photo manipulation by nacrowe
spending my early formative years in southern california, i have a soft spot for SURF MUSIC or really anything that reminds me of summertime at the beach in general. what makes this los angeles-by-way-of-seattle indie rock band LA LUZ so compelling is that they managed to provide a really cool spin on that sound by relocating it emotionally to a place of vulnerability rather than celebration.
now i recognize that composer BRIAN WILSON from what I read in the excellent biography CATCH A WAVE (RODALE BOOKS, 2007) reconfigured the music of his youth, namely vocal quartets, by utilizing rich harmonies and PHIL SPECTOR-esque "wall of sound" production techniques as a means by which to give expression to his intense feelings of alienation and social anxiety. in this manner the music of THE BEACH BOYS is actually quite tragic in that it relates a fantasy that is almost a carnival-esque inversion of his actual mindset. culturally however the music he championed and ingeniously constructed is the soundtrack to simple idyllic fantasies of long weekends, sunshine and bikinis.
perhaps LA LUZ recognized the potential to use SURF MUSIC as a means of transmitting alienation since they play off expectations associated with the sound of reverb-drenched, staccato single-note run embellished with the full-throated sound of a Hammond organ. vocal melodies, often as a chorus, are delivered deadpan almost inviting you to listen even closer to the lyrics despite the lushness of the sound carrying on around you.
this band is an excellent example of bending a sound to your own will and make it your own. i deeply enjoy their music and recommend it highly. please check them out.