photo manipulations by nacrowe
DUNKIRK (WARNER BROS, 2017) is a film very close to my heart.
i should start by mentioning that during WII my great-uncle CHARLES CALIENDI worked for the DE HAVILLAND AIRCRAFT COMPANY and played a major part in designing and testing the MOSQUITO fighter plane for the war effort. he was a very sweet, funny man and i still miss him dearly.
in my mind this film is a love letter to all those who fought and died in WWII, with special focus on the efforts of the ROYAL AIR FORCE and common sea merchants who braved incredible odds and paid a high personal cost to bring their countrymen safely home during the BATTLE OF DUNKIRK.
the film itself focuses on harrowing experiences of the ALLIED forces as they were marooned in the coastal FRENCH coastal town of DUNKIRK awaiting evacuation. as they waited along the beach they were picked off and bombed at will by the NAZI LUFTWAFFE.
where this film excels is its ability to position the audience in the psychological and emotion headspace of the main protagonists: common soldiers stuck on the beachhead at DUNKIRK, RAF pilots and brave sea merchants doing their solemn duty. this is done through a masterclass of visual storytelling, with absolute minimal exposition. this film is really a story to be experienced rather than read as a piece of history.
in particular, there are numerous scenes of random wanton violence. what is truly shocking is the silence shortly thereafter. again, the psychological space that compels the characters, as well as the audience, to piece together meaning from that which is unsparingly violent and wholly unpredictable. in essence we move forward but that silence lingers.
director CHRISTOPHER NOLAN is well-known for his ability to tease out the inner psychology of his characters, despite given genre expectations as seen in his filmography that includes INTERSTELLAR (SCI-FI), INCEPTION (SCI-FI) his DARK KNIGHT trilogy (SUPERHERO) and MEMENTO (NOIR/THRILLER).
in my estimation, his war film DUNKIRK is his finest effort yet. i highly recommend it for anyone interested in the power of filmmaking.