FILM REVIEW | JULIET OF THE SPIRITS
photo manipulation by nacrowe
for me, FEDERICO FELLINI's film JULIET OF THE SPIRITS (RIZZOLI FILM/FRANCORIZ PRODUCTION, 1965) is one of the best cinematic examinations of that feeling of being inadequate. i could be wrong, but each time i watch it i am only further confirmed in my belief that for all of this film's absolutely luscious use of color (the first FELLINI film to utilize such) and the sumptuous NINO ROTA score creating a dream-like otherworldly paradise filled with beautiful people and lavish garden parties, this film at its core is about loneliness and estrangement.
all of that carnival-like imagery and sound design is used to highlight how estranged the main character, played by FELLINI's frequent collaborator (and wife) GIULLIETTA MASINI, is from her philandering husband. it is a very unique device that is commonly utilized in MUSICALS whereby the set design, cinematography, dialogue and character behavior is meant to showcase the singular perspective of a character, not a representation of "reality." i am assuming in JULIET OF THE SPIRITS that all of the above is meant to convey the husband's charmed perspective of an idyllic, romantic idyll that his wife is only a minor character in. it is his fantasy and she comes across as a willing participant that doesn't quite fit.
again, it feels like a film on its face about inadequacy. but MASINI's character comes off grounded, stable and the epitome of a loyal partner. the husband is anything but. perhaps this is all a metaphor for the real-life partnership of MASINI and FELLINI, as his mistress was his love of cinema and filmmaking. he role being a stabilizing force and collaborator in his artistic visions.
if that is the case it is one of the most honest and deeply romantic films i know of. if anything it is the inadequacy of the director/husband to truly appreciate his wife that is on display here perhaps.
this film is worth viewing for the visuals and soundtrack alone. full disclosure: this is my personal favorite FELLINI film but virtually any of his films are worth checking out, especially 8 1/2, AMACORD, LA DOLCE VITA, SATYRICON or LA STRADA. could not recommend his work any more passionately for anyone interested in film.
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