walk into new surroundings and attempt to make a room full of strangers laugh. respect.