art by nacrowe
cult filmmaker and queer icon DEREK JARMAN was a visual artist of the first order. he gave voice to a community that was largely ostracized, forgotten and pushed to the periphery of western society during the twin reigns of 1980s reagan's america and thatcher's britain.
given the new world order we find ourselves in at the current historical and cultural moment, his largely claustrophobic set pieces with equally harrowing narratives dealing often with whisper campaigns (EDWARD II), coded behavior (CARAVAGGIO) and persecution based on identity (SEBASTIANE) seem wholly prescient and beyond relevant to today's jumbled digital clusterfuck of identity, reason and truth.
JARMAN may have been writing and speaking from the perspective of an uncloseted homosexual in the 80s dealing with the AIDS epidemic, which ultimately took his life, but in his immaculately constructed scenes of fringe characters fighting for dignity and purpose in a world that offers neither, I find a overflowing well of both.
his films show that you don't need outside affirmation to have real meaning and purpose, even if you are doomed.