photo manipulation & text by nacrowe
not gonna lie, when i started watching the documentary LAST DAYS HERE (9.14 PICTURES, 2012) about the rehabilitation of DOOM METAL legend BOBBY LIEBLING of PENTAGRAM, i almost felt implicated in incentivizing of the documentation of somebody's PHYSICAL, EMOTIONAL and PSYCHOLOGICAL DESTRUCTION.
the dude lived a hard life full of DISAPPOINTMENT and mental ANGUISH that was not helped by a decades-long DRUG ADDICTION to everything from crack cocaine to various opiates. the toll said DRUG ABUSE did to his body is rather profound, with GROTESQUE open soars up and down his body. at the depths of the DEPRAVITY filmed the man was psychosomatically convinced of being consumed by parasites. it was just SAD.
the film follows his manager and friend (and arguably his enabler) SEAN PELLETIER who seeks to revitalize LIEBLING's career and get him back onstage again. in the late 2000s there was a swell of interest from the public in 1970s DOOM METAL thanks to like-minded upstart STONER and SLUDGE METAL groups that gained popularity during this period, namely HIGH ON FIRE, DOWN, MASTODON, EYEHATEGOD and QUEENS OF THE STONE AGE among others. whats interesting about PELLETIER is that it is hard to discern his true intentions throughout the film and whether or not here is a benevolent influence. in essence, is he helping or EXPLOITING LIEBLING? the singer was in BAD SHAPE and had spent decades cocooned in his parents MARYLAND basement, wasting away in ISOLATION. the immeasurable toll on his parents who obviously love him is almost too much to bear at times as a viewer. its just PAINFUL to watch.
the fact that the dude pulls of a comeback, plays shows and even gets married proves that there is hope out there for everyone, i guess. but i dont know. if your singular motivation to get up in the morning is to be adored and admired by others then i have my doubts. doesnt feel particularly sustainable. at all. LAST DAYS HERE is a unique film that feels like a cross between ANVIL!: THE STORY OF ANVIL (ABRAMORAMA, 2008) and SOME KIND OF MONSTER (review linked HERE). definitely worth watching for fans of the DOOM METAL genre, but also comeback narratives in general